Pāṇḍitya: Mapping Sanskrit Texts Online

This podcast episode, hosted by Kikee Doma Bhutia from the University of Tartu, features journalist and analyst Aadil Brar discussing India's foreign policy amidst rising global tensions. The conversation focuses on India’s balancing act between the US, China, and its own strategic autonomy in a contested Indo-Pacific region. Key topics include India’s evolving role as a middle power, responding to China's assertiveness along the India-China border and in the Indo-Pacific, while maintaining its traditional non-alignment stance. India’s foreign policy is at a crossroads, shaped by five tense years since the Galwan Valley clash with China. Despite rounds of talks, the border remains uneasy and trust is scarce. Today, China’s assertiveness drives nearly every major Indian strategic decision-from military deployments and Quad partnerships to concerns over Beijing’s mega-dams on the Brahmaputra. Meanwhile, the US sees India as a key counterweight to China in the Indo-Pacific, but Delhi is determined to maintain its independence and avoid being boxed into alliances. As India watches China’s moves from the Himalayas to Taiwan, the question is clear: Are we witnessing a true pivot in Indian foreign policy, or simply a sharp recalibration to meet new realities? The answer will shape Asia’s balance of power for years to come. The podcast was brought to you by host Dr. Kikee Doma Bhutia a Research Fellow and India Coordinator at the Asia Centre, University of Tartu, Estonia. Her current research combines folkloristics, international relations and Asian studies, focusing on the role of religion and culture in times of crisis, national and regional identities, and geopolitics conflict between India and China. The podcast guest speaker Aadil Brar is a journalist and international affairs analyst based in Taipei, currently a Reporter at TaiwanPlus News. His reporting focuses on international security, U.S.-China relations, and East Asian security. Previously, he was a China news reporter for Newsweek and has contributed to the BBC World Service, The Print India, and National Geographic. In 2023, he was a Taiwan Ministry of Foreign Affairs Fellow and a visiting scholar at National Chengchi University in Taipei. Brar holds a B.A. in Anthropology from the University of British Columbia and an MSc. in International Politics from the School of Oriental and African Studies, University of London. ​ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Tyler Neill discusses the new platform Pāṇḍitya, an online graph visualization tool illustrating connections between works and authors in the Pandit Prosopographical Database of Indic Texts. It also facilitates exploration of the Sanskrit E-Text Inventory (SETI) as an overlay on the Pandit network.  Tyler's blog "Sanskrit and Tech with Tyler" is here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the U.S. film industry. But no one knew Oberon was Asian. Her public biography said she was born to white parents in Tasmania, eventually moving to India and, from there, to the UK. But Merle Oberon, in truth, was of Anglo-Indian origin, born in Bombay. She’d hidden her heritage to get around U.S. censorship and immigration laws—a secret she took to her grave, even if many in the industry suspected the truth. Mayukh Sen tackles Oberon’s life in Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star (W.W. Norton: 2025). Mayukh Sen is the James Beard Award-winning author of Taste Makers: Seven Immigrant Women Who Revolutionized Food in America (W.W. Norton: 2021). He is a 2025 Fellow at New America, and has written on film for the New Yorker, the Atlantic, and the Criterion Collection. He teaches journalism at New York University and lives in Brooklyn, New York. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Love, Queenie. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Dr. Catherine Hartmann is Assistant Professor of Asian Religions in the Department of Philosophy and Religious Studies at University of Wyoming. She received her B.A. in Religious Studies from the University of Virginia in 2011, M.A. in the History of Religions from the University of Chicago in 2013, and a Ph.D. from the Committee on the Study of Religion at Harvard University in 2020. Dr. Hartmann's engagement with Religious Studies arises out of a longstanding interest in religion as a force that shapes our experience of the world, and in the practices religions develop to transform that experience. Her work focuses on the history of Tibetan pilgrimage to holy mountains and the goal of transforming perception while on pilgrimage. She is also interested in Buddhist ethics, vision and visuality, theories of place, and autobiographical writing. Her most recent book, Making the Invisible Real: Practices of Seeing in Tibetan Pilgrimage (Oxford UP, 2025), asks the following question: How can a person learn to see a mountain as a divine mandala, especially when, to the ordinary eye, the mountain looks like a pile of rocks and snow? This is the challenge that the Tibetan pilgrimage tradition poses to pilgrims, who are told to overcome their ordinary perception to see the hidden reality of the holy mountain. Drawing on multiple genres of Tibetan literature from the 13th to 20th centuries--including foundational narratives of holy