Jesse Browner, "Sing to Me" (Little Brown, 2025)

In this episode of the CEU Review of Books Podcast I sat down with Dr Doina Anca Cretu to talk about her first book, Foreign Aid and State Building in Interwar Romania: In Quest of an Ideal, published by Stanford University Press. In the podcast we talk about Anca’s academic background, how she came to research foreign aid in Romania, any surprises she encountered during her research, the nature of foreign aid in interwar Romania, and how to approach publishing a first monograph. The CEU Review of Books Podcast Series explores the questions that affect us all through in-depth talks with researchers, policy makers, journalists, academics and others. We bring the most current research linked to Central Europe through these discussions. At the CEU Review of Books, we encourage an open discussion that challenges conventional assumptions to foster a vibrant debate. Visit our website to read our latest reviews, long reads and interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the crisis of democratic capitalism sweeps the globe, The Great Retreat: How Political Parties Should Behave and Why They Don't (Oxford University Press, 2025) makes the controversial argument that what democracies require most are stronger political parties that serve as intermediaries between citizens and governments. Once a centralizing force of the democratic process, political parties have eroded over the past fifty years. Parties now rank among the most unpopular institutions in society--less trusted than business, the police, and the media. Identification with parties has plummeted, and even those who are loyal to a party report feeling that parties care more about special interests than about regular citizens. What does a "good" political party look like? Why do we urgently need them? And how do we get them? The Great Retreat explores the development of political parties as democracy expanded across the West in the nineteenth century. It focuses in particular on mass parties, and the ways they served as intermediaries that fostered ties between citizens and governments. While parties have become professionalized and nationalized, they have lost the robust organizational density that made them effective representatives. After the Cold War, a neoliberal economic consensus, changes to campaign finance, and shifting party priorities weakened the party systems of Western democracies. As Didi Kuo argues, this erosion of political parties has contributed to the recent crisis of democratic capitalism, as weak parties have ceded governance to the private sector. For democracy to adapt to a new era of global capitalism, Kuo makes the case that we need strong intermediaries like mass parties--socially embedded institutions with deep connections to communities and citizens. Parties are essential to long-term democratic stability and economic growth, while the breakdown of party systems, on the other hand, has historically led to democratic collapse. As trust in political parties has plummeted, The Great Retreat provides a powerful defense of political parties--for without parties, democratic representation is impossible. Didi Kuo is Center Fellow at the Freeman Spogli Institute for International Studies at Stanford University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jesse Browner is the author of the novels Sing to Me (Little Brown, 2025) The Uncertain Hour and Everything Happens Today, among others, as well as of the memoir How Did I Get Here? He is also the translator of works by Jean Cocteau, Paul Eluard, Rainer Maria Rilke, Matthieu Ricard and other French literary masters. He lives in New York City. Recommended Books: Cormac McCarthy, The Road Álvaro Enrigue, You Dreamed of Empires Susanna Clarke, Piranesi Dezso Kosztolanyi, Skylark Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John recently published “Lying in Politics: Hannah Arendt’s Antidote to Anticipatory Despair" in Public Books. It makes the case against anticipatory despair in the face of the Trump administration's relentless campaign of lies, half-lies, bluster, and bullshit by turning for inspiration to his favorite political philosopher, Hannah Arendt. Half a century ago, in "Lying in Politics: Reflections on the Pentagon Papers" (1971) she showed how expedient occasional lies spread to become omnipresent--not just in how America's campaigns in Vietnam were reported, but throughout Nixon-era governance. Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. Reach out and let us know if you think it should be the first of many, or simply a one-off. Mentioned in the episode: M. Gessen, Surviving Autocracy Harry Frankfurt, "On Bullshit" Vaclav Havel, "The Power of the Powerless" (1978) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within Political Science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research. Disrupting Political Science: Black Women Reimagining the Discipline is both autobiographical for some of the contributors as well as an interrogation of Political Science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, types of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within Political Science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of Political Science as a discipline, to challenge the norms and expectations that have remained in place for over a century. And thus to be more accepting of those who do not hew to the silent but strong cis, male, white, and heteronormative norms. Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of Political Science and political scientists. Lewis-Maddox suggested that a good place to purchase this is book is through Mahogany Books. