927. Writing Act Three

Married creative partners Joshua Dean and Jo Rochelle describe the shared teaching experiences that inspired the writing of the independent feature Dead Deer High and the adventures they encountered while making it. 

Writer/director Saraswathi (Vani) Buyyala talks about her journey from being a teenager in India to becoming the head of Rhythm and Hues Asia and eventually following her creative passions with her production company Dancing Atoms.

Pilar takes a moment to talk about the themes, triggers and ah-hah moments that work to create a strong act three in a feature film. Surprise announcement at the end of the episode!

Writer Craig T. Williams talks about his approach to making industry relationships, nailing interviews and about the fact that all of his opportunities, including his first writers room job, happened after the age of 50.

Pilar and her friends Brian Pope, Mike Musa and Alex Troxler get together for their annual discussion about the best screenplay and best adapted screenplay Oscar nominees.

Television writer Taylor Vaughn Lasley talks about her latest Peabody-award nominated project and the unique method of building story she teaches her students at Syracuse University's Newhouse School. 

On the Page “rising star" Tamar Feinkind has found stories from her dad, herself, her motherhood and her Jewish identity. Here, she talks about her projects, pitches and a pivotal name reclamation that helped change everything.

Political turmoil! Climate disasters! How can a comedy writer find the funny? Marc Warzecha, writer, comedian and director of The Sketch School, is here to help.

Writer Tiffany Bratcher worked her way up from writers PA to writer for the Amazon Prime series On Call and story editor for Chicago PD. Here she talks about writing procedural and half-hour drama, police ride-alongs and the need to always be pitching. 

Writer Jan Kimbrough discusses The Women’s List, a nonprofit spotlighting production-ready scripts by women writers.