Working Class Audio podcast

WCA #573 with Natalie Bibby – AIR Studios, Direct to Disc, Attended Sessions, MPG, and Connecting with Others

0:00
1:11:03
Recuar 15 segundos
Avançar 15 segundos

In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.

In This Episode, We Discuss:

  1. Early musical influences
  2. Starting in recording & mixing
  3. University training & goals
  4. Metropolis internship lessons
  5. Moving into mastering
  6. Live cuts & direct-to-disc
  7. Half-speed mastering overview
  8. Learning & mentorship insights
  9. AIR Studios
  10. Value of attended sessions
  11. Managing client expectations
  12. Hybrid mastering workflows
  13. How mastering engineers listen
  14. Common mixing problems
  15. Music Producers Guild
  16. Challenges for studios
  17. AIR’s cutting reputation
  18. Vinyl cutting process
  19. Mastering vs. cutting
  20. American mastering mystique

Links and Show Notes:

  1. AIR Studios
  2. Music Producers Guild

Matt's Rant: How we present ourselves

Credits:

  1. Guest: Natalie Bibby
  2. Host/Engineer/Producer: Matt Boudreau
  3. WCA Theme Music: Cliff Truesdell
  4. The Voice: Chuck Smith

Mais episódios de "Working Class Audio"