The Legend of the 7 Golden Vampires (1974)

The Legend of the 7 Golden Vampires (1974) was chosen by Dave, and it’s a wild blend of classic British gothic horror and Hong Kong martial arts cinema, a true oddity even by Hammer Films standards. By the early 1970s, Hammer was struggling to keep its brand of horror relevant, as audience tastes shifted toward more modern and visceral scares. Looking to revive interest in their iconic Dracula franchise, the studio teamed up with Hong Kong’s Shaw Brothers, who were at the height of their popularity in the kung fu boom. The result was an ambitious Anglo-Chinese co-production that brought together Hammer regulars like Peter Cushing and a full roster of Shaw Brothers talent, hoping to merge Eastern action with Western horror spectacle.The production was shot largely at the Shaw Brothers’ studios in Hong Kong, with additional second-unit work in England. Directed by Hammer veteran Roy Ward Baker, with martial arts choreography overseen by Shaw Brothers action specialists, the film was one of Hammer’s most visually adventurous projects, complete with elaborate sets, ornate costumes, and an energetic fusion of filmmaking styles. However, cultural and creative differences between the two studios led to a somewhat chaotic production. Despite its uneven tone and limited success at the box office, the film has since developed a cult following, celebrated for its eccentric charm and its experimental East-meets-West ambition.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryFrom the misty mountains of Transylvania, to the deadly temples of the Far East, evil has a new address.When the curse of Dracula reaches across continents, only one man can stop the rise of the undead, Professor Van Helsing! With ancient legends, martial arts mayhem, and seven bloodthirsty vampires, it’s horror meets kung fu in the wildest crossover of the 1970s.The Legend of the 7 Golden Vampires, where Hammer Horror meets high-kicking heroics.Fun FactsA co-production between Britain’s Hammer Films and Hong Kong’s Shaw Brothers Studio, marking the only collaboration between the two legendary film houses.It was Hammer’s 9th and final entry in their Dracula series, though Christopher Lee declined to return, ending his long association with the role.Peter Cushing reprised his role as Professor Van Helsing for the fifth and final time in the Hammer Dracula series.The movie was directed by Roy Ward Baker, known for Quatermass and the Pit (1967), with fight choreography handled by veteran Shaw Brothers action directors.Hammer wanted to cash in on the 1970s kung fu craze following the global success of Bruce Lee’s Enter the Dragon (1973).Filming took place primarily at the Shaw Brothers Studio in Hong Kong, with lavish temple sets and hundreds of local extras used for large-scale action scenes.Two versions of the film exist — the full-length international version and a shorter U.S. cut titled “The Seven Brothers Meet Dracula.”Despite its cult appeal today, the film was a commercial disappointment upon release, contributing to Hammer’s financial decline in the mid-1970s.The movie features an entirely new actor as Dracula — John Forbes-Robertson, though his screen time was significantly reduced in the final cut.Over the years, The Legend of the 7 Golden Vampires has become a cult favorite among horror and martial arts fans, praised for its bizarre East-meets-West energy and campy charm.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Chris has gone big with his next pick, Van Helsing, Universal’s flashy attempt to revive their classic monsters for a modern blockbuster audience. Directed by Stephen Sommers, hot off the success of The Mummy films, the project was designed as both a gothic action spectacle and a potential launchpad for a wider franchise. With a hefty budget of around $160 million, the film spared no expense on lavish sets, elaborate costumes, and state-of-the-art visual effects to bring together Dracula, Frankenstein’s monster, werewolves, and more in a single monster-mash universe. Universal saw Van Helsing as a tentpole production that could recapture the energy of their golden age monsters.The production itself was an enormous undertaking, with filming spanning locations such as Prague, Paris, and a host of detailed soundstages built to recreate grand gothic landscapes. ILM and other VFX houses were tasked with delivering cutting-edge digital effects, while Hugh Jackman, in the title role, underwent intense training to perform many of his own stunts. Despite all the ambition and money thrown at it, Van Helsing was met with mixed reviews upon release — critics praised the spectacle but criticised its overstuffed narrative and heavy reliance on CGI. Still, it’s a fascinating example of early-2000s Hollywood excess, where studios swung for the fences trying to build franchises before “shared universes” became the norm.