places, polemical debates about the value of pilgrimage, written guides to holy sites, advice texts, and personal diaries--this book investigates how the pilgrimage tradition tries to transform pilgrims' perception so that they might experience the wondrous sacred landscape as real and materially present. Catherine Anne Hartmann argues that the pilgrimage tradition does not simply assume that pilgrims experience this sacred landscape as real, but instead leads pilgrims to adopt deliberate practices of seeing: ways of looking at and interacting with the world that shape their experience of the holy mountain. Making the Invisible Real explores two ways of seeing: the pilgrim's ordinary perception of the world, and the fantastic vision believed to lie beyond this ordinary perception. As pilgrims move through the holy place, they move back and forth between these two ways of seeing, weaving the ordinary perceived world and extraordinary imagined world together into a single experience. Hartmann shows us how seemingly fantastical religious worldviews are not simply believed or taken for granted, but actively constructed and reconstructed for new generations of practitioners. Previous interview with Dr. Hartmann on the New Books Network: Teaching Buddhist Studies Online A Discussion with Kate Hartmann. Milarepa, the One Who Harkened, by Nicholas Roerich. Dr. Hartmann's website with contact information: https://www.drkatehartmann.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

The Mirror of Ornaments (Alaṅkāradappaṇō) defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha’s Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Intimation of Revolution: Global Sixties and the Making of Bangladesh (Cambridge UP, 2023) analyzes the growth of Bengali nationalism in East Pakistan during the 1950s and 60s, highlighting the interplay of global politics and local socio-economic changes. The book posits that the 1969 revolution and the 1971 liberation war were influenced by the "global sixties," which reshaped Pakistan's political environment and paved the way for Bangladesh's creation. It challenges the conventional view of Bangladesh as solely a consequence of the Indo-Pakistani conflict, instead portraying it as a nation forged by Bengali nationalists resisting internal colonization by the Pakistani military-bureaucratic regime. The narrative explores how this resistance and nation-building process was inspired by concurrent decolonization movements in Asia, Africa, and Latin America, while also being influenced by the Cold War competition between the USA, the USSR, and China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Metaphysics As Therapy: List-Making and Renunciation in Gnostic Yogas (Springer, 2025) examines the significance of metaphysical list-making as a determining feature of 'spiritual exercises' in South Asian gnostic yogas. It examines how these ancient traditions sought spiritual transformation through the dialectical practice of taxonomy. It highlights the gnostic thread that intersects 'spiritual exercises' and 'ways of life' in Hindu, Buddhist, and Jaina circles.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal (Duke UP, 2024), Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in dialogue with European science. Bhattacharya introduces readers to the multifarious habits and personalities of Bengal’s traditional ghosts and investigates and mourns their eventual extermination. For Bhattacharya, British colonization marked a transition from the older, multifaith folk world of traditional ghosts to newer and more frightening specters. These "modern" Bengali ghosts, borne out of a new rationality, were homogeneous specters amenable to "scientific" speculation and invoked at séance sessions in elite drawing rooms. Reading literature alongside the colonial archive, Bhattacharya uncovers a new reordering of science and faith from the middle of the nineteenth century. She argues that these shifts cemented the authority of a rising upper-caste colonial elite who expelled the older ghosts in order to recast Hinduism as the conscience of the Indian nation. In so doing, Bhattacharya reveals how capitalism necessarily reshaped Bengal as part of the global colonial project. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Shailendra Kumar Singh’s Between Resistance and Conformity: Premchand’s Fiction in Colonial North India (Routledge, 2024) examines the questions of conformity and resistance with respect to Premchand’s literary corpus. Mapping the various complexities, challenges, and contradictions of interwar India, it demonstrates how the passive peasant protagonists of the writer’s fictional works present a diametrically opposed definition of dharma as compared to their dissident nationalist counterparts. Through a relatively similar logic of comparative assessment, it further foregrounds the fundamental asymmetry that exists between Premchand’s literary representations of women as compliant domestic subjects and those that portray them as rebel patriots of colonial North India. Juxtaposing several genres, including novels, short stories, letters, and journalistic writings to offer a reconsideration of Premchand's work, this book will interest scholars of peasant narratives, nationalist fiction, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies