Dealing With "Difficult" Couples AKA "The Bridezilla Effect"

We all have heard the term "Bridezilla" to describe a challenging bride (we think Groomzilla should be a thing too). In this episode Jason and Jared discuss working with challenging couples and whether or not the "Bridezilla" thing is even really... a thing. 

Jason and Jared discuss the challenges of shooting weddings where bad weather is an issue and how to make sure you can still deliver amazing films for your couples. 

Drones are ubiquitous in the wedding space, but with a lot of the uncertainty around drones here in the USA and the emergence of Content Creators are our opening drone shots of the gold course under threat? Jason and Jared discuss! 

Jason and Jared break down how they shot a crazy three day luxury wedding industry gala in Miami, Florida. They break down how the handle preproduction, shooting and team management for an event with TONs of deliverables and a same day timeline (and look good doing it). 

HTFW is gone and we thought... Let's unpack that with John. John Bunn was one half of the How To Film Weddings duo and he comes on to talk all things HTFW, the future of education and wedding films, and what's next for HTFW and John. 

The dreaded "best ot" lists in the wedding industry, our obsession with PR and clout, and why in the end it all comes back to "excellence". Lindsay Landman of Lindsay Landman Events out of NYC joins the show to discuss it all and drop a few hot takes about wedding filmmakers and their black jeans. 

2025 has been, for many in weddings, a down year but the question is... WHY? In this episode Jared and Jason break down some reasons why you MAY not be booking in2025 and hopefully how to avoid the same fate in 2026. 

We hear the terms "Editorial" and "Documentary" style thrown around a lot but what the heck does this mean and which style is right for you? I dunno. Here's a podcast about it. 

Jimmy Lick of Second Society come son to discuss what drove him to start his all-in-one booking platform for hiring shooters, Second Society, how to get hired for great gigs as a 2nd shooter, and the interesting economy around hiring shooters at wedding in 2025. 

What does it REALLY mean to provide a good customer experience as a wedding creative and who decides anyway?