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a time when monsters walk the earth… one man hunts them all. Hugh Jackman is Van Helsing — the ultimate warrior against evil. Armed with gadgets, grit, and a grim sense of duty, he’ll face Dracula, werewolves, Frankenstein’s monster, and a horde of nightmares that refuse to stay dead. With danger around every corner and darkness closing in, the battle between man and monster is about to erupt in a gothic showdown like no other. This summer… evil has met its match.Fun FactsThe enormous set for Dracula’s castle was one of the largest ever constructed at Prague’s Barrandov Studios, showcasing Universal’s investment in the film’s gothic style.Director Stephen Sommers insisted on practical stunts wherever possible, leading to Hugh Jackman doing many of his own wirework sequences.The vampire brides’ flying scenes were achieved with a mix of motion capture and practical harness work, which was notoriously difficult for the actresses to perform.The film’s werewolf transformations were a blend of prosthetics and CGI, considered cutting-edge at the time, but often criticised for looking dated only a few years later.Dracula’s three brides were modelled after classic vampire lore, but with a modern twist — Sommers wanted them to feel like “supermodels crossed with banshees.”The production team used more than 1,500 visual effects shots, making it one of the most VFX-heavy films of 2004.Kevin J. O’Connor, who played Igor, was a longtime collaborator with Sommers, having appeared in both The Mummy and The Mummy Returns.The iconic horse-drawn carriage chase scene was filmed on massive outdoor sets in the Czech Republic, with many practical explosions added to heighten the chaos.Universal Pictures released a tie-in video game for Van Helsing on PlayStation 2 and Xbox, voiced by Hugh Jackman.The film’s attempt to revive Universal’s monster legacy would later inspire the failed “Dark Universe” reboot attempt with The Mummy (2017).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

FearDotCom (2002) was chosen by supporter Mike, and it stands as one of the more infamous entries in early-2000s horror cinema. Directed by William Malone, the film attempted to ride the wave of techno-horror thrillers that followed in the wake of The Ring and other Y2K-era internet scare stories. Produced on a budget of around $40 million and shot in Luxembourg to cut costs, the film leaned heavily into dark, industrial set design and unsettling visual effects. Its creative team aimed to blend supernatural horror with the growing unease surrounding online culture and the dangers lurking in the digital world.Unfortunately, what ended up on screen was a messy, incoherent slog that quickly earned a reputation as one of the worst horror films of its decade. Critics tore into its lack of story, overreliance on cheap shock tactics, and shameless recycling of ideas from better movies. Rather than building a cult following, FearDotCom has largely been remembered as an embarrassing misfire — a reminder that big budgets and flashy visuals can’t save a film when the script is dead on arrival.Check out Mike’s channels for Genuine Chit Chat and Star Wars Chit Chat.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryA mysterious website, a string of gruesome deaths, and a detective racing against time — FearDotCom! When people log on, they don’t just surf the web… they sign their own death warrant. Now, with only 48 hours to crack the case, the question isn’t who’s behind the killings… but whether anyone can survive clicking the wrong link.Fun FactsFearDotCom was filmed almost entirely in Luxembourg, making it one of the most expensive movies ever shot there at the time.The movie had a budget of around $40 million, but grossed less than $20 million worldwide, marking it as a huge box office flop.Director William Malone previously worked on another horror movie, House on Haunted Hill (1999), before tackling FearDotCom.The film holds a rare 0% rating on Rotten Tomatoes, cementing its reputation as one of the worst-reviewed horror movies ever made.Screenwriter Josephine Coyle came up with the concept after being inspired by fears of the internet in the late 1990s.The movie’s cinematography leaned heavily on shadows and industrial set design, inspired by German expressionism and the works of David Fincher.Critics often compared it unfavorably to The Ring, which was released just months later in 2002.FearDotCom was one of the last major horror films to receive a wide theatrical release before studios shifted many similar “dot com” thrillers to direct-to-DVD.Despite its failure, the film has developed a small following of horror fans who admire its eerie visual style, if not its storytelling.Stephen Dorff, the film’s lead actor, admitted in later interviews that he felt the script was weak but took the role because of the big production budget and studio backing.