The Best Preparation for STEM Isn't STEM

Can anyone have the best of both worlds? In this _Margin Notes_ we take up C.S. Lewis’s _The Great Divorce_ — where a bus carries ghosts from a grey town to the outskirts of heaven, and each is asked to surrender the one thing they love more than God. We discuss whether pride or selfishness lies at the root of every refusal, why heaven must be chosen while hell is only drifted back into, and how freedom and eternity meet.   Get the book right here! https://www.memoriapress.com/curriculum/educational-resources/the-great-divorce/

If you could build a book list for a single century, what would make the cut? In this Classical Et Cetera we land on the 1800s, the century of the novel. We discuss why the form exploded with rising literacy, the printing press, and serialized fiction, then trade lists across English, Russian, French, American, and Norwegian writers plus the Romantic poets. We also share practical ways to get through long, difficult books, from reading a shorter work first to pairing the text with a good audiobook. Best Books by Era Greece: https://youtu.be/dijEqf0kcAM?si=9kVIpElDUhPlexqW Rome: https://youtu.be/gMcuWkz6XQ4?si=HzXnHEfm6wQBlzhz Middle Ages: https://youtu.be/rDB05FAPP0U?si=YuKH062Kr6uBrRak 1500-1799: https://youtu.be/qN1UoML-QAg?si=tP1kNbuKtBIRKaMG 00:00 Introduction 02:40 What We’re Reading 13:02 Listener question 17:54 Topic: Best Books of 19th Century 24:12 The List Begins 42:45 Tips for Tackling Long Books English novelists Jane Austen Charles Dickens — A Christmas Carol The Brontës — Jane Eyre George Eliot — Silas Marner, Adam Bede, Daniel Deronda Elizabeth Gaskell Anthony Trollope — the Barchester Towers series, The Eustace Diamonds Thomas Hardy — The Mayor of Casterbridge Robert Louis Stevenson — Treasure Island George MacDonald  Russian novelists Leo Tolstoy — War and Peace, Anna Karenina, The Death of Ivan Ilyich, short stories Fyodor Dostoevsky — Crime and Punishment, The Brothers Karamazov Boris Pasternak — Doctor Zhivago Anton Chekhov French novelists Alexandre Dumas — The Count of Monte Cristo, The Three Musketeers Honoré de Balzac — The Human Comedy Victor Hugo — Les Misérables American writers Nathaniel Hawthorne Herman Melville — Moby-Dick, Billy Budd Walt Whitman Edgar Allan Poe — The Tell-Tale Heart Henry James Romantic / British & Irish poets William Blake William Wordsworth Samuel Taylor Coleridge Alfred Tennyson John Keats W.B. Yeats Norwegian Sigrid Undset — Kristin Lavransdatter Knut Hamsun — Growth of the Soil

Graham Greene’s _he End of the Affair asks whether God can draw good out of the worst we do. In this Margin Note we follow Maurice Bendrix, Sarah, and her husband Henry through jealousy, hatred, and an unlikely pull toward faith. We discuss ordinary corrupt human love and its limits, suffering as a strange pathway to grace, the thin line between love and hate, and why one of us calls this one of the most hopeful books he’s ever read.

Have you ever sat down to read and found you couldn’t focus for more than a few minutes? In this mailbag Classical Et Cetera we answer that question and more. We discuss why Rod & Staff math moves slowly on purpose, whether you can mix and match curriculum (and where that goes wrong), Charlotte Mason narration versus comprehension questions, and how adults can rebuild the habit of reading in a world full of distractions. We also talk Henty and Ballantyne, spelling videos, pencils versus pens, and balancing Scripture with everything else on your shelf.   Read the The Memory of Old Jack with us: https://www.memoriapress.com/curriculum/mcp/the-memory-of-old-jack/243   *What We're Reading* from This Episode:  "The Dying Light" Anne Cleeves (Tanya) "A Wonder Book for Girls and Boys" Nathaniel Hawthorne (Tanya) "The Magician's Nephew" C.S. Lewis (Paul) "The Memory of Old Jack" Wendell Berry (Paul & Jessica) "The Island of Missing Trees" Elif Shafak (Jessica) "The Boys" Ron & Clint Howard (Maritn) "Louis LA'mour short stories" Louis LA'mour (Martin)

