Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity with Samar Abdel-Rahman (American U of Cairo Press, 2026)

The story of two women in the mid-twentieth-century South navigating financial independence, a changing rural landscape, and social norms.Flannery and Regina: The Andalusia Chronicles (NewSouth Books, 2026) tells the story of Flannery O’Connor and her mother, Regina, after Flannery’s lupus diagnosis forced her to move back to Milledgeville, Georgia. Just as her career as one of the twentieth century’s most distinguished writers of short fiction was beginning to take off, the disease that killed her father confined her to the family farm, Andalusia. The book fills in the gaps for fans of Flannery on the role of Regina in her life but more broadly presents a story of two women in the South of the 1950s and 1960s navigating financial independence, a changing rural landscape, and social norms.It’s a story of a mother and daughter, sometimes understanding each other, often not, but trying to cobble together parallel and overlapping lives. Perhaps most interesting to readers of O’Connor, or anyone interested in the biography of an author no longer able to control a public image, is the detailing of how Regina tried to direct and cultivate Flannery’s image after her death, though we get the sense she understood very little of her daughter as an artist.Carol Loeb Shloss is a former acting professor of English and Irish literature at Stanford University. Widely known for her work on modernist writers, her books include Lucia Joyce: To Dance in the Wake, a Pulitzer Prize nominee and finalist for the National Book Critics Circle Award; Let the Wind Speak: Mary de Rachewiltz and Ezra Pound; Flannery O’Connor’s Dark Comedies: The Limits of Inference; and two books on literature and photography. Since writing her seminal book on Flannery O’Connor in 1980, she has published essays and reviews in Flannery O’Connor Review and many other journals. She currently resides in Philadelphia.Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Susan E. Kirtley and Nhora Lucía Serrano's Women in Comics (Black Dog & Leventhal, 2026) is a richly illustrated, essential guide to the importance of women in the comics space from across time and around the globe.Comics in the form of editorial cartoons, comic strips, digital comics, comic books, and graphic novels have combined words and images to tell stories of hundreds of years. Though often overlooked, women have played a vital role in shaping this genre, both as creators and characters within the stories themselves.Through six archetypes frequently found in comics—the patriot, the working woman, the socialite, the fashionista, the reporter, and the spy—Kirtley and Serrano trace some of comics’ most influential women. This insightful exploration of international characters celebrates the feminist role model Wonder Woman, the warrior-maiden Oscar François de Jarjayes in the gender-defying manga tale Berusiyu no Bara (The Rose of Versailles), the real-life groundbreaking journalist Nellie Bly, and many others. Profiles throughout the book highlight the important work of female creators, heralding the bravery of political cartoonists such as Corinne “Coco” Rey and Rayma Suprani, the power of biography as reportage with Marjane Satrapi and Sophia Glock, and the value of visibility with Alison Bechdel and Mariko Tamaki.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A powerful, unsettling, and unflinching exploration that forces readers to confront lynching as a devastating legacy of white childhood conditioning, and to reckon with the corrupting force of a system that trained children to become its willing executioners, Strung Up: How White America Learned to Lynch Black Children with Stacey Patton (Beacon Press, 2026) examines how the lynching of Black children became not an aberration, but a normalized feature of American racial violence. Drawing on meticulous archival research and vivid narrative storytelling, Strung Up traces how white supremacy trained itself socially, culturally, and psychologically to tolerate and ritualize the destruction of Black childhood, including the unborn.Nationally recognized child advocate Dr. Stacey Patton locates the roots of this violence not solely in the United States, but in Europe’s long history of anti-child brutality. She reveals how centuries of public executions, corporal punishment, religious spectacle, and sanctioned cruelty exposed white children to extreme violence early and often. This violence, she argues, conditioned them to associate pain, domination, and death with moral order.Patton traces this desensitization across the Atlantic where white children raised within these traditions became adults primed to reproduce racial terror, transforming inherited practices of child cruelty into instruments of white supremacy in the post-emancipation United States.Blending history with developmental