Planet Afropop - The Other Sound of Kinshasa

"Nollywood - Nigeria's Mirror" takes us to Lagos, the third largest film industry in the world. Scholars Jonathan Haynes and Onookome Okome serve as guides as we negotiate the intricacies and eccentricities of Nollyood's past and digital future. Nollywood films dramatize key tensions in contemporary Nigerian life, such as the relationship between tradition and cosmopolitanism. Distributed through pirate DVD networks across Africa, the Caribbean and the Diaspora at large, Nollywood films are a global phenomenon - and we'll find out why. We'll also be joined by Christopher Kirkley of the Sahel Sounds blog, who transports us to northern Nigeria and into the electronic sound world of Hausa film music. APWW #646

The rumba and soukous of Congo-Zaire has infatuated listeners across the world for more than half a century. However, today in the neighborhoods of the capital, Kinshasa, there is a movement of musicians creating a new music that is at once more folkloric and rootsy as well as more innovative and cosmopolitan. Producer Nathaniel Braddock shares music and interviews from the months he spent in Kinshasa in 2024 working with musicians and instrument builders involved in creating new styles called "musique de recherche" or bofenia rock. PA 042

Grammy nominated ngoni virtuoso Bassekou Kouyate and his 8 piece band Ngoni Ba wowed the crowd at Lincoln Center in 2011. Ngoni Ba re-wired the ancient ngoni to create a dense, 21st century sound. We'll hear the concert and talk with Bassekou about hunters, his precocious son, and his future plans. We hear a very different take on the ngoni from Sidi Touré who made his U.S. debut at BAM in Brooklyn. Sidi Touré is from the legendary city of Gao in northern Mali, the seat the ancient Songhai empire. Then we go to Egypt to hear how artists from Port Said are making music for instruments that go back to the time of the Pharoahs. [Produced by Sean Barlow. Originally aired 11-09-2011] APWW #626

This program ventures into corners of Africa we rarely hear from, guided by adventurous field recordists and crate diggers. The Zomba Prison Project is a set of recordings by inmates at a maximum security prison in Malawi, one of the poorest nations on earth. The project’s debut CD was nominated for a Grammy Award. Here, we speak with the producer, Ian Brennan, and hear tracks from a volume of soulful, even heartbreaking, songs from the prison. We then go back to the 1960s and ‘70s in the city of Bobo-Dioulasso in Burkina Faso (then Upper Volta) to sample a gorgeous set recordings by Volta Jazz, Dafra Star, Les Imbattables Leopards and more. We hear from Florent Mazzoleni, the author and intrepid vinyl collector behind the new box set, Bobo Yéyé: Belle Époque in Upper Volta. Produced by Banning Eyre APWW #738

Host FayFay sits with two emerging Nigerian artists whose paths are as bold as their sound: Looking for Avala and Inima. Avala opens up about her journey from sneaking into open mics in New York to navigating motherhood and music in Lagos. She reflects on her identity, independence, and the power of trusting her own voice literally and figuratively.Then we meet Inima, a self-taught producer and vocalist from Port Harcourt, whose story is shaped by defiance, layered soundscapes, and a deep spiritual connection to music. These are stories of resilience without a roadmap, where making music isn’t just a career, but a calling. PA 041

DJ Crew Zona Libre take a break from throwing genre-defying parties and producing their own live events and podcasts to team up with Afropop for another edition of Cuts from the Crypt. Frequent Afropop producer Morgan Greenstreet (modrums) and Brooklyn-based Puerto Rican DJ Ricardo Luiggi (tres dos) dig through Afropop's extensive vinyl archives, selecting Afro-diasporic music that defies borders and boundaries and sharing their digging experiences along the way. APWW #797

We look into the rise and mysterious fall of the funky Bajan spouge beat which ruled the island in the ’70s, and discover a few underground musicians who are trying to keep it alive. Calypsonians Mighty Grynner and Red Plastic Bag detail their contributions to the lyrically potent kaiso scene. Soca stars Alison Hinds and Edwin Yearwood talk about the pros and cons of the island's competition circuit, and we learn about the hot "soca bashment" scene. Produced by Saxon Baird and Noah Schaffer. APWW #746

The two-man acoustic juggernaut from Malawi, Madalitso Band, is on the move in 2025. With their fourth album, Ma Gitala (The Guitars), just released and a global tour, including Glastonbury, just starting, these rootsy, spirited street musicians from Lilongwe are winning hearts everywhere. In this episode, Mukwae meets the band in Malawi as they begin to tour and takes a deep dive into their music. Then we speak with Salif Keita about his long-awaited acoustic album, So Kono, and what's happening in Mali. Produced by Mukwae Wabei Siyolwe and Banning Eyre. PA 040

One of the glories of Afropop’s more than 30-year run has been joining our host Georges Collinet in the kitchen as he creates delicious concoctions, while grooving to his favorite tunes. This episode looks back on two classic “Cooking with Georges” episodes: Yassa Chicken from Senegal, and Yoruba soul food with guest chef Baba John Mason—all accompanied music to make you move, from wherever George’s insatiable culinary curiosity takes him. Get your apron and your dancing shoes ready!

In the 1930s, infamous Dominican dictator Rafael Truillo ordered the burning of the country’s palos drums, hoping to erase the powerful vestiges of African culture in the Dominican Republic. Luckily for us, the breakneck, trance-inducing sound of palos still reverberates at Afro-syncretic religious parties across the Caribbean nation almost a century later. In this episode, Afropop revisits the home of styles such as merengue and bachata, but this time we’ll be looking towards the most deeply African side of Dominican music—little known outside of the island. Afro-Dominican music is a secret treasure, filled with virtuosic drumming styles, heart-stopping grooves, and mystic dance parties. We’ll listen to traditional genres like palos, salve, and gaga, a uniquely Dominican take on rara music from neighboring Haiti. Throughout, we’ll be looking at artists who have drawn on Afro-Dominican styles to make infectious pop music, from wizened veterans of the folklore movement such as Luis Dias, to a host of hip young bands who use Afro-inspired rock, reggae and hip-hop to redefine what it means to be Dominican. We’ll also check out the Afro-Dominican scene in New York City—home to more than a half-million Dominicans—where we’ll find a Dominican gaga group in Brooklyn that is mending cultural fences at a Haitian celebration. Produced by Marlon Bishop APWW #579