Dan Degerman - Mania, history, and the sense of silence

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Paul Tuppeny   Abstract: Our world is, by its nature, a place of change; trees grow, fruit ripens and skin wrinkles; every state of being is finite and all opportunity is fleeting. Intrinsic to the perceptual apparatus through which we know this place, it seems, are pre-reflective judgements concerning these transformative processes. We experience these intuitions as age.   Through this phenomenon of age, we ‘feel’ Time in the physical things around us, every episode of perception conveying the past, projecting a future and delivering to us a temporally extended spatial arena. Although derived from only momentary observations, the discernment of objective age allows us to chronicle the world’s flux and stabilise the evanescent environment in which we find ourselves.   This primordial perceptual comportment, evolved to understand changes in the Natural environment, is applied equally to the artefacts of our technicity, gathering together their sedimented temporal layers to build our heritage.   The paper begins with an investigation into the “material-temporality” of natural entities and speculates on the cognitive mechanisms that might imbue physical objects with temporal characteristics. In these, Husserl’s notion of the ad-memorised co-presentations that fuse with our sensory data appear central. Similarly important, though, are Aristotle’s observations concerning our biographic assimilation of objects and the coalescence of those change-narratives around an entity’s actuality, or telos, as defined through the purposes of the subject.   The discussion then moves to the age that we experience in man-made objects. These artefacts do not just embody their own past but that of their originating community, experienced through our empathic interpretation of them as “spiritualised objects,” animated by the intent of their makers.   The paper concludes with the proposition that it is the phenomenon of age which stitches us into the fabric of the world and marries our needs with its, and our own, inherent generative processes.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Andrejs Balodis   Abstract: The paper will explore the concept of body memory and its application in the context of phenomenologically oriented medical humanities. Recent phenomenological research indicates that body memory plays a significant role in shaping embodied experience, both at the subjective and intersubjective levels. (Casey 1987, Fuchs 2012, 2017, Froese & Izquierdo 2018, etc.) However, due to its non-representational nature, body-memory is a challenging topic for research. I argue that structures of embodiment such as body memory and collective body memory (introduced by Fuchs) contribute in shaping health behaviors of individuals and communities, such as reluctance to get vaccinated against Covid-19 during the pandemic.   We* conducted a phenomenologically grounded qualitative research to explain motivations behind vaccine hesitancy and refusal. Existing studies on the subject lack a comprehensive, in-depth explanation of the role of the embodied experience in vaccine hesitancy. By applying a phenomenological conceptual framework – using concepts like embodiment, intentionality, lifeworld, body image, body schema, habitual body, normality etc.), we have gained insights into the embodied experience of vaccine reluctance and the underlying structures that shapes this experience.   The qualitative study (N=16) carried out in Latvia allows us to draw conclusions not only about individual but also collective models of health experience, emphasizing the socio-cultural and historical dimensions in the embodied experience. I will argue that the phenomenological concepts of the body memory and collective body memory can shed light on long-standing practices, habits and attitudes, thereby explaining culturally specific health behaviours, including hesitancy to vaccinate.   *This research is funded by the Latvian Council of Science, project Hesitant bodies: phenomenological analysis of the embodied experience of vaccine hesitancy, project No. lzp-2021/1-0360   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Dan Degerman   Abstract: This paper articulates the sense of silence as a historically constituted, embodied capacity to skillfully grasp and deploy silence, using mania as a breakdown case.   Silence is ubiquitous. We are surrounded by the silences of objects, spaces, other people, and our own bodies. Generally, these silences go unnoticed, forming a background against which we skillfully engage with people and the world through speech and sound. For example, we can pre-reflectively grasp the silence punctuating an interlocutor’s utterance as a solicitation to break our own silence by speaking. Similarly, we can pre-reflectively grasp their waning attention as a solicitation for us to become silent again, enabling them to speak and us to listen. I will propose that we can usefully understand this as involving the sense of silence.   