On Freedom

The historian Timothy Snyder is famous for his work on the horrors of the 20th century and his call to arms to fight against tyranny in the 21st. Now, in ‘On Freedom’ he explores what liberty really means. He challenges the idea that this is freedom ‘from’ state or other obligations, and explores how across the US, Russia and Ukraine, true liberty is the freedom ‘to’ thrive and take risks. The Ukrainian poet, Oskana Maksymchuk also considers the question of freedom in her collection, Still City, a book that started as a poetic journal on the eve of the Russian invasion in 2021. The fragmentary poems detail the everyday moments amid the violence and fear and precarity of a country at war. The Russian Orthodox Church has managed to survive the turbulent history of the country, from tsarist demagoguery to Soviet atheism, and is now free to flourish under Vladimir Putin. But in her new book, The Baton and the Cross, the journalist Lucy Ash reveals how the religion has formed an unholy alliance with politics, state security and big money.Producer: Katy Hickman

The author and poet Kathleen Jamie celebrates a new form of writing – weaving personal notes, prose poems and acts of witness – in her latest book, Cairn. The new collection is a meditation on the preciousness and precariousness of both memory and the natural world. The broadcaster Jennifer Lucy Allan has taken a closer look at the relationship between humans and the earth in her book Clay. From the first clay tablets to the throwing of pots on a wheel, the history of this everyday material is bound up with our own and the act of creation.The artist Mark Hearld has a passion for making, from collage to printmaking, sculpture and ceramics. Like Kathleen Jamie he takes inspiration from the flora and fauna of the British countryside. In July he will be working in collaboration with the weavers at Dovecot in Edinburgh to turn his paper collages into a tapestry. Visitors to Dovecot will be able to see Mark and the weavers in action (Mark Hearld: At Home in Scotland, until July 18th). The Dovecot Tapestry studio was first established in Scotland in 1912 and today’s master weaver Naomi Robertson looks back at its history. She explains how over the last century expert craftsmen and woman have worked together using the colour and texture of the threads to transform artworks, from one medium – paper or canvas – to another.Producer: Katy HickmanStart the Week will be off air until Monday 16th September but you can find hundreds of episodes available on BBC Sounds and through the programme website.

How do animals detect natural disasters before they happen? Martin Wikelski, Director of the Max Planck Institute of Animal Behaviour at the University of Konstanz argues they have a ‘sixth sense’ that humans are only just beginning to understand. In his book, The Internet of Animals, he reveals the extraordinary network of information gathered by tagging and tracking thousands of animals across the world.At the University of Glasgow researchers have been looking at how technology can be used to help animals communicate with each other. Ilyena Hirskyj-Douglas explored the potential of video-calling to reduce loneliness in parrots and found that the sociable birds preferred the live interaction to pre-recorded videos. The traditional rhythms of a pastoral life are at the heart of Kapka Kassabova’s new book, Anima. In the mountainous region of Bulgaria, she follows the ‘pastiri’ people, the shepherds struggling to hold onto an ancient way of life, and their relationship with the oldest surviving breeds of sheep and goats, and their legendary breed of dog, the Karakachan.Producer: Katy Hickman

British social etiquette might be famed for its liberal use of please and thank you, but civility is very much a European import, according to John Gallagher, professor of Early Modern History at the University of Leeds. As courtiers visited the French and Italian courts in the 16th century they not only learnt new languages but new rules of behaviour too. As the century progressed civility began to be weaponised as travellers sought to distinguish themselves from the ‘barbarous’ foreigners.The lexicographer and Countdown regular Susie Dent explains the etymology of terms like civilised, polite and barbarous. And she explores changing tastes in what is deemed impolite: in the Middle Ages the biggest taboo was any profanity that used the Lord’s name in vain, whilst the words we consider the most offensive today were commonplace.For years Professor Louise Mullany has been studying the prevalence and power of politeness in our everyday speech and actions. In her book, Polite: The Art of Communication at Home, at Work and in Public she uncovers the unwritten rules of behaviour, exploring the gender and generational differences, the art of the political apology, and whether politeness standards really are declining.The comedian and impressionist Matt Forde unpicks the argument that satirical shows like Spitting Image have contributed to the perceived lack of civility in politics. For his latest podcast, The Political Party, he is aiming to behave impeccably as he interviews a candidate from all 650 constituencies before the general election. Producer: Katy Hickman

Why are there areas of severe deprivation in prosperous countries, and how can prosperity be shared more equally? Those are the questions the world-renowned development economist Paul Collier explores in his book, Left Behind: A New Economics for Neglected Places. He looks at areas that were once thriving – from the mining towns of South Yorkshire to the bustling city ports in Colombia – to explore widening inequality, but also to offer ideas of economic renewal.Matthew Xia directs the UK premier of Skeleton Crew by Dominique Morriseau at the Donmar Warehouse (from 28th June to 24th August 2024). Set in Detroit in 2008, the play follows a tight-knit group of workers in one of the city’s last surviving car factories as they struggle to come to terms with its inevitable closure. This is a story about the human cost of a global financial crisis and of enduring hope, against the odds.Joanna Kusiak calls herself a scholar-activist as she recounts the movement she was involved in that put people and community before speculative finance and profit. Her book, Radically Legal, is the story of how a group of ordinary Berliners used a forgotten clause in the German constitution to take back more than 240,000 apartments from corporate landlords. The book is based on Kusiak’s winning entry to the Nine Dots Prize, which supports the development of book proposals, and was in response to the question set by the prize: ‘why has the rule of law become so fragile?’ Producer: Katy Hickman