psychology, neuroscience, epigenetics, and research on adverse childhood experiences, Strung Up shows how violence is not only taught, but biologically and psychologically embedded across generations. Patton demonstrates how racial terror functioned as a system of socialization that shaped perception, behavior, and moral reasoning long before it produced the mob, the rope, or the fire.Dr. Stacey Patton is a research associate at the Institute for Urban Research, an award-winning journalist, and a nationally recognized child advocate whose research focuses on the intersections of race and childhood. She is the author of That Mean Old Yesterday: A Memoir (Simon and Schuster) and Spare the Kids: Why Whupping Children Won’t Save Black America (Beacon Press). Her reporting on issues of child welfare, race relations, and higher education has appeared in multiple outlets including the New York Times, Washington Post, BBC News, Al Jazeera and the Chronicle of Higher Education. You can find her on Facebook and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the nineteenth century, global systems of capitalism and empire knit the North Atlantic and Indian Ocean worlds into international networks in contest over the meanings of slavery and freedom. Sojourners, Sultans, and Slaves: America and the Indian Ocean in the Age of Abolition and Empire (U California Press, 2023) mines multinational archives; profiles transnational human rights campaigns; shows how the discourses of poverty, kinship, and care could be adapted to defend servitude in different parts of the world; and reveals the tenuous boundaries that such discourses shared with Whiggish contractual notions of freedom. An intercontinental cast of empire builders and émigrés, slavers and reformers, a "cotton queen" and courtesans, and fugitive "slaves" and concubines populate the pages, fleshing out on a granular level the interface between the personal, domestic, and international politics of "slavery in the East," and in the age of empire. By extending the transnational framework of U.S. slavery and abolition histories beyond the Atlantic, Gunja SenGupta and Awam Amkpa recover vivid stories and prompt reflections on the comparative workings of subaltern agency. Gunja SenGupta: Professor of History at Brooklyn College and the Graduate Center of the City University of New York, and currently visiting at New York University Abu Dhabi (NYUAD). Her work places nineteenth-century United States history in global contexts of slavery, abolition, empire, race, gender, and poverty. She is also the author of From Slavery to Poverty and For God and MammonAwam Amkpa: Vice Provost for the Arts and Dean of Arts and Humanities at New York University Abu Dhabi, and a professor of drama and social and cultural analysis at New York University. A theater scholar, filmmaker, and curator, he is the author of Theatre and Postcolonial Desires.Ahmed Y. AlMaazmi: Assistant Professor of History at New York University Abu Dhabi (NYUAD). A historian, academic, and translator, he focuses on the history of science, empire, law, and everyday life in the Arabian Peninsula and the wider Indian Ocean world. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pundits, scholars, and the general public alike have argued that conspiratorial thinking is the greatest threat to liberal democracy. In Conspiracy: The History of a Political Obsession (Harvard UP, 2026), Dr. Nicolas Guilhot, however, challenges us to see conspiracy theories as a sign of the public’s desperation in light of liberal democracy’s failures. Conspiracism is widespread across the political spectrum, as citizens struggle with their disenfranchisement. How are we to imagine the future at the purported “end of history”? And how might this impasse make us susceptible to hallucinations and paranoia?Conspiracy shows that narratives of conspiracy historically gain popularity when politics ceases to offer hope and apocalyptic thinking becomes a last refuge. Taking the reader from Karl Popper’s coining of the term “conspiracy theory” in 1948 through the essential commentary of Hannah Arendt, Alexandre Koyré, Richard Hofstadter, and others, Dr. Guilhot reveals how the fear of conspiracies has always operated against a backdrop of antagonism between the powerful and the many, the rich and the poor, the oligarchy and the masses. Today’s fear of a grand plot is no exception.Turning conventional wisdom on its head, Dr. Guilhot shows that society’s focus on truth and falsehood masks how conspiracy theories feed on the dysfunctions of liberal democracies that no longer offer credible pathways toward a better future. Conspiracy theories offer a ready-made explanation for the feeling that one lacks agency and freedom. Rather than the cause of the current crisis, they are one of its consequences.This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With the advent of print in the fifteenth century, Europe’s cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo—a “little studio”—and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo’s influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco.Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2026) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.Andrew Hui is associate professor of humanities at the National University of Singapore. He is the author of A Theory of the Aphorism: From Confucius to Twitter (Princeton) and The Poetics of Ruins in Renaissance Literature.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Samar Abdel-Rahman's Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity (American University of Cairo Press, 2026) explores male stardom in Egyptian cinema produced during the early years following the Free Officers' revolution of 1952, through the lives and careers of three key stars: Omar al-Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between the traditional and the modern, the Nasser era placed an emphasis on education, work, and gender equality. Yet, faithfulness to Egyptian traditions and values remained a key part of the state’s vision of collective identity. Samar illuminates how these stars promoted a civic identity that aligned with the regime’s ambitions, and how each of them—through melodrama, comedy, and action—negotiated a different facet of masculine identity that spoke to the ambivalent constructions of hegemonic masculinity during this critical post-colonial period.Samar Abdel-Rahman holds a PhD in film studies from King's College London and  is currently a lecturer of World Cinema at the University of Liverpool. Her research, which focuses on stardom and performance in Middle Eastern and North African Cinemas, has been published in edited volumes including The Routledge Companion to European Cinema.Saman Nasser holds an MA in world history from James Madison University, where he currently works as an educational staff. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“I hear whispers: Have you seen her? The woman who is not a woman, she is a walking museum. Have you seen her wares?”The narrator of SL Carroll’s radiant debut leads an empty life in a small town until she is employed to catalogue the Museum's collection. She has never seen anyone rewrite their bones the way the Museum has, until they are hardly bones at all. Obsession takes hold and the Museum's display case body inhabits her mind. In an attempt to duplicate the Museum's existence, the narrator secretly begins collecting objects of her own. Can she curate an authentic collection, balancing her own desires with her increasing responsibilities to the Museum?The Art of Conjuring (Terrazzo Editions, 2026) is a lyric and whimsical novella that probes the boundaries of femininity, friendship, and the fine line between obsession and inspiration.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this discussion of Epiphanies of Nature and Grace: Twelve Meditations from a Life in Dialogue (Orbis Books, 2025) These moving and eloquent meditations on a range of spiritual themes draw on the author’s study of scripture and his deep monastic experience, as well as on his many pilgrimages to India and his immersion in the spiritual wisdom both of Asia and the Christian West.Cyprian Consiglio is a Camaldolese Benedictine monk, musician, composer, author, and teacher. After retiring from his office as prior of his community, he currently lives in Rome, serving as Secretary General for Monastic Interreligious Dialogue (DIMMID).Lucas Tse is an Examination Fellow at All Souls College, Oxford. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN episode, host Hollay Ghadery speaks with Malon Edwards about his book, If Wishes Were Obfuscation Codes (Fireside Fiction Company, 2023). “Electric Resurrection. Born again perfection. The six-zero correction.”For the last decade, Malon Edwards has been spinning out a world where humans have conquered death but still haven't bothered to take care of the living. Where resurrection is the ultimate commodity—if you're rich enough, powerful enough, and white enough to buy in.If Wishes Were Obfuscation Codes and Other Stories collects 10 cyberpunk dispatches, including a brand-new, epic rap novella. On offer is a guided tour of an independent Chicago, a beacon of Black excellence that is done with the ever-hostile State of Illinois showing its ass.Your guides are a little rough around the edges: hackers and assassins, thieves and grieving parents, elders and teenagers. Don't fret. These people will take good care of you, so long as you mind yourself.Welcome to the Sovereign State of Chicago.About Malon Edwards:Born and raised on the South Side of Chicago, I now live in the Greater Toronto Area. I write mostly short stories with a speculative fiction bent - horror, fantasy, steampunk, science fiction - but more often than not, you'll find a blend of genres in my writing.Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.