Drawing on resources from Heidegger and Merleau-Ponty, I will define and explore this sense of silence through a case in which that sense has apparently broken down, namely, mania. Symptoms of mania include an unmanageable flood of thoughts and an urge to speak. First-person accounts of those symptoms indicate that they may bring a profound disruption in the individual’s relationship to silence. In some, silence is described as a newfound source of agony, in others, as an elusive goal. Individuals appear reflectively aware of social norms and personal habits that ordinarily govern silence but their affective hold has loosened. Some people invent painful, physical methods to try to replace that hold. This suggests that the sense of silence is an embodied capacity, historically constituted through the sedimentation of norms and habits.   Thus, the paper offers two benefits: first, a better understanding of how our historically constituted relationship to silence enables us in our everyday lives, and second, insight into how its disruption may disable us in mania.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from David Ventura   Abstract: Despite seldom referring to the European phenomenological tradition in his varied studies of Caribbean subjectivity, Édouard Glissant’s work has often been read as phenomenological. Even Glissant’s most perceptive readers seemingly take for granted that his work fits this description, “privileging as it does phenomenology over ontology” (Wiedorn). This paper aims to complicate Glissant’s relation to the phenomenological tradition by placing his work into dialogue with the “six senses of critique for critical phenomenology” identified by Lisa Guenther. I argue that while Glissant’s work is broadly aligned with Guenther’s stipulation that “Critical phenomenology (…) [seeks] to trace the contingent, historical emergence of structures like white supremacy and heteropatriarchy, to ask whether and how these structures could be otherwise (…) and to reclaim, create, and support more liberatory ways of being, relating, and sense-making,” Glissant also significantly alters, or creolizes, the stakes of this critical phenomenological enterprise by virtue of his sustained attention to the brutal historical experiences of transatlantic slavery, the Middle Passage, and their ongoing implications for present and future forms of thinking and relating. Attending both to his theoretical texts (e.g. Poetics of Relation) and his literary output (e.g. Mahagony), I argue that Glissant’s work critically brings into relief some of the still-too-Western presuppositions of Guenther’s politically engaged definition of critical phenomenology. As such, I conclude, Glissant’s corpus offers new directions for what future senses of critique may be adequate for a phenomenological practice seeking to overcome the violence of contingent structures such as coloniality, anti-Black racism, and white supremacy.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Haotian Wu   Abstract: Can film do phenomenology? The short answer is ‘Yes’. As Heidegger (2001: 59) writes, ‘any exhibiting of an entity as it shows itself in itself, may be called “phenomenology” with formal justification.’ In essence, ‘phenomenology is to “let us see”.’ Accordingly, film, an artform excelling at showing, exhibiting, and letting us see, is phenomenology per excellence. It is, therefore, not surprising that many people, including Merleau-Ponty (2020), claim that film is the most phenomenological medium. However, this fertile land of film as phenomenology remains largely uncultivated.   This paper contributes to this gap by showing that Farwell My Concubine (Kaige Chen, 1993), a masterpiece of Chinese cinema, is a phenomenology of modern Chinese history. I argue that it shows a structure of historical experience as a repetition of an ambivalent gesture, a farewell to the past as performative identities, which is simultaneously a beckoning to the future as an authentic self-transcendence. These two aspects of the same gesture are respectively represented by Duan Xiaolou (Fengyi Zhang) and Cheng Dieyi (Leslie Cheung), two Peking opera actors. From their first-person perspective, we witness the historical upheavals of 20th-century China, which, in the film, is foregrounded by the opera ‘Farwell My Concubine’. The opera is a historical drama about an ancient warlord, Xiang Yu, played by Xiaolou, bidding farewell to his beloved concubine, Consort Yu, played by Dieyi, after losing a decisive battle. As the opera mirrors each regime transformation, the phenomenological nature of the film is laid bare: It is not about modern Chinese history per se but about how history, enacted out and suffered by the two actors’ lived bodies, manifests a common structure of experience, worthy of phenomenological articulation.   Articulating this structure, this film-phenomenology paper contributes to exploring the linear and cyclical nature of the phenomenology of history.