In front of an audience at the Hay Literary Festival Adam Rutherford talks to the botanist and Native American Robin Wall Kimmerer. In her book, Braiding Sweetgrass she shows the importance of bringing together indigenous wisdom and scientific knowledge, to increase understanding of the languages and worlds of plants and animals. Hugh Warwick is an expert on hedgehogs but in his latest book, Cull of the Wild, he focuses on animals less native, and beloved. From grey squirrels in Anglesey to cane toads in Australia he explores the complex history of species control, and the ethics of killing in the name of conservation.The writer Olivia Laing turns her attention to the efforts to create paradise on earth. In The Garden Against Time she retells her own attempts to restore a walled garden in Suffolk while investigating the long history of gardens – real and imagined, follies and pleasure grounds.Producer: Katy Hickman

The American author Marilynne Robinson is celebrated as a writer of fiction and non-fiction that raises philosophical questions about how to live an ethical life. In her latest book, Reading Genesis, she explores the stories in the Bible and God’s promise of enduring covenant with humanity.The writer Naomi Alderman grew up with stories from the Old Testament, and although no longer a believer, attests to the power and strangeness of these ancient stories. She wishes they were as popular as the Greek myths.The poet Malika Booker grew up in Guyana where she says the King James Bible was ubiquitous. Its language has influenced her own work, and in recent years she has set herself the task of creolising the Bible, infusing its stories with the cadences of home.Producer: Katy Hickman

The National Gallery in London is displaying Caravaggio’s last painting, The Martyrdom of Saint Ursula (until 21 July 2024), an extraordinary work depicting the violence and intense naturalism of the scene, and the painter’s revolutionary use of dramatic lighting. The curator Francesca Whitlum-Cooper says Caravaggio changed the art world in the 17th century. But the painter was as famous for his personal life as his art: he left murder and mayhem in his wake as he attempted to evade the law.For most of its existence The Martyrdom of Saint Ursula languished in private collections and was sold for just £3,500 in the 1970s, with few believing it was by Caravaggio. Now it’s been identified as an original it’s worth millions. The fortunes to be made and lost in the art market, the risks, the greed and the deals are the subject of Orlando Whitfield’s book All That Glitters. He details his friendship with the contemporary art dealer Inigo Philbrick, a young man whose spectacular rise is matched only by his dramatic fall, convicted and imprisoned for fraud owing $86.7 million.The art market is often shrouded in secrecy and is one of the very few unregulated markets left in the global economy. Angelina Giovani-Agha is an art historian who has specialised in provenance research. She understands that each painting has a story to tell and a unique record of acquisition. Her work involves investigating ownership history and highlighting any murky inconsistencies, as well as specialising in looted artworks.Producer: Katy Hickman

As a new exhibition opens in Liverpool exploring the survival of bees Start the Week takes stock of the life and times of this extraordinary insect. The artist Wolfgang Buttress uses a fusion of art, science and technology to create a sensory experience of the sights and sounds of bees. Bees: A Story of Survival is on at the World Museum, Liverpool until May 2025.They’ve been around for over 120 million years and Lars Chittka, Professor of Sensory and Behavioural Ecology at Queen Mary University of London, says the thousands of different bee species have evolved a huge diversity of lifestyles and are some of the most intelligent animals on Earth. They not only use a symbolic language, can count, use tools and learn by observation, but are now believed to have an emotional hinterland.For millennia, bees have held a special significance in human culture. Claire Preston, Professor of Renaissance Literature at QMUL, traces the symbolism of bees through historical and literary records, from ancient political analogies to today’s discussions about hive minds.While there are increasing fears about the future of bees as they battle exposure to pesticides, diseases and habitat destruction, Alison Benjamin is one of a growing number of people trying to raise awareness. She is the co-founder of Urban Bees and wants to shift the focus away from farmed hives of honey bees which are growing in popularity in cities, to the protection and survival of wild and solitary bees.Producer: Katy Hickman

May Day is the title of Jackie Kay’s new collection. The former Makar of Scotland explores a history of political protest, and the cultural influencers of the past, from Rabbie Burns to the poet Audre Lorde and Paul Robeson. She also celebrates the lives and activism of her parents, and grieves for their loss. The Green MP Caroline Lucas wants to reclaim and rewrite England’s national story in her book, Another England. By exploring its radical tradition through its literary heritage she seeks to foreground the diverse writers and poets who spoke of a shared sense of identity and purpose, and a deep-rooted commitment to the natural world. The journalist and writer Simon Heffer looks back a century to the interwar period, a time of radical transformation of British society post the Great War, as many of the old attitudes started to be swept away. In his history, Sing As We Go, he shows how the culture of the time both shaped and reflected these changes.Producer: Katy Hickman