733 - Learning Comedy

John welcomes five-time Emmy-winning writer Ali Barthwell (Last Week Tonight) to ask, can writers learn to be funny? Drawing from her time as a teacher at The Second City, they look at what writers can learn from sketch and improv, and how to reliably find ways to make an audience laugh. We also celebrate the WGA membership's ratification of the 2026 MBA, the educational future of the Scriptnotes book, and answer listener questions on the first scene of a comedy and when to stop taking assistant gigs and bet on yourself. In our bonus segment for premium members, Ali shares how she built a thriving writing career without ever having to live in New York or LA. Links: Ali Barthwell Preorder Ali's new book, Reality TV for Snobs The Second City Pre-inked star stamps The Padilla Pause: How the Breakout Star of SNL Nails Comic Timing by Jason Zinoman for NYTimes Funnier by Anne Libera Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Follow Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Matt Gillespie (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

John welcomes writer/showrunner Haley Z. Boston for a post-mortem on her terrifying new series, Something Very Bad is Going to Happen. They look at how the series evolved from initial idea through production, her experience as a first-time showrunner, the special relationship between women and horror, and how she constructs terror on the page. We also chart her early career, and answer listener questions on splitting scenes and how to handle an overwhelming amount of development notes. In our bonus segment for premium members, it's spoiler territory as we look at what we can learn from the clever red herrings and misdirects of the series. Links: Haley Z. Boston on Instagram Something Very Bad is Going to Happen on Netflix Read along with an excerpt from the pilot Saying 'I do' is supposed to be joyous — unless something very bad happens by Gina McIntyre for LA Times Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol J. Clover Tasting Day Freaks Only Atomic Wave Dance by The Comet is Coming Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Gloom Canyon (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

John and Craig flip the idea of motivation on its head and ask, what are your characters running from? Using examples across film and TV, they look at the psychological underpinnings of discomfort, and how to use avoidance as a driving force of character and story. We've also been away for a minute, so there's a lot to catch up on! We follow-up on where the heck we've been, locked pages, a Scottish rap duo, and a new scientific answer for whether one page of script really equals one minute of movie. We also answer listener questions on the afterlife of residuals and writing with a significant other. In our bonus segment for premium members, we go through their feedback on our first ever video podcast and announce our plans for the future of the show. Links: Does one page of a screenplay really equal one minute of screen time? by Stephen Follows California Schemin' trailer Indistractable by Nir Eyal Explanation of Disbursement of Residual Payments After Death from the WGA West Parseword Frankenstein's Regrets by Ben Tarnoff for The Nation The AI Paradox: How to Make Sense of a Complex Future by Virginia Dignum Indigo Girls Tour featuring Jessie Mazin! Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by James Ashley McLaren (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

There's a brand new agreement between the WGA and the AMPTP! And since John was the co-chair of the negotiating committee, he's excited to share all the details of the 2026 MBA. Links: The 2026 MBA agreement memorandum John August on Instagram and Bluesky Scriptnotes on Instagram and TikTok Scriptnotes is produced by Drew Marquardt Email us at [email protected] You can download the episode here.

John and Craig connect the dots on transitions and how they can be just as important as the scenes themselves. They look at how to get your scenes flowing into one another, the many different types of transitions, when to use "CUT TO," and how to use your cuts to tell your story. We also discuss those shots we no longer need to see in movies, and use a lawsuit filed by two GI Joe writers to examine some common issues created by prewriting. In our bonus segment for premium members, the Olympics are coming to Los Angeles and we have conflicting feelings! Links: Episode 89 – Transcript The 100th episode The Inebriati from That Mitchell and Webb Look Paramount & MGM Sued By 'G.I. Joe' Writers from Deadline Twenty Shots to Be Henceforth Retired from Film Vocabulary on Reverse Shot Good Times | Florida Breaks Down The Los Angeles Times on Studios donating film set materials to Habitat for Humanity Scandal Revealed, Episode 221 Mistresses on ABC We're the Millers on Wikipedia LA28 Design Guide torched.la Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Matthew Chilelli (send us yours!) This episode was originally produced by Stuart Friedel. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

John sits down with the Northwest Screenwriters Guild at an event to promote the Scriptnotes book, and ends up having a poignant conversation about how the career of screenwriting has changed, missteps John made throughout his career, and how his approach to screenwriting has evolved over time. He also answers questions on kicking bad writing habits, screenwriting careers outside of Hollywood, what to look for in the projects you choose, whether age matters in a screenwriting career, writing your calling card movie, the sidekick problem, and the real story behind the Prince of Persia movie. In our bonus segment for premium members, John has been hanging out with sketch writers for the last few weeks and is excited to share what he's learned about writing sketch comedy. Links: Northwest Screenwriters Guild Steven Soderbergh's Sex Lies and Videotape book Our episode with KPop Demon Hunters writers Danya Jimenez & Hannah McMechan Notes on Notes John's screenplay library Dennis Palumbo episodes, 99 – Psychotherapy for screenwriters and 676 – Writing while the World is on Fire LA Material Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

In our first sequel compendium, John and Craig revisit four of their best segments dedicated to crafting a satisfying and emotional ending to your story. They look at rooting your ending in character, the function of the denouement, what makes a memorable farewell, how and why our endings can change, and how to bring everything full-circle. In our bonus segment for premium members, John and producer Drew continue a discussion that Drew Goddard started on character sides and the process of casting minor characters. Links: Our first endings compendium, Episode 524 – The Home Stretch A video essay of our farewell scenes discussion with Aline Brosh McKenna Episodes 44 – Endings for beginners, 366 – Tying Things Up, 648 – Farewell Scenes, and 392 – The Final Moment Dan Harmon story circle Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Eric Pearson (send us yours!) Segments originally produced by Stuart Friedel, Megan McDonnell, Drew Marquardt and Megana Rao. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

John welcomes back Drew Goddard (Project Hail Mary, High Potential) to ask, how do you turn the beats of your story into full scenes? Using Drew's script for The Martian, we look at how he translates moments in a book into scenes in a movie, the freedom Drew finds in a beat sheet, how beats are approached in a TV writers room, and his advice to a staff writer struggling with a draft. We also dig into Drew's process for adapting Project Hail Mary, choosing what to cut, and his eloquent defense of double-spacing in a screenplay. He's even kind enough to help answer listener questions on how to recharge your brain and how to indicate you wrote the most on a co-written script. In our bonus segment for premium members, Drew shares his outlook on the current TV landscape, including the big mistake he sees young writers make in their spec pilots. Links: Project Hail Mary | Trailer Drew Goddard on IMDb The Martian screenplay Twin Peaks: The Return – Part 8 Noah Kalina on YouTube and Substack A Manual for Cleaning Women by Lucia Berlin Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.

John and Craig revisit a favorite episode focused on a single topic: bad movies and how they happen. Using first-hand experience, they look at how bad ideas make it to the screen, how good ideas go wrong, and the range of patterns that end in terrible movies. We also make a list of our then-dream guests for the podcast (many of whom have now been on the show). And fast-forwarding to 2026, we announce an exciting new feature for Highland Pro. In our bonus segment for premium members, John and Drew ditch the texts and emails and to pick up the phone and make a call. Links: Highland Fling has arrived! See it in action here CW Picks Up 'Crazy Ex-Girlfriend' As Hourlong Series by Nellie Andreeva for Deadline Scriptnotes, Ep 179: The Conflict Episode John's Screencasts on Entering a scene, Writing better action, and Writing better scene description First Follower: Leadership Lessons from Dancing Guy Rob Schneider Is A Carrot Copyright, Exceptions, and Fair Use: Crash Course Intellectual Property Fallout 4 Subscribe to Scriptnotes on YouTube Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Rajesh Naroth (send us yours!) This episode was originally produced by Stuart Friedel. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here. The transcript of this episode can be found here.

John and Craig tackle the scourge of free work and offer strategies to avoid it. They look at established norms, potential remedies, the things that should work but often don't, and how writers should think about the time and effort they're putting in before getting paid. We also follow up on useful comps, AI coverage, what to do with our DVDs, and answer listener questions on pitching at an internship and a sensitive situation when naming an award. In our bonus segment for premium members, how do we write American law enforcement officers now that their jobs don't function the way they used to? Links: Birdigo is now on iOS! Weekend Read 2 Zathura Scarecrow Video donations H.R. Pufnstuf Disney Axed 'Star Wars' Sequel 'The Hunt for Ben Solo' Without Ever Asking About the Budget or Other Details by Zack Sharf for Variety FlipBelt Classic Running Belt The Wedding Party by Secret City Vancouver Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.