The Man Who Killed (and Resurrected) Superman – Dan Jurgens Returns

Today, I’m joined by one of the architects of modern Superman lore — Dan Jurgens. From crafting The Death of Superman to introducing two of the most iconic villains in the mythos — Doomsday and Hank Henshaw, the Cyborg Superman — Dan’s work continues to define the Man of Steel for generations of readers.We break down his brand-new 80-page, treasury-sized Superman special, drawn by Bruno Redondo, and how this oversized story captures the timeless ideals of truth and hope at the heart of the character.We also talk about James Gunn’s new Superman film, how it reflects or deviates from the core mythology, and Dan’s thoughts on Superman’s evolving presence in pop culture. Plus, a sneak peek at Dan’s upcoming DC mini-series "Bat-Man: The Second Knight" with artist Mike Perkins — an Elseworlds-style tale that takes 1930 Bruce Wayne down a dramatically different path.

In this third installment of The Loeb Report, writer and producer Jeph Loeb returns to talk with John about the evolving world of superhero television and film—where it’s been, where it is, and where it’s headed.Loeb gives a candid look at the realities behind the scenes of Marvel TV, discussing the creative and financial challenges that came with making shows like Daredevil, Agent Carter, and more. From tight budgets to balancing quality with studio expectations, it’s an eye-opening look at the business of superhero storytelling. They also dive into the future of the Marvel Cinematic Universe, unpacking the uncertainty left by the departures of Robert Downey Jr. and Chris Evans. Loeb shares his thoughts on the looming risks tied to upcoming projects like Fantastic Four, Avengers: Doomsday, and Secret Wars, and the franchise’s urgent need for a new leading figure.Plus, more reflections on the Superman film, memories of Smallville, and broader thoughts on the impact of streaming platforms on television production. It’s an unfiltered and insightful chat about an industry in transition—from someone who helped shape it.

In Part 2 Loeb discussed his return to Marvel Comics, explaining that he was approached by CB Cebulski  Marvel's editor-in-chief, to write a new X-Men story. Loeb shared his histto run Marvel Television. He expressed interest in writing a story that would affect the main X-Men continuity, rather than creating a separate dream sequence.Loeb and Tom Brevoort,Marvel editor, discussed how to integrate the story of the Age of Apocalypse characters into the main Marvel Universe. The new story will feature characters from different X-Men timelines meeting in the present day.

In Part 1 Jeph discussed his return to Batman comics, sharing insights on his creative process, collaborations with artists, inspired by a tribute to the late Tim Sale. He explained how he approached 10 different artists, all friends of Sale's, to contribute to "Last Halloween". For "Hush 2," with Jim Lee, which will be released as a 12-part story split into two six-issue arcs.Loeb emphasized that the story will not interfere with Matt Fraction's Batman run and will end with a cliffhanger. He also noted that "Hush 2" will be released monthly, with the second half likely coming out after a few month's break 

Today, we’re throwing it back to a special conversation recorded in 2020 during the virtual Baltimore Comic Con. My guests are the legendary team of J.M. DeMatteis and Kevin Maguire, two of the creative forces—alongside Keith Giffen—behind one of the most beloved and influential Justice League runs of all time.Their groundbreaking late-‘80s take on Justice League International reinvented the team book with heart, humor, and character-driven storytelling. It was a bold departure from grim and gritty trends, instead focusing on the humanity—and hilarity—of heroes like Blue Beetle, Booster Gold, Martian Manhunter, and Guy Gardner. And now, decades later, the spirit of that run has resurfaced in a major way, inspiring the tone and team dynamic of the Justice Gang in the new Superman film from James Gunn’s DCU.

Today’s episode is a deep dive with writer James Robinson, recorded back in 2011 during a fascinating stretch of his DC Comics career. We cover a lot of ground—from his return to one of his most beloved characters in The Shade, spinning off from the Starman mythos, to the behind-the-scenes realities and editorial limitations that shaped his Justice League of America run.Robinson opens up about his creative choices during the Flashpoint event, particularly his darker take on The Outsider, and how the Superman stand-in Mon-El came to headline the Superman books during a major story pivot.We also talk about the launch of the New 52, and his reimagining of the Justice Society of America and Earth-2, showing how he brought fresh perspective to classic Golden Age characters under a new editorial mandate. Throughout the conversation, James shares his passion for DC’s B- and C-list heroes—characters like Solomon Grundy, Donna Troy, and Congorilla—and how he always strived to give them depth and relevance.And for fans of comics history, there’s a charming detour into his childhood in England, and how kids in the ’70s got their hands on American superhero books across the pond.It’s a candid, passionate, and sometimes frustrating look at what it means to write in a shared universe—and what it takes to elevate the characters that don’t always get the spotlight.

Today, we’re diving into a no-spoiler review of the brand-new Superman film from writer-director James Gunn. This marks the dawn of a new DC cinematic era, and all eyes are on how Gunn reintroduces the Man of Steel to a modern audience. We’ll talk tone, performances, world-building, and how this version stacks up against previous big-screen takes and beyond. No plot points ruined, no twists revealed—just honest impressions of the filmmaking, the cast, and whether this Superman feels like the hero we’ve been waiting for. If you’re on the fence about seeing it, or just want a vibe check before heading to the theater, this episode’s for you.

Today I’m joined by writer Sam Humphries, who's bringing big energy to Marvel’s latest New Avengers series. We dive into his approach to the team, the surprises in store, and how he's shaking up the lineup.But that’s just the start—Sam also talks about his work in audio storytelling, including his Audible dramas, and reflects on standout runs at DC Comics, from the cosmic challenges of Green Lanterns to the chaotic charm of Harley Quinn. Plus, we revisit his time in front of the camera as one of the hosts of DC Daily, where he brought comic book news and commentary to screens around the world.Comics, audio, screen—Sam’s done it all, and this is a wide-ranging, high-energy conversation you won’t want to miss.

Today as we anticipate the opening of James Gunn's new Superman film,  we’re flying into a deep discussion on 2013's Man of Steel, the divisive Zack Snyder film that reimagined Superman for a new era.And joining me are two longtime friends of the show and Superman storytellers in their own right—Art Baltazar and Franco, the award-winning creative duo behind Tiny Titans, Superman Adventures, and Superman of Smallville. We compare their vision of the character—lighthearted, hopeful, and kid-friendly—with the darker, more intense take seen in Man of Steel. It’s a fun and thoughtful chat about what makes Superman Superman, and how different creators interpret the Last Son of Krypton.Whether you love Snyder’s film or had issues with it, this conversation offers a fresh perspective from two guys who love the character and have helped pass him on to a whole new generation.Up, up, and let’s get into it.

This week on Word Balloon, it’s a pop culture roundup as we dive into the latest film and TV buzz. From James Gunn’s Superman reboot and the long-delayed Nautilus series finally surfacing, to the creepy Revival and the absurd action of FUBAR with Arnold Schwarzenegger—there’s a lot to break down. We’re also reviewing Marvel’s Ironheart, discussing where it fits in the post-Wakanda Forever timeline,Jurasic World, and taking a pit stop to look at F1, the new racing film aiming to rev up the summer box office. Insight, laughs, and no punches pulled—this is the Word Balloon take on what’s hot (and what’s not) in the world of screens, big and small.