Ep. 116 Rejection, Resilience & Running the Sync Marathon

In this episode of Music Is My Business, Clint shares community wins and answers live questions about navigating rejection, building resilience, and treating sync like a marathon rather than a sprint. He highlights why patience and persistence are crucial for landing placements, how to handle libraries that don’t deliver results right away, and why you should never give up on a track after one rejection.   Clint also discusses practical business steps like forming an LLC, working with libraries versus agencies, researching publishers, and handling metadata for covers. If you’re looking for a real-world perspective on the ups and downs of sync, this episode will give you both encouragement and practical advice to keep moving forward.     When should you think about forming an LLC?   What do libraries mean when they ask for indie tracks?   If you have 80+ tracks in a library but little activity, should you move them or leave them?   What’s better for sync - submitting to libraries or working with agencies?   How to research a music library or publisher before submitting?   What does a brief asking for a track recorded in 1998 actually mean?   How do you handle covers in TuneSet metadata?   Would you do it all over again if you knew the ups and downs of sync?   How to achieve more punch and brightness in your mixes compared to library playlists?   What advice would you give to producers just starting in sync or those not seeing results yet?   Join Sync Producer Hub → https://www.syncproducerhub.com

In this episode of Music Is My Business, Clint shares wins from the Sync Producer Hub community and answers live viewer questions on building a long-term career in sync. He emphasizes why patience is key, why consistency beats quick wins, and how to set realistic expectations when pitching to libraries.   You’ll also hear insights on the business side of sync, from handling contracts to staying top-of-mind with publishers and managing the inevitable waiting game.   How do you stay motivated when placements take years to come in?   Should you pitch the same track to multiple libraries?   How many tracks should you realistically aim to finish each month?   Are there situations where you should avoid co-publishing deals?   How can a producer handle rejections without getting discouraged?   What’s the right follow-up timeline after sending tracks to a library?   Do you need to be exclusive to one library to succeed?   Is it okay to send older tracks to new libraries, or should you only send fresh work? Join Sync Producer Hub → https://www.syncproducerhub.com  

In this episode of Music Is My Business, Clint shares wins from the Sync Producer Hub community and answers live viewer questions about managing workload, following up with libraries, breaking through creative blocks, and the role of AI in sync licensing. He also discusses building a consistent track output system, pitching effectively, and staying top-of-mind with publishers. If you’re working to grow your catalog, maintain industry relationships, and adapt to changes in the sync world, this episode is packed with insights you can use. Tips for turning down work while maintaining relationships   How to handle a library that goes radio silent when and how to follow up   Logic Pro project file sizes vs. Ableton why they differ and how to manage space   How many tracks to send to increase your chances with a library   Do production libraries plan to use more AI music and phase out human producers?  Have you had overlaps on SoundExchange with publishers?   Does signing a Schedule A with a library like Tune Edge usually lead to placements?   How to break writer’s block as a producer   If I’m emailing five libraries a day, when should I slow down outreach?   Licensing tracks before sending them to a library how it works   Are there staff producer opportunities for someone proficient in Logic Pro?   Join Sync Producer Hub – https://www.syncproducerhub.com

In this episode of Music Is My Business, Clint spotlights recent wins from Sync Producer Hub members and answers live questions from the community about pitching, collaboration, and navigating the sync licensing space. He shares real-world strategies and insights into what actually works when submitting your music to libraries and building lasting sync relationships. If you're working toward consistent placements and income through sync, this episode is a must-listen.   Tips for setting your own deadlines when libraries don’t give one   How to pitch orchestral music for the first time — full album or single tracks?   Sync-friendly collabs and what to avoid   Playlist submission platforms explained (Disco, RealCrafter, etc.)   How to pitch the same tracks to multiple libraries the right way   What’s a fair price for work-for-hire vocals?   Pitching portfolio links vs. submitting finished tracks — what works better?   Can you pitch cover versions or trailerized versions of copyrighted songs? Join Sync Producer Hub: https://www.syncproducerhub.com

Dive into the world of music post-production and sync licensing in the Music Is My Business podcast! Host Clint chats with Ray from ReadWriteSound.com about his experiences on the post-production side, offering valuable insights for musicians and producers aiming for sync success. Learn about navigating the industry, understanding cues, and what happens after your music gets placed. Plus, stick around for live music reviews!   Ray's Journey into Post-Production The Role of Post-Production in Music Sync Key Insights for Artists Preparing Music for Sync Understanding Cues and Track Registration   Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/   Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio

In this episode of Music Is My Business, Clint celebrates recent sync licensing wins from the community, shares expert advice on pitching to music libraries, and breaks down key industry success strategies. He also covers topics like metadata, work-for-hire agreements, March Madness music opportunities, and EQ techniques for mixing. Whether you’re a seasoned sync producer or just getting started, this episode is packed with actionable insights to help you grow your career in TV and film music.   Pitch Your Music to Sync Libraries Understanding Work-for-Hire Agreements March Madness Sync Opportunities How to Track Your Music Placements Join Sync Producer Hub: https://www.syncproducerhub.com Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com

In this Music Is My Business episode, Clint shares valuable insights on landing sync placements, pitching music to libraries, and dealing with rejection in the music industry. He also discusses work-for-hire agreements, organizing sessions for efficiency, and how to balance music production with life. Clint answers live audience questions on metadata, mastering, and gear, making this a must-listen for producers looking to level up their sync licensing game.   How to Pitch Your Music to Sync Libraries Effectively Work-for-Hire Agreements How to Stay Organized Maximizing Your Sync Income Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/   Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio

In this Music Is My Business episode, Clint dives into the world of sync licensing, sharing real success stories from the Sync Producer Hub community and practical tips on pitching music to libraries, handling rejection, and maximizing opportunities. He also covers essential topics like setting up work-for-hire agreements, organizing music sessions for sync, and why consistency is key in the music business. Whether you’re a seasoned producer or just starting, this episode offers valuable insights to help you get your music placed in TV and film.   How to Handle Rejection and Turn It Into Opportunity Best Practices for Naming Projects The Power of Consistency How to Diversify Your Music Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/   Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio

In this Music Is My Business episode, Clint dives into the world of sync licensing, sharing real success stories from the Sync Producer Hub community and practical advice on mixing and mastering for TV and film. Clint discusses the controversial statements by Sono AI’s CEO about the challenges of making music, emphasizing the importance of doing the hard work to achieve success. He also answers live audience questions about metadata, mastering levels, work-for-hire agreements, and how to avoid the temptation of shortcuts in the music business.   The Sono AI Controversy Metadata and Registration Tips Avoiding the Easy Button Mixing and Mastering for TV   Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/   Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio

107 Unlocking International Royalties: How to Get Paid for Your Music Worldwide   In this Music Is My Business episode, Clint welcomes Jared Lozano, Director of International Royalties at SESAC, to break down how international royalties work for music producers and songwriters. They discuss the challenges of getting paid globally, metadata registration, the role of PROs, and why streaming royalties are often so low. Jared also shares insider tips on navigating foreign music markets, setting up a publishing entity, and maximizing your sync revenue. If you're a music creator looking to earn more from your placements, this episode is packed with must-know insights.   How International Royalties Work Streaming Royalties Exclusive vs. Non-Exclusive Sync Deals The Power of Sub-Publishing   Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/   Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio