Clarkston & Just For One Day – Connection, Hope, and the Power of Music

This week Darren reviews Clarkston at Trafalgar Theatre - a beautifully observed, quietly powerful story about friendship, longing, and the search for meaning in small-town America.Clarkston – Trafalgar TheatreFrom Tony Award-winning writer Samuel D. Hunter (The Whale), Clarkston follows Jake, played by Heartstopper’s Joe Locke and Chris, as the brooding Ruaridh Mollica, two young men working dead-end jobs at a Costco on the edge of town. As their lives intertwine, the play explores identity, loneliness, and what it means to keep going when the world feels like it’s falling apart. With moving performances and pitch-perfect direction, this is one of the most heartfelt productions in the West End right now.Just For One Day – The Live Aid Musical – Shaftesbury TheatreMeanwhile, Natalie shares her thoughts on Just For One Day - The Live Aid Musical, a celebration of music’s power to unite the world. Featuring songs by Queen, U2, Elton John, and David Bowie, it brings the spirit of 1985 roaring back to life - reminding us that compassion, collaboration, and hope can still take centre stage. Hosted on Acast. See acast.com/privacy for more information.

This week we’re celebrating three decades of one of the UK’s most exciting and influential theatre companies - Frantic Assembly. Known around the world for their bold physical storytelling and collaborative spirit, Frantic has transformed how theatre is made, studied, and experienced.In this special anniversary episode, we dive into:Ignition – their groundbreaking free talent development programme for young people, recently saved through a major fundraising campaign.Lost Atoms – the brand-new 30th anniversary production by Anna Jordan, directed by Scott Graham, starring Ignition alumni Joe Layton and Hannah Sinclair Robinson.BBC Proms collaboration – Frantic joins forces with Aurora Orchestra at the Royal Albert Hall for a memorised, dramatised performance of Shostakovich’s 5th Symphony – broadcast on BBC Four and iPlayer.From nurturing underrepresented voices to staging unforgettable, heart-pounding productions, Frantic Assembly has spent 30 years pushing boundaries, opening doors, and inspiring the next generation of theatre-makers.Tune in to celebrate their legacy, their future, and the stories that continue to move us all. Hosted on Acast. See acast.com/privacy for more information.

This week, Darren goes backstage with Abigail Hood, the acclaimed writer behind Monster, a gripping and thought-provoking drama exploring the ripple effects of crimes committed in childhood, forgiveness, and the cycles of trauma.Monster – Seven Dials PlayhousePresented by Veritas Theatre Company and KEPOW! Theatre Company, Monster is a triple OFFIE-nominated and one OFFIE-winning production, directed by Kevin Tomlinson. Set across two decades, the play follows Kayleigh, a troubled teenager growing up in Glasgow, whose intense friendship with Zoe offers an escape from her abusive home. As events spiral tragically out of control - including Kayleigh taking the life of her teacher’s baby daughter—the play probes questions of culpability, rehabilitation, and whether someone raised in violence is destined to repeat it.Drawing on extensive research into cases like Mary Bell, Jon Venables, and Robert Thompson, Monster interrogates society’s role in supporting vulnerable young people, the limits of forgiveness, and the possibility of redemption. The revived production features a six-strong cast, including two members of the original award-winning ensemble, bringing fresh perspectives to Hood’s searing script.Backstage Interview with Abigail HoodDarren sits down with Abigail Hood to discuss the inspiration behind Monster, her research into real-life cases, and the moral complexities that the play explores. Hood shares her reflections on what drives a child to commit acts of extreme violence, how such individuals can navigate life afterward, and the profound questions of guilt, forgiveness, and redemption that underpin her work. Hosted on Acast. See acast.com/privacy for more information.