This episode of Margin Notes takes on Notes from Underground by Fyodor Dostoevsky. It is the strange, bitter confession of a man who lives entirely in his own head, convinced he is smarter than everyone and unable to stop ruining his own life. We talk through why the narrator feels so modern, how reason fails him, and what Dostoevsky understood about desire, pride, and the human soul.   Margin Notes is a book club from Memoria Press. Margin Notes is a book club podcast from the team behind Classical Et Cetera, where host Paul Schaeffer sits down with three classically educated undergraduates to discuss one great book per episode.  

A bilingual mother in Canada wants to pass her French heritage on to her two-year-old, but worries there isn’t time for both Latin and a modern language. In this Classical Et Cetera we discuss why it isn’t an either or choice, how studying Latin first gives you the grammatical foundation that makes French and the other Romance languages far easier, and how one of us went from no French to living his whole day in it in a single semester, thanks to Latin.   *What We're Reading* from This Episode:  "Bleak House" Charles Dickens (Martin) "The Classical Heritage of the Middle Ages" Henry Carey Baird (Martin) "Philosophies of Education" G. Max Wingo (Martin) Ronald Knox Murder Mystery (Tanya) "The Magician's Nephew" C.S. Lewis (Paul)

Some books stay with you long after the last page. In this episode of Margin Notes, the team talks through Harper Lee's _To Kill a Mockingbird_ - Is it a story about human dignity, about compassion, about what separates class from character? We follow Scout through Maycomb, weigh the mystery of Boo Radley, and wrestle with a verdict everyone senses is wrong and what it has to do with a mockingbird.   Check out our complete set for _To Kill a Mockingbird_ - https://www.memoriapress.com/curriculum/literature-and-poetry/ninth/to-kill-a-mockingbird-set/   Margin Notes is a book club podcast from the team behind Classical Et Cetera, where host Paul Schaeffer sits down with three classically educated undergraduates to discuss one great book per episode.

What makes a picture book worth keeping, and how do you spot the difference between a great one and a forgettable one? In this _Classical Et Cetera_ we discuss the picture books that have earned a permanent place on the shelf, from _Ferdinand_ to _Blueberries for Sal_. We talk about what separates a book with “the magic” from one that isn’t worth your time, why these stories still reach grown readers, and how good picture books gently open the door to a lifetime of reading.   See our Read-Aloud Collection here: https://www.memoriapress.com/read-aloud-programs/241   *What We're Reading* from This Episode:  "The Trumpet of the Swan" E. B. White (Paul) "The Magician's Nephew" C.S. Lewis (Paul) Robin Hobb Series (Ian)  

Margin Notes is back, and this episode the group tackles Flannery O'Connor's short story "Good Country People." A PhD-wielding atheist, a pious-but-hollow Southern mother, and a "Bible salesman" walk into a barn. What follows is a very strange short story with a lot more going on beneath the surface than it first appears.   Margin Notes is a book club podcast from the team behind Classical Et Cetera, where host Paul Schaefer sits down with three classically educated undergraduates to discuss one great book per episode.

Is classical education "light" on STEM? A listener asked, so we answered! The short answer is "no." Classical schools run math and science straight through calculus and physics. The deeper answer: if school is just job training, you're preparing kids for an economy that won't exist when they graduate. We're after something higher. We discuss what an education is really for, why the most durable skills come from Latin and math, and why the best preparation for STEM isn't STEM.   *What We're Reading* from This Episode:  "The Feast" Margaret Kennedy (Tanya) "The Merchant of Venice" William Shakespeare (Mandy)