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the earliest encounters between tantric traditions and Western scholars of religion, tantra has posed a challenge. The representation of tantra, whether in Bengal, Tamil Nadu, Tibet, or Japan, has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for audiences in the West, created a one-dimensional understanding, and hampered the academic study of the field for more than a century. Additionally, the Western perspective on religion has been dominated by doctrinal studies. As a result, sectarian boundaries between different tantric traditions are frequently replicated in the scholarship, and research tends to be sequestered according to different schools of South Asian, Central Asian, Southeast Asian, and East Asian tantric traditions.The Oxford Handbook of Tantric Studies (Oxford UP, 2024) is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra. The Introduction provides an overview of major issues confronting the field today, including debates regarding the definition and category of "tantra" historical origins, recent developments in gender studies and tantra, ethnography and "lived tantra" and cognitive approaches to tantra. Using a topical framework, the opening section explores the concept of action, one of the most prominent features of tantra, which includes performing rituals, practicing meditation, chanting, embarking on a pilgrimage, or re-enacting moments from a sacred text. From there, the sections cover broad topics such as transformation, gender and embodiment, "extraordinary" beings (such as deities and saints), art and visual expressions, language and literature, social organizations, and the history and historiography of tantra. With co-editors in chief who specialize in the Hindu and Buddhist perspectives, a global pool of contributors, and over 40 chapters, the Handbook aims to provide the definitive reference work in this dynamic field. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For centuries, scribes across East Asia used Chinese characters to write things down–even in languages based on very different foundations than Chinese. In southern China, Japan, Korea and Vietnam, people used Chinese to read and write–and never thought it was odd. It was, after all, how things were done. Even today, Cantonese speakers use Chinese characters to reflect their dialect with no issues, while kanji remains a key part of Japanese writing. Even in South Korea, the Chosun Ilbo newspaper uses Chinese characters for its title, even as most of Korea has turned to hangul. Zev Handel talks about how classical Chinese came to dominate East Asia in his book Chinese Characters across Asia: How the Chinese Script Came to Write Japanese, Korean, and Vietnamese (University of Washington Press, 2025). How do Chinese characters even work? How did Chinese script spread across the region? And what was it like to read and write in a language that you couldn’t even speak? Zev Handel is professor of Chinese linguistics in the Department of Asian Languages and Literature at the University of Washington. He is author of Sinography: The Borrowing and Adaptation of the Chinese Script and associate coeditor of Encyclopedia of Chinese Language and Linguistics. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chinese Characters Across Asia. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pakistani women are increasingly pursuing legal avenues against acts of domestic violence. Their claims, however, are often dismissed through character allegations that label them as 'bad' women in need of control, or 'mad' women not to be trusted. Domestic Violence in Pakistan: The Legal Construction of 'Bad' and 'Mad' Women (Oxford University Press, 2025) by Dr. Daanika Kamal explores why the subjectivities of women victims are constructed in particular ways, and how these subjectivities are captured and negotiated in the Pakistani legal system.Drawing on feminist poststructuralist accounts relating to the use of gendering strategies in institutional and disciplinary settings and based on an analysis of over a hundred case files and judgements, seventy-two interviews, and court observations in three cities of Pakistan, this book shadows the experiences of women victims of domestic violence in both criminal law and family law proceedings. It captures and offers empirical insights in relation to gendered subject formation in discursive spaces; ranging from the use of societal narratives that minimise and silence women's harms, to the deployment of police mechanisms that assist in maintaining the 'secrecy' of familial violence, and the application and enactment of boilerplate lawyerly strategies to present alternative legal 'truths.'Amidst regulations of the public versus the private and understandings of rights versus duties, Domestic Violence in Pakistan explores how these practices construct the victim-subject of domestic violence in a way that not only subjectivise her, but also secure her within the field of that subjectification; setting her up to be viewed by the judiciary through the lens of the allegations applied to her. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and  University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York.  Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley.  McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock ’N’ Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018)  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network