"Four Steps to Hunt a God" by Athar Fikry read by Emmie Christie

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Hana Carolina and Alex Kingsley join Dan Hartland to think about reviewing debut books and writers. Is there an extra responsibility reviewers owe to new writers? And if so, what might it be?Hana's review of Krackle's Last Movie by Chelsea SuttonAlex's review of Isaac by Allee Mead

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "Four Steps to Hunt a God" by Athar Fikry, read by Emmie ChristieYou can read the full text of the story, and more about Lio Abendan ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠Content Warnings:Disregard for personal autonomyDeath/dyingMurderSpiders/insectsViolence/combat

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Jenny Hamilton and Anushree Nande join Dan Hartland to discuss romance and romantasy. A huge proportion of science fiction and fantasy works and sales are now accounted for by this form. But what is its appeal? What is it doing? And where is it going?Jenny's review of Into The Midnight Wood by Alexandra McCollumAnushree's review of The Tricky Business of Faerie Bargains by Reena McCarty

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "I Wish You Died Laughing" by Lio Abendan, read by Jenna HancheyYou can read the full text of the story, and more about Lio Abendan ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠Content Warnings:Animal cruelty/death Disregard for personal autonomy Death/dying Homophobia Shaming Trans misgendering or other transphobic depictions Violence/combat

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Paul Kincaid and Dawn Macdonald join Dan Hartland to discuss style: What is it, what does it do, how can we think about it? And why does SFF seem to have such a fraught relationship with it? Get ready for Ursula K. Le Guin, Kurt Vonnegut, verse and poetry ... and police raids.Paul's review of Syncopation by Whitney French.Dawn's review of Into the Sun by C.F. Ramuz, translated by Olivia Baes and Emma Ramadan.

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "The Aquarium of Lost Souls" by Natasha King, read by Jenna HancheyYou can read the full text of the story, and more about Natasha King ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠Content Warnings:AbuseAnimal cruelty/deathDisregard for personal autonomyBloodBody transformationDeath/dyingDysphoriaViolence/combat

In this episode, as part of our 2026 criticism special issue Tristan Beiter introduces us to the Ursula K. Le Guin book club he's been taking part in. The group discusses the book club as a forum for, and a practice of, criticism. How does it differ from the academy, from more formal venues, from fan spaces—and what kinds of critical activity and insight do those differences, equip it uniquely to deliver? 

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by Shannon Fay and Marisa Mercurio to discuss horror, and especially its cozy variety. From the gothic to the slasher movie, how might texts within an increasingly broad tradition be judged as a success? And what should reviewers do when a given example falls short?Shannon's review of The Macabre by Kosoko JacksonMarisa's review of Slashed Beauties by A. Rushby

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland reads 'Orchard Village Catalog' by Parker Peevyhouse. You can read the full text of the story, and more about Parker Peevyhouse ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by Cameron Miguel and Nick Hubble to discuss fantasy and its relationship to history and history-writing. Is some sense of the recordable past baked into the genre? And, if so, with what effects?Cameron's review of Making History.Nick's review of The Everlasting.