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Daniele Nuccilli   Abstract: In Die neue Wissenschaft vom Recht II, Husserl’s former student Wilhelm Schapp states that, “the history of humanity is the history of its works” and for this reason the relations between self, work, value, and production can be considered as “the a priori of historical science” (p. 67). Starting from this, he proposes an analysis of the historical dimension of values and their relationship to the production and development of objects of use. This analysis proposes a phenomenology of creation that aims at dismissing the static conception of essences of classical phenomenology. In In Geschichten verstrickt, this analysis is further deepened and linked to the theory of human entanglement in histories. Central to the notion of entanglement is Schapp’s conception of the primal body. By primal body he means the body of humans when they act in the everyday life-world. It is this conception of the primal body that makes it possible to conceive of humans as being intertwined with histories and carrying histories. The life-world displays traces of the histories of the past that thicken around historical events with agent subjects, individual or collective, at the center. We can get in connection with them through what Schapp calls co-entanglement. The co-entanglement can be defined as a kind of taking part in histories, projecting ourselves into the historical horizon of something that is told to us, through narratives and books, but also through things and monuments understood as works of humanity. The past in this way emerges on the horizon as a tangle of intertwining stories of our past in which we personally or our family and nation are entangled. In my paper I will analyze the relationship between body, history and life-world taking into account Schapp conception of entanglement in histories.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Philip Tovey   Abstract: Breverton Pond, situated on the southern edge of Exmoor in Somerset England, is commonly cited as the source of the River Tone - its origins. Rivers often have disputed origins. A second stream, rising in Elworthy, 2.6 miles West, contends to be the source of the River Tone. Problems of origin were central to Husserl's project in Experience and Judgment (EJ), where enduring objects are constituted in the flux of an ever becoming. Judgements, like rivers, have disputed origins, creating issues with the temporal fixity modernity is reliant on. Using the temporal overlaps Jay Lampert extracts from EJ, together with David Woods eco-phenomenological outline of the plexity of time  as my analytical handrails, this paper reports an autoethnography of the embodied ecologies of the River Tone, walked barefoot, from source to mouth, over three consecutive days and nights. How does the River Tone ‘originate’ in experience when I put my foot in it? As the headwaters ‘overlap’ (Überschiebung) my foot now ‘depositioning’ into the streambed of historical depositions of Devonian Sandstone, how do these ecological entanglements mediate the visibility of my origins? The implications of ecophenomenology as an analytical framework coupled with autoethnography are briefly discussed in relation to how temporality features in riverine policy formulations within the UK.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Bence Marosan   Abstract: We, humans, are living in a world, shared with non-human beings. Throughout our entire history, we, humans, prevailingly lived according to an anthropocentric paradigm, and we related to non-humans essentially as potential resources, obstacles, or even threats. In other words, humans instinctively, or sometimes on a reflectively elaborated ideological basis, treated non-humans in objectified or instrumentalized terms. During Modernity, due to rapidly developing technologies, this anthropological stance even had increasingly catastrophic consequences, that became apparent in the 1960s, thanks to the increasing global ecological crisis, which now has features that appear to threaten even the mere physical existence and survival of the human race.   In my presentation, I would like to have a closer look at this ecological crisis from the viewpoint of Husserlian phenomenology, and I will look for possible ways of solution, again, from a Husserlian perspective. Not only from a biological viewpoint, but also for a phenomenological approach, humanity appears as a subsystem of the Earth as a global ecosystem, entwined with other ecological subsystems, and partly interdependent from them.   As many authors and interpreters made it clear (e.g. Erazim Kohák, Annabelle Dufourcq, Ullrich Melle), in the philosophy of Edmund Husserl – especially in his late period, in the 1930s – we can find many ecologically relevant topics. In this regard, I would like to highlight especially his conceptions concerning life and the inherent value of life in his ethical lectures (as could be read in Husserliana Volumes 28, 37, and 42). In my presentation, I aim to show how a Husserlian notion of the inherent value of life would lead to an inescapable ethical imperative to respect life in every form and try to harmonize our relationship with the other, non-human parts of the Earthly ecosystem, with which we are essentially entwined.