This week we dive into some of the most compelling productions in London’s theatre scene with The Cide and Not Your Superwoman. We celebrate live music with Ben Forster’s album launch, and Darren sits down with playwright Amy Rosenthal to discuss her new play The Party Girls.Not Your Superwoman – Bush TheatreDarren reviews this poignant and witty production that explores mother-daughter relationships, identity, and the experience of Caribbean heritage in contemporary Britain. The show stars Golda Rosheuvel and Letitia Wright in powerful performances that are both heartwarming and raw. Directed by Lynette Linton, Not Your Superwoman balances humour and emotional depth, highlighting the complexities of love, family, and generational conflict.The Code – Southwark Playhouse“This entire town is a cesspool, darling. Beautifully lit. Well appointed. But a cesspool nonetheless.” Set in Hollywood, 1950, The Code follows a fading star, a rising one, an agent with an agenda, and a legend who’s seen it all. Tallulah Bankhead stops in for a cocktail at the home of former screen idol turned interior designer Billy Haines, who may or may not be planning to disappear. Enter power agent Henry Willson and his protégé Chad Manford, setting the room alight. In a world where image is everything, can anyone break ‘the code’ without losing it all? Starring Olivier Award-winner Tracie Bennett and John Partridge, with Nick Blakeley and newcomer Solomon Davy, and directed by Tony nominee Christopher Renshaw, this show lays bare the unspoken rules of Hollywood, both then and now.Ben Forster Album LaunchNatalie attends the launch of Ben Forster’s latest album, celebrating his remarkable journey in musical theatre and recording. Known for his performances in Jesus Christ Superstar, Phantom of the Opera and Rock of Ages, Ben brings a theatrical energy to his music that bridges stage and studio, offering fans an unforgettable live experience.Interview – Amy Rosenthal, Writer of The Party GirlsDarren sits down with Amy Rosenthal to discuss The Party Girls, her new play exploring the lives of the infamous Mitford sisters. The show is directed by Richard Beecham and features stunning design by Simon Kenny and lighting by Aideen Malone. Amy discusses her inspiration, the ensemble performances, and the process of bringing this complex, witty, and emotionally charged family saga to life on stage. Hosted on Acast. See acast.com/privacy for more information.

Today we’re joined by two women at the helm of one of London’s most historic and exciting theatres. Stratford East, founded back in 1884, has always been a place for global stories told in the heart of East London. It’s the home of Joan Littlewood’s revolutionary spirit and a launchpad for generations of theatre-makers, from Barbara Windsor to Cynthia Erivo.Now stepping into this legacy are Lisa Spirling, the new Artistic Director and Co-CEO, and Hanna Streeter, the new Executive Director and Co-CEO. Together with Associate Artistic Director Jade Lewis, they’re shaping a bold new future for this 140-year-old theatre.We’ll talk about their vision, Lisa’s inaugural season - from the UK premiere of Here There Are Blueberries to Nancy Medina’s Choir Boy and Ava Pickett’s Bloodsport: After Helen of Troy - and why Stratford East remains such a vital part of London’s cultural landscape. Hosted on Acast. See acast.com/privacy for more information.

This week we delve into the darkly compelling world of The Pitchfork Disney at King’s Head Theatre. Darren reviews this intense and unforgettable play, exploring its surreal storytelling, psychological tension, and the electric performances that bring the story to life.Backstage Interview – Ned Costello & Elizabeth ConnickDarren goes backstage to speak with Ned Costello and Elizabeth Connick, who play the enigmatic twin characters Presley and Haley. They share insights into their preparation, the challenges of inhabiting these complex roles, and the dynamic of performing as a twin pair in this extraordinary production. Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast, we journey through the bold, inventive, and utterly captivating theatre that’s lighting up London and beyond. From revolutionary silence to scandalous sisters and chaotic coming-of-age, we explore three productions that are pushing boundaries, thrilling audiences, and reminding us why live theatre matters.Deaf RepublicWe’ll start with the Royal Court’s production of Deaf Republic, Dead Centre and Zoë McWhinney’s adaptation of Ilya Kaminsky’s poetry collection. It’s set in a fictional town where silence itself becomes an act of protest. With BSL, spoken word, creative captions, puppetry, and video all woven into the storytelling, it’s a production that challenges what theatre can be.The Party GirlsThen we head over to the Marlowe Theatre in Canterbury with The Party Girls, Amy Rosenthal’s new play directed by Richard Beecham, which dives headfirst into the lives of the infamous Mitford sisters. It’s a family saga that mixes politics, glamour, and deep fractures, all brought to life with stunning design by Simon Kenny and lighting by Aideen Malone, plus some terrific performances from the ensemble.The Chaos That Has Been and Will No Doubt ReturnAnd finally, we’re at Southwark Playhouse in The Little for Sam Edmunds’s The Chaos That Has Been and Will No Doubt Return. This one’s a stomping 80 minutes of full-on theatrical energy - a coming-of-age comedy with a dark twist, performed by a cast of three who bring a whole community to life, including terrific multi-rolling from Leanne Henlon.Plus, a nod to the Fringe Awards summer gathering - celebrating the incredible creativity, risk-taking, and sheer talent across the festival. Hosted on Acast. See acast.com/privacy for more information.