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Mr Ice Cream Man (1996) was chosen by Patreon supporter Helen, and is a perfect example of the kind of deep-cut oddity that makes their way into the Year of the Stitch-Up. Directed by Mack Hail and co-written with Jim Mills, this low-budget horror outing was produced by Jeremy Settles with executive production from Hail, Mills, and Yvette Hoffman. Released straight to video, the film leaned into the 1990s boom of VHS horror, serving up a mix of camp, gore, and uneasy humor. The cast featured Henry Weckesser, Jim Mills, Cindy Reed, and even Hail himself in a supporting role.Shot on location in Las Vegas, Nevada, the film made use of everyday suburban backdrops to heighten its eerie and unsettling vibe. While it never received mainstream attention, Mr Ice Cream Man has since earned a small cult following among collectors and fans of obscure horror. Its scrappy production values and surreal tone give it that unmistakable 90s direct-to-video flavor, making it a quirky gem in the world of independent fright flicks.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryA quiet neighborhood. A summer heatwave. And one man with a frozen secret…From director Mack Hail comes a twisted slice of 90s VHS horror — where sweet treats turn sour, and the ice cream truck’s jingle is the sound of fear. Starring Henry Weckesser, Cindy Reed, and Jim Mills, Mr Ice Cream Man (1996) serves up a chilling tale of small-town terror with a scoop of pure indie grit.This isn’t the Ice Cream Man you’ve heard of. This is something darker. Something stranger. Something you’ll never forget…Mr Ice Cream Man — once you hear the music, it’s already too late.Fun FactsMr Ice Cream Man (1996) was directed by Mack Hail, who also co-wrote the screenplay with Jim Mills.The film was shot on location in Las Vegas, Nevada, giving it a distinct 90s suburban horror feel.Director Mack Hail not only worked behind the camera but also appeared in the film in a supporting role.The cast featured Henry Weckesser, Cindy Reed, and Jim Mills — the latter of whom also co-wrote the film.Mr Ice Cream Man was produced on a very modest budget typical of direct-to-video horror films of the mid-1990s.Executive producers included Hail, Mills, and Yvette Hoffman, who all helped push the project through independent distribution channels.The film was released straight to VHS at the height of the 90s home-video boom, making it a cult collector’s item today.Despite being overlooked at release, it has gained a small cult following among fans of obscure horror cinema.Unlike the similarly titled 1995 film Ice Cream Man starring Clint Howard, Mr Ice Cream Man (1996) is a completely separate production with no connection to the earlier movie.Today, Mr Ice Cream Man is celebrated in horror fan circles as an example of DIY filmmaking that captures the gritty, experimental spirit of 1990s indie horror.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Miller’s Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers’ early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.The journey to get there wasn’t exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller’s Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld’s moody cinematography and Carter Burwell’s haunting score elevating the production. While the film didn’t set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens’ most accomplished works.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.From the visionary Coen Brothers comes Miller’s Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.Miller’s Crossing - loyalty has a price… and betrayal has consequences.Fun FactsMiller’s Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett’s novels The Glass Key and Red Harvest.During production, the Coen Brothers experienced writer’s block and paused to create Barton Fink (1991) before returning to finish Miller’s Crossing.The title Miller’s Crossing refers to the forested setting where some of the movie’s most pivotal scenes take place.Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.Over the years, Miller’s Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers’ finest works.The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).Today, it’s seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Long time supporter Kent has picked the 1965 experimental film Empire for this week!. True to form in the year of the stitch-up, Kent has chosen a film that’s as unconventional and divisive as it gets. Directed by Andy Warhol, Empire exemplifies the avant-garde spirit of mid-1960s New York, pushing the boundaries of traditional cinema with radical minimalism, extreme duration, and an obsessive focus on observation as art.The production of Empire was as audacious as the film’s concept. Warhol employed a static 8-hour continuous shot of the Empire State Building, with no camera movement or dialogue, letting the mere passage of time become the centerpiece. Shot at Warhol’s Factory studio, the production encouraged collaboration among artists and performers, embracing monotony and stillness as creative tools. Though challenging for conventional audiences, Empire has secured its place as a landmark in experimental filmmaking and continues to influence artists interested in perception, endurance, and the art of cinematic patience.