TDOV Flash Cast

In this special community spotlight episode, Elliott sits down with Lee Stone, founder of Dead Name Theatre, and producer/director of the upcoming concert production of Into The Woods, running June 2nd - June 11th.    Get your tickets now at:  https://ca.patronbase.com/_TheatrePasseMuraille/Productions/4Q/Performances   More about Dead Name Theatre: https://deadnametheatre.weebly.com/    

Students and faculty of the Mark S. Bonham Centre for Sexual Diversity Studies send messages of support for the Rally for Trans Rights in Toronto on March 31st.     

For this special QTcast episode, hosts Ezra and Henry delve into what it’s like working at the QTRL alongside fellow Undergraduate Research Assistants Annisa, Luna, and Zoe! Join them as they explore their initiation into the lab, their experiences thus far working with their supervisors, and their future aspirations for their personal research endeavours. 

In this episode, Elliot sits down with Dissertation Completion Award Recipients Anna Kozak and Camille Rogers to talk about the completion of their dissertations at the Queer and Trans Research Lab. Camille discusses what it’s like to do their dissertation in the artistic field, and Anna explores the impossibility of the autobiography genre. They also discuss their entrance into the lab, how their work at the QTRL has informed their own work, and glean insight into their writing processes.   For more info on the 2023-2024 QTRL Cohort Open Applications visit: https://sds.utoronto.ca/ and navigate to the 'Residencies, Fellowships, and Grants' tab. 

QTRL Graduate Research Assistants Elio Colavito and Kanika Lawton discuss how their time at the Queer and Trans Research Lab has informed their own work and lives; Elio reflects on how their work has influenced their perspective on navigating a neurotypical world, and Kanika unpacks how working on Asian-American studies has augmented their research in Trans and Queer of Color theory and Ornamentalism. They also discuss their research processes, the complicated interplay between trans and disability studies, poetry, and much, much more!   Link to Bonham Centre Website for 2023-2024 QTRL graduate application details: https://sds.utoronto.ca/graduate-research-assistantships-the-queer-and-trans-research-lab/    

In this special video interview, community leader in resident Jade Elektra stops by the lab to share updates on her community work and chat about her iconic career.   Jade Elektra is a Toronto-based "out" HIV+ Queer African-American Drag Entertainer, Recording Artist/Live Singer, Film/Stage/Television Actor and AIDS Activist originally from Tampa, Florida via New York City and finally found a home in Toronto in 2010. After being diagnosed in 1990 (but infected in 1989) Jade dreamed of leaving Tampa, Florida for hustle and bustle of New York City. With a little money saved and the kindness of a queen called “The Electrifying Grace” Jade came to The Big Apple in 1992. She started auditioning and getting small parts but Jade’s recording career was born out of this time. Jade also formed a drag revue called “The Illusions” (Harmonica Sunbeam, Sybil Barrington, Tyra Colbaire & Victoria Lace). The revue became the only drag show in Harlem in the 90s. It’s finale ended at The Apollo in 1995. Probably best known at first for her underground club hits like “Why Are You Gaggin’?” and “Bitch You Look Fierce”, these became staples of the NYC Ballroom Community. Jade found herself in the company of cast members of “Paris Is Burning” as they took her into the scene. Jade worked out of drag at Sally’s II as the DJ and would later be named DJ Relentless. Pepper LaBeija was her House Mother. Paris Dupree was her upstairs neighbour. Octavia St. Laurent, Angie Xtravaganza and Dorian Corey were the showgirls at Sally’s. The 90s were a great time for drag and film. Jade was in “Too Wong Foo. Thanks For Everything, Julie Newmar.” “Party Girl” “Stonewall” and “Jane Doe”. And daytime television seemed to like Jade as well. 2 episodes of Ricky Lake, 1 episode of Maury Povich and 13 episodes of The Richard Bey Show. In 1998, Jade performed at Wigstock with her debut single "Why Are You Gagging?" on Progressive High Records ( a division of Atlantic Records).     By the year 2000, Jade had been approached by Andrew Neville in the UK about producing an album. The idea was to have Jade be the UK version of RuPaul. The album was recorded and promotion were being set in place. The record label’s offices were in the Twin Towers. 9/11 happened and everything ended. NYC took many years to recover and lost many of its creative and nightlife scene. In the years after 9/11, Jade found herself volunteering at GMHC and The Harvey Milk School. It was these years when she realized the importance of educating our youth about HIV/AIDS. She was not completely out about her status except for close friends and lovers. But that was all about to change in 2005 when she met artist, John Richard Allan. A long distance romance blossomed and Allan proposing on World AIDS Day 2009. Jade relocated to Toronto and officially came out in Fab Magazine in 2010. John Allan had already created POZPLANET the facebook group. So, Jade created POZ-TO, a monthly social gathering for the HIV+ Community. This grew into the POZ-TO Awards where each year we began honouring ten unsung heroes of HIV/AIDS. Over the 2010s decade Jade found herself speaking out for many causes but it would be the opportunity to be the first drag queen to sing at The AIDS Memorial at The 519 in 2019 that would end up going viral. A slight change of “Unforgettable” to “Undetectable” spoke for many living with HIV and knowing that as long as long as they were undetectable they were untransmittable. U=U Today Jade is resident at the University of Toronto for their Queer & Trans Research Lab. Her latest album dropped on November 2nd, 2022 called "Legendary, Darling!" ( a collection of her early tracks to her most current on iUnderground Records. And as far as her discography, Jade Elektra has a list of music that covers 1997 to current playlists today on iTunes, Spotify and YouTube.

Dr. Shana Ye shares how her research thus far has led her to the creation of her manuscript, Queer Chimerica: A Speculative Autoethnography of the Cool Child, which is a mix between autoethnography, science fiction, and queer theory.  In addition, Shana discusses with Elliott her thoughts on the relationship between queer fluidity and the fluidity of capital and labour, the development of queer theory in China, the relationship between queerness and physics, and much, much more!    Stay tuned to the end to hear a special reading from Queer Chimerica.   Link to transcript:  https://docs.google.com/document/d/1bZZ_cf2r83vRpqpm7nyiE5HpVT07w9dtQmgX59FLKKs/edit?usp=sharing   Some links from reading material and other media discussed:  https://www.annualreviews.org/doi/abs/10.1146/annurev-anthro-102218-011435 https://en.wikipedia.org/wiki/The_Watermelon_Woman https://www.upress.umn.edu/book-division/books/ghostly-matters https://www.hup.harvard.edu/catalog.php?isbn=9780674032392 https://www.routledge.com/The-Cultural-Politics-of-Emotion/Ahmed/p/book/9781138805033        

Tune in to meet this year's cohort at the Queer and Trans Research Lab! Find out what amazing things the scholars, students, artists, and community leaders are doing, and follow the links below to find out how to get involved.    Full cohort & bios: https://sds.utoronto.ca/qtrl-cohort-2022-23/   About the lab: https://sds.utoronto.ca/queer-and-trans-research-lab/   Episode transcript: https://docs.google.com/document/d/1cRH6DjclqxWWzV7B8bCVEr5NpcidLcg68MJW3nUW58M/edit?usp=sharing   Twitter & Instagram: @qtcast_  

Tune in to artist in residence Teiya Kasahara's operatic journey 'Little Mis(s)gender' and hear the creative team discuss their experience producing this genre-defying work. Catch sneak-peek clips from their invite-only live performance which took place June 2022.   Link to full transcript: https://docs.google.com/document/d/1QSIpIdg3nwHcK468xS6EIdP8uKq8Gvvu/edit?usp=sharing&ouid=100315417846659805771&rtpof=true&sd=true   Little Mis(s)gender by Teiya Kasahara 笠原 貞野 Workshop Presentation: June 18, 2022 Tankhouse Theatre, Yonge Centre for the Performing Arts Toronto, ON   Performers: Teiya Kasahara 笠原 貞野 (@teiyakasahara), Lee Stone Director: Sadie Epstein-Fine https://www.sadieepsteinfine.com/  Lighting Designer: Emerson Kafarowski https://www.ekafarowski.com/ Sound Designer: Steph Raposo Projections/Illustrations by Maddie Garces @sn0ttyn0se Stage Manager: Rafael Lim Daunt Pianist: Trevor Chartrand   Photography: Gesilayefa Azorbo / Lightplay Society (IG @gesila.lightplaysoceity; FB @LightplaySociety ) Videography: Ryan Harper   Additional Music Credits in order of appearance: "In Trutina" from Carmina Burana by Carl Orff "Pa-pa-pa" from Die Zauberflöte by Mozart "Amor ti vieta" from Fedora by Umberto Giordano "Una donna quindici anni" from Così fan tutte by Mozart     Acknowledgements: Bonham Centre for Sexual Diversity Studies, University of Toronto Ontario Arts Council Toronto Arts Council

Tune in to artist in residence Teiya Kasahara's operatic journey 'Little Mis(s)gender' and hear the creative team discuss their experience producing this genre-defying work. Catch sneak-peek clips from their invite-only live performance which took place June 2022.   Link to full transcript: https://docs.google.com/document/d/1QSIpIdg3nwHcK468xS6EIdP8uKq8Gvvu/edit?usp=sharing&ouid=100315417846659805771&rtpof=true&sd=true   Little Mis(s)gender by Teiya Kasahara 笠原 貞野 Workshop Presentation: June 18, 2022 Tankhouse Theatre, Yonge Centre for the Performing Arts Toronto, ON   Performers: Teiya Kasahara 笠原 貞野 (@teiyakasahara), Lee Stone Director: Sadie Epstein-Fine https://www.sadieepsteinfine.com/  Lighting Designer: Emerson Kafarowski https://www.ekafarowski.com/ Sound Designer: Steph Raposo Projections/Illustrations by Maddie Garces @sn0ttyn0se Stage Manager: Rafael Lim Daunt Pianist: Trevor Chartrand   Photography: Gesilayefa Azorbo / Lightplay Society (IG @gesila.lightplaysoceity; FB @LightplaySociety ) Videography: Ryan Harper   Additional Music Credits in order of appearance: "In Trutina" from Carmina Burana by Carl Orff "Pa-pa-pa" from Die Zauberflöte by Mozart "Amor ti vieta" from Fedora by Umberto Giordano "Una donna quindici anni" from Così fan tutte by Mozart     Acknowledgements: Bonham Centre for Sexual Diversity Studies, University of Toronto Ontario Arts Council Toronto Arts Council