The cost of being an atheist in Nigeria

What are the consequences of the Church of England's historic slave plantations in Barbados today? Theologian Robert Beckford considers why and how the Church's missionary arm, the Society for the Propagation of the Gospel, got involved in the slavery business. He travels to Barbados to hear from a range of voices who tell the story of how in 1710, the Church turned the Codrington Plantation into a missionary experiment. The original mission failed but later generations did eventually adopt the Anglican faith. However, spurred by the country becoming a republic, some are now questioning the Church's historic role in slavery. For some, it has turned them away from Christianity; for others, there is a need to decolonise or Africanise Anglican Christianity in Barbados. They say the religion's only hope of survival on the island is to make it relevant to the black majority populace. Through the voices of Bajan Anglican worshipers, Robert interrogates what the future of the Church now looks like in terms of practice and governance in Barbados.Presenter: Robert Beckford Producer: Rajeev Gupta

In the heyday of the Sikh Empire, Kirtan - Sikh hymns - were performed using stringed instruments such as the sarangi, rabab and taus. The rich, complex tones these instruments create are said to evoke a deeper connection to Waheguru (God). But in the late 19th Century, these traditional instruments were replaced by European imports like the harmonium. Now a new generation of diaspora Sikhs is painstakingly rebuilding that musical heritage - restoring scores and gathering to teach and learn traditional instruments. In 2022, the Akal Takht, the highest temporal authority for Sikhs, signalled a revival of stringed instruments in the Golden Temple, the holiest Sikh shrine. But can they attract and train enough musicians to put strings back at the heart of Sikh worship? Monika Plaha meets one these musical pioneers, Harjinder Singh Lallie, and finds out how his beliefs fuel his work and how his music shapes his faith.Producer: Rachel Briggs and Ajai Singh Presenter: Monika Plaha Editor: Helen Grady Production co-ordinator: Mica NepomucenoCome with us! Heart and Soul is moving and we would love it if you can join us. You can now find all our episodes on The Documentary, the home of original, global storytelling, from the BBC World Service. Search for The Documentary, wherever you found this podcast, and don’t forget to subscribe or follow.

Mexico has become the most dangerous country in the world to be a Catholic priest. In the past 15 years, 50 were killed in narco-related violence. And the young men who enter the priesthood in the region of western Mexico known as Tierra Caliente, meaning "hot land", are at particular risk. They will have to work in drug cartel-controlled communities, may have gang leaders or members in their congregations and will struggle with the ethical and theological dilemmas of publicly condemning these men’s actions at the risk of being murdered for speaking out. Even baptisms or delivering communion or receiving donations can prove extremely threatening: to refuse them any of the most sacred rituals of the Church is to defy the cartels. And few live to tell the tale having refused to bend to the cartels’ demands.The BBC’s Mexico Correspondent, Will Grant travels to Tierra Caliente to meet a group of seminarians. In recent years, their director was attacked and almost killed. Members of a drug cartel entered their seminary, dragged off one of their colleagues and murdered him in the surrounding countryside. And the grave to one of their instructors is nestled by the chapel. All reminders, if any were needed, that these young men are about to join the world’s most dangerous priesthood. How are they prepared? Do they appreciate just what they are letting themselves in for? And how will they tackle the thorny ethical and spiritual questions which lie ahead as priests?Come with us! Heart and Soul is moving and we would love it if you can join us. You can now find all our episodes on The Documentary, the home of original, global storytelling, from the BBC World Service. Search for The Documentary, wherever you found this podcast, and don’t forget to subscribe or follow.

Gwen was brought up as a strict evangelical Christian. She was taught that women needed to control the way they dressed and acted to control the behaviour of men. When she was sexually abused, she believed it was her fault. But when she first stepped into a nudist community, she felt free. She was naked, with other naked people, and her nakedness was not making other people molest her. She learnt that her body was not something she had to hide. The BBC’s Josie Le Vay visits Gwen at her home in a nudist community in Florida, USA, as she reconciles with the harm purity culture has caused herself, and those she taught it to. We meet Gwen’s neighbour, Michael, a retired chaplain and pastor, who runs nude bible reading sessions from his home and attends the nearby Garden of Eden church, which celebrates the ‘joy and innocence of Christian naturism’. And we hear how those who practise many of the evangelical teachings Gwen grew up with respond to her new nudist lifestyle; and her Christian friends who believe the Bible justifies their way of life.Producer: Michael Gallagher Presenter: Josie Le Vay Editor: Helen Grady Production co-ordinator: Mica NepomucenoCome with us! Heart and Soul is moving and we would love it if you can join us. You can now find all our episodes on The Documentary, the home of original, global storytelling, from the BBC World Service. Search for The Documentary, wherever you found this podcast, and don’t forget to subscribe or follow.

It took Salimata Sylla three hours to get to the away fixture she was due to play with her basketball team mates from the Parisian suburb of Aubervilliers. But it was only a few minutes before the match started that she learned she was going to sit the game out on the bench.Despite playing for more than 10 years in the French Championship, the federation that controls her sport decided to apply the rule that forbids female basketball players from wearing the hijab. Her coach describes her as the backbone of the team and an ambassador for the sport. She has been a face of basketball for many big brands on social media. And the hijab she wears is sold by mainstream sportswear manufacturers. Salimata’s ban is the latest in country where the right to wear a hijab has long divided opinion. But in her case, it raises an interesting dilemma for France.While domestic sporting federations enforce their ban on the hijab, their international counterparts have no such ban in place. So what will happen, Salimata wonders, when the Olympics come to Paris next year?Reporter Claire Jones goes to Paris to meet Salimata to find out how she can resolve her wish to express her Muslim faith by wearing a hijab with her desire to play the sport she loves.Presenter: Claire Jones Location Producer: Léontine Gallois Producer: Helen Lee and Rob Cave Production co-ordinator: Mica Nepomuceno

The organ has always been a vehicle for truly cosmic ideas - for atheists and believers alike. Acclaimed Latvian organist Iveta Apkalna explores the idea that the instrument is simply a vehicle for Christian worship digging deeper into how the organ conveys ideas of the infinite and the microscopic, the existential and the personal, of celebration, grief and joy.Presenter: Iveta Apkalna Producer: Steven Rajam An Overcoat Media production for BBC World Service(Photo: Pipe organ by Nikolaus Moll in the Innsbruck Cathedral, also known