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryImagine… eight hours.A single frame.A building.From the legendary Andy Warhol comes the film that redefines patience, perception, and what it means to watch a movie. Empire — the Empire State Building like you’ve never stared at it before, daring you to survive the longest cinematic gaze in history. Will you sit… or will time sit on you?Empire — it’s not just a film, it’s a test.Fun FactsOriginally shot in 6.5 hours – The film was filmed over approximately 6 hours and 36 minutes, from 8:06 p.m. to 2:42 a.m. on July 25–26, 1964.Extended to 8 hours in projection – By projecting the film at 16 frames per second instead of the standard 24 fps, Warhol extended the runtime to roughly 8 hours.Andy Warhol’s experimental movie – Empire is a landmark in avant-garde cinema, cementing Warhol’s reputation as a pioneer in minimalist filmmaking.Filmed at The Factory – Production took place at Warhol’s famous New York studio, a hub for artists, musicians, and performers.No camera movement – The camera remains completely static for the entire duration, emphasizing stillness and observation.No dialogue or actors – The film features no spoken lines, with the Empire State Building itself as the “star” of the work.Endurance viewing experience – Original screenings required audiences to sit for the full 8 hours, turning watching into a performance art experience.Influence on experimental cinema – Empire inspired future filmmakers and artists interested in minimalist cinema and long-duration art films.Screened in galleries and museums – Rather than conventional cinemas, Empire is often exhibited in art institutions, highlighting its status as both visual art and film.Historical record of 1960s New York – The film captures the Empire State Building and surrounding skyline before major renovations, preserving a piece of mid-1960s Manhattan.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

The 1994 science fiction movie Stargate is Dave's selection for this week.  The film, which put director Roland Emmerich firmly on the Hollywood map, was marketed as an ambitious blend of ancient mythology and future spectacle long before it gave rise to a massive TV franchise. With Carolco Pictures supporting Emmerich and director Dean Devlin following their success with Universal Soldier, Stargate's production was ambitious for its time.  In 1994, the film's visual effects were state-of-the-art, bringing its world to life with a blend of realistic effects, intricate set design, and early computer-generated imagery.  Stargate was a huge movie office success, earning over $190 million worldwide and opening the door for Emmerich's subsequent triumphs like Independence Day and The Day After Tomorrow, despite the fact that critics had differing opinions on how it was executed.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryAncient secrets… buried for thousands of years.A mysterious artifact… that defies explanation.And one discovery… that will open the door to another world.From director Roland Emmerich and producer Dean Devlin comes the sci-fi adventure that launched a universe. When the key is unlocked, a journey begins—beyond the stars, beyond imagination… to a place where myths come alive, and the fate of humanity hangs in the balance.Stargate — the gateway has been opened. Are you ready to step through?Fun FactsThe film that launched a franchise – Stargate was so successful it inspired multiple TV shows, including Stargate SG-1, Atlantis, and Universe, making it one of the most enduring sci-fi franchises of all time.Roland Emmerich’s big break – Director Roland Emmerich scored his first major Hollywood hit with Stargate, paving the way for blockbusters like Independence Day (1996) and The Day After Tomorrow (2004).A surprise box office smash – Released in 1994, Stargate grossed over $196 million worldwide, a huge win for an original sci-fi property.Record-breaking opening – At the time, Stargate set the record for the highest-grossing October opening weekend in U.S. box office history.A star-making role for James Spader – Although James Spader was already respected as a dramatic actor, Stargate introduced him to a wider mainstream audience.Kurt Russell wasn’t the first choice – The role of Colonel