683: Eugenio Negro!

Sylvia Plath is legendary for being a tragic poet mostly known for her novel, The Bell Jar. John and Rachael are fans of Plath's poetry and The Bell Jar, but hereby set out on a historical project to read Plath's work as the world would have known it first, and as she would have known it herself, without the legend imposing its darkest meanings onto every possible opportunity. 

This conversation with Samantha Nickerson, Brian Salmans, and Rachael Tillman will give you some idea of the mischief you are missing out on, and the pain John is putting himself through.

This week, John speaks with the fiction writer, cartoonist, and musician Eugenio Negro about his new novel, Despair Priorities, the long term project, and figuring out what will be deeply satisfying as a writer and reader.

Sophia Ferrara joins John down the rabbit hole of Charlotte Brontë's early private storytelling.

In this week's show, John teams up once again with his friend Matt Peters to discuss the second book of William S. Burroughs's original quartet of novels. They also discuss the recent film adapation of the same.

On today’s show, I speak with the essayist Katharine Coldiron about how the way we watch movies are sometimes our autobiographies, sometimes our philosophies, and sometimes our humanity.

On 679, John speaks with the novelist Keith MacKenzie about how to plan an unplannable thriller, and how body horror and comedy and existentialism are awfully close neighbors.

On 678, John speaks with recent Kerouac Project of Orlando resident Zach Zimmerman about memoir, memories, childhood, comedy, tragedy, the problems of authenticity, and other vital literary matters.

On this episode, John and Rachael discuss the poetic output of Hannah Arendt's poetry, newly translated into English in a new book from Norton, translated by Samantha Rose Hill and Genese Grill, plus Fred Lambert delivers another masterful installment of the Booze News Roundup.

On this episode, John speaks with Kerouac Project of Orlando resident Skye Jackson about how to create a poetry collection that can be read in one sitting, how to balance the concrete and imaginative abstraction, inviting the audience in, recording a poetry audiobook, ekphrastic poetry, and living in New Orleans.