This week Natalie and Darren review Eireann A Taste of Ireland and Till The Stars Come Down. Darren goes back stage with Sam Edmunds co-AD of Chalk Line Theatre companyEireann: A Taste of IrelandJourney through the sights, sounds, and flavours of Ireland in this vibrant, celebratory production. Darren delves into the music, storytelling, and energy that make this show a true feast for the senses.Till The Stars Come DownSet against the highs and lows of a chaotic wedding day, this sharply comic and deeply touching drama follows a family gathering where love, loyalty, and long-held secrets are tested. Darren shares his thoughts on the performances, humour, and heartfelt moments that make the show unforgettable.Interview – Sam Edmunds, Co-AD of Chalk Line Theatre CompanyDarren sits down with Sam Edmunds to discuss the company’s groundbreaking work, their approach to storytelling, and the inspiration behind their latest productions. Hosted on Acast. See acast.com/privacy for more information.

This week we review two very different productions, each bringing their own magic to the stage.Brigadoon – Regent’s Park Open Air TheatreReturn to the misty Scottish Highlands in this enchanting revival of Lerner & Loewe’s classic musical. Darren explores the sweeping romance, unforgettable songs, and Olivier Award-winning choreography and direction by Drew McOnie, as well as the immersive experience of Regent’s Park’s iconic open-air staging.Club NVRLND – Edinburgh Fringe 2025Step into the imaginative, high-energy world of Club NVRLND, a new work from the Edinburgh Fringe created by Jack Holden and Steven Kunis with choreography by Ashley Nottingham that fuses music, comedy, and spectacle. Darren shares his thoughts on the show’s creativity, performance, and standout moments.Interview – Solomon Davy in The CodeDarren goes backstage to speak with rising star Solomon Davy about his role in the provocative new play The Code, exploring Hollywood’s unspoken rules, identity, and the pressures of the spotlight. Hosted on Acast. See acast.com/privacy for more information.

This week we dive into two of London’s most exciting productions and speak with one of the country’s leading festival directors.Saving Mozart – The Other PalaceExperience the UK premiere of Saving Mozart, starring Aimie Atkinson as Nannerl, alongside Jack Chambers, Erin Caldwell, Jordan Luke Gage, Douglas Hansell, and Gloria Onitiri. This inventive new musical reimagines the life and genius of Mozart, exploring his family, his music, and the drama behind the legend. Darren goes backstage to chat candidly with the cast, uncovering what it takes to bring these iconic figures to life on stage.Grease Immersive Movie Musical – Evolution, Battersea ParkStep inside Rydell High like never before with Grease Immersive Movie Musical. Audiences are thrown into the heart of the action as the well-loved story unfolds up close, blending the energy of live performance with the nostalgia and excitement of the classic film. Expect high-octane dance, familiar songs, and a fully immersive experience that makes you feel part of the drama.Exclusive Interview – Bradley Hemmings MBEDarren sits down with Bradley Hemmings MBE, Artistic Director of the Greenwich and Docklands International Festival, to discuss the festival’s highlights, challenges, and what makes it one of the UK’s most influential celebrations of performance and creativity. Hosted on Acast. See acast.com/privacy for more information.