Jack O’Neil was originally offered to several actors, but Kurt Russell ultimately took it and delivered one of his most stoic performances.Filming in the desert – Many of the film’s desert scenes were shot in Yuma, Arizona, and the Valley of Fire in Nevada, standing in for an alien world.A nod to real mythology – The story draws heavily on ancient Egyptian mythology, blending it with sci-fi concepts to create the mystery of the Stargate.A cult following grew fast – While critics were mixed on release, Stargate found a passionate fanbase that drove the demand for spinoffs and conventions.The Stargate prop was massive – The iconic Stargate itself was a practical set piece, weighing over 7 tons and measuring nearly 20 feet in diameter, making it one of the largest sci-fi props of its time.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

The next VHS Strikes Back pick comes from Chris, and he’s gone for the high-octane 1989 comedy Cannonball Run III: Speed Zone — also known in some regions as Cannonball Fever. Chris has a history of picking sometimes questionable movies, and this one certainly fits the bill. Directed by Jim Drake, who was best known for his work in television sitcoms, the film was the third entry in the loose Cannonball Run franchise, following The Cannonball Run (1981) and Cannonball Run II (1984). Despite its connection to the series, Speed Zone leaned heavily into slapstick comedy, celebrity cameos, and outrageous stunt work, attempting to capture the same chaotic energy that made the earlier films cult favorites.The production brought together a star-studded cast, including John Candy, Eugene Levy, Donna Dixon, and Brooke Shields, with many familiar comedic faces from the era lending their talents. Shot in both Canada and the United States, the movie doubled down on big stunt sequences and over-the-top gags, but it struggled critically and commercially upon release. However, in the decades since, Speed Zone has developed a reputation among fans of offbeat ‘80s comedies as a guilty pleasure, bolstered by its eccentric mix of stars and its place in the larger, gloriously messy Cannonball Run legacy.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryBuckle up… because the road is about to get ridiculous. When a cross-country race brings together the most outrageous drivers ever put behind the wheel, chaos takes the fast lane. With comedy legends like John Candy and Eugene Levy trading punches with traffic laws, and stunt drivers risking it all for the biggest gags on four wheels… this isn’t about winning — it’s about surviving the ride. Speed Zone… where the gas pedal meets pure madness.Fun FactsJohn Candy joined the cast after turning down several roles in the late ‘80s.The movie features a star-studded cast, including Brooke Shields, Eugene Levy, Donna Dixon, and Tim Matheson.Despite being packed with comedic talent, the movie bombed at the box office, making less than $1 million in the U.S.Brooke Shields won a Golden Raspberry Award (Razzie) for Worst Supporting Actress for her role in Speed Zone.Director Jim Drake had previously directed Police Academy 4: Citizens on Patrol.The movie’s stunt work involved real high-speed chases, with stunt drivers performing dangerous maneuvers instead of relying on camera tricks.The working title during production was Cannonball Run III, but rights issues prevented the official branding.John Candy and Eugene Levy would later reunite in other comedy projects, solidifying their reputations as Canadian comedy legends.The film has since developed a cult following among fans of bad movies, often celebrated for its over-the-top humor and chaotic energy.The film was released internationally under different titles, including Cannonball Run III in some regions, which confused audiences but helped it connect to the more successful franchise.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week’s VHS Strikes Back pick comes from Patreon supporter Timothy, and he’s chosen Out for Justice from 1991. By this point, Steven Seagal had already punched and wrist-locked his way into Hollywood as the latest in a long line of action stars. Out for Justice was his fourth movie in just a few years, with Warner Bros. doubling down on his image as a ponytailed, tough-talking enforcer. Unlike the big, explosive blockbusters of Stallone or Schwarzenegger, Seagal’s films leaned on a supposed “authentic” martial arts style — though whether that really translated to convincing screen action is up for debate.The film was directed by John Flynn, a respected filmmaker who had delivered solid crime thrillers like The Outfit and Best Seller. Flynn brought a gritty, street-level feel to the project, shooting largely on location in Brooklyn. Behind the scenes, however, reports suggest the production wasn’t the easiest, with Seagal throwing his weight around and