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a presentation from Andréa Delestrade   Abstract: Is there a possibility to think the ecological crisis through the logic of History, or is the Modern concept of ‘History’ rather driven to its end? I examine Chakrabarty’s and Merleau-Ponty’s strategies to end ‘History’ in their reflections on Nature, and I argue that if Chakrabarty’s diagnosis of the necessity to end ‘History’ to give space to ecological thinking is right, Merleau-Ponty’s strategy proves more effective, as it enables us to think the philosophical end of ‘History’ while retaining the necessity of a political ecology attentive to differentiation and domination. I first develop Chakrabarty’s insights on the exhaustion of ‘History’ as a concept, both in its Eurocentric and anti-Eurocentric variations, and the need to replace it with a negative universal History which substitutes a positive teleology (being-toward-freedom) for a negative teleology (being-toward-catastrophe), and de-centers human subjectivity and freedom in a phenomenologically empty ‘species universalism’. I then argue that evacuating the body, the possibility of phenomenological apprehension and hence of thinking particularity, while retaining a universalising teleological dynamic, leads Chakrabarty to a Eurocentric status quo, that is, an abstract universalism that flattens out the thought of difference. I finally turn to Merleau-Ponty’s philosophy of Nature, and argue that it offers us a productive articulation of the philosophical experience of Nature, including in its contemporary destruction, and the political differentiation and domination at stake in this ecological crisis. I provide a phenomenological apprehension of the climate crisis, albeit a non-Eurocentric one, which would not be predicated on European or Anthropocene-like universalism, by insisting on two features of his philosophy of Nature: first, the chiasmic intertwining of Nature and History (which recasts universality as foundational); second, the necessity of institution and expression in this intertwining, which gives space to think the political condition of the climate crisis, in its sedimentation, domination, and creativity.   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/

Season 9 continues with a recording from our 2024 annual conference, Embodiment and History.   This episode features a keynote presentation from Dr Niall Keane   Abstract: 'Self and Other. From Temporality to History'   This talk will examine the self-other relation in phenomenological terms, looking at how a phenomenological examination of the distinct experiences of the world, both my own and the other’s, needs to account for the transition from temporal to historical understanding. While Husserl is usually accused of not having worked out the historical nature of lived experience like those found in Heidegger and Merleau-Ponty, a case will be made for a more universal concept of history using Husserl’s analyses of the appearance of the other as not only accounting for the appearance of the world in its objectivity, but also for the emergence of culture and history as understandable. Such a universal concept of history will be explored insofar as it presupposes the appearance and givenness of another embodied human being, similar to myself, but over there. The other, in Husserl’s account, is hence not only the indicator of the world’s objectivity and knowability, but also marks the beginning of history and culture. The talk will conclude with an attempt tie the abovementioned concepts of culture and history, founded on the original givenness of the other to the self, to the concept of justice understood as my responsibility to get the other right. While Husserl never claims this explicitly, it will be argued that his concepts of “absolute humanity” and “the absolute meaning of History” [Erste philosophie, 506] are at bottom teleologically guided strivings for justice and self-responsibility.   Biography: I have published widely in the areas of phenomenology and hermeneutics and I am co-author of The Gadamer Dictionary (Continuum, 2012) and co-editor of The Blackwell Companion to Hermeneutics (Wiley-Blackwell, 2016). In addition to my publications on Husserl, Heidegger, Gadamer, Michel Henry, and Hannah Arendt, I am Treasurer of the Irish Phenomenological Circle (IPC) and executive member of the editorial board at the Journal of the British Society for Phenomenology (JBSP).   Further Information: This recording is taken from our Annual UK Conference 2024, co-organised with University of the West of England. The conference was held in Bristol on the theme of 'Embodiment and History'. Biographical information of speakers is taken from the programme of that event and therefore may not be up-to-date.   The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast.   About our events: https://www.thebsp.org.uk/events/   About the BSP: https://www.thebsp.org.uk/about/