shaping both the story and the fight scenes to suit his ego. Despite mixed reviews, Out for Justice still turned a tidy profit at the box office — proof that in the early ’90s, audiences were still willing to buy what Seagal was selling, even if the moves looked more like clumsy shoves than martial arts mastery.If you enjoy the show we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryBrooklyn, 1991. The streets are mean, the accents are thick, and justice… wears a ponytail. Steven Seagal is Gino Felino, a cop with a badge, a bad attitude, and a fighting style that looks suspiciously like pushing people through windows.When crime takes over his neighborhood, one man will grunt, squint, and wrist-lock his way to vengeance. He’s not fast, he’s not flashy… but he’s got a leather jacket, and apparently that’s enough. Steven Seagal is… Out for Justice.Fun FactsOut for Justice was Steven Seagal’s fourth starring role, following Above the Law (1988), Hard to Kill (1990), and Marked for Death (1990).The film was directed by John Flynn, who also made Lock Up (1989) with Sylvester Stallone.Seagal’s character, Gino Felino, was originally written with a more serious tone, but many critics felt Seagal’s wooden delivery undercut the drama.The movie was shot in Brooklyn, New York, and made heavy use of authentic neighborhood locations.William Forsythe plays the villain Richie, and he reportedly gained weight for the role to emphasize his character’s sleaziness.Despite being marketed as a martial arts showcase, Seagal uses very little traditional martial arts in Out for Justice — relying instead on Aikido wrist locks and throws.The film’s tagline was: “He’s a cop. It’s a dirty job… but somebody’s got to take out the garbage.”Critics often describe Out for Justice as one of Seagal’s “grittier” early films, though many also call it one of his most unintentionally funny.The film opened at number one at the U.S. box office, grossing over $10 million in its opening weekend.Out for Justice has become something of a cult favorite for fans of “so-bad-it’s-good” action cinema, especially among Steven Seagal skeptics.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week’s VHS Strikes Back pick comes courtesy of our Patreon supporter Tony Farina, who’s chosen the cult classic Death Race 2000 from 1975. Produced by the legendary Roger Corman, the film was made on a shoestring budget of around $300,000 and shot in just a few weeks — a hallmark of Corman’s efficient, low-cost production style. Director Paul Bartel brought a tongue-in-cheek, satirical flair to the project, blending dark comedy with over-the-top action. The movie was distributed by New World Pictures and became one of Corman’s biggest hits, pulling in several million dollars at the box office and cementing its place in grindhouse cinema history.Filming took place largely in Southern California, with many of the driving scenes shot on open roads and rural highways. The film’s custom-built cars — designed to look like weaponised racing machines — were actually modified VW Beetles and other inexpensive chassis, cleverly dressed to appear more menacing on screen. Death Race 2000 also gained attention for casting then-up-and-coming Sylvester Stallone alongside established star David Carradine. Its satirical take on American culture, paired with outrageous vehicular mayhem, helped it develop a long-lasting cult following and inspire numerous sequels, remakes, and reimaginings in the decades that followed.If you enjoy the show we have a Patreon, so become a supporter ⁠here⁠.Referral links also help out the show if you were going to sign up:⁠NordVPN⁠⁠NordPass⁠Trailer Guy Plot SummaryIn the year 2000, the world’s most dangerous sport isn’t played in a stadium — it’s fought on the open road.Five killers behind the wheel. One cross-country death race. And every pedestrian is just another way to score.David Carradine is Frankenstein — the unstoppable champion shrouded in mystery. Sylvester Stallone is Machine Gun Joe — the hot-headed challenger with a taste for blood. In a future where speed kills… and killing wins… there’s only one rule:Drive fast. Hit hard. Stay alive.Fun FactsFilming in Record Time – Production reportedly wrapped in just three weeks, with multiple car stunts done in single takes to save money.Controversial on Release – Upon release, some critics called it tasteless and violent, while others praised its biting social commentary.Improvised Dialogue and Action – Many scenes were ad-libbed, giving the movie its quirky, off-the-cuff charm.Influence on Pop Culture – The movie inspired multiple remakes, sequels, comic books, and video games, cementing its cult status.Filmed Across California – Despite being set in a dystopian America, most scenes were shot in California’s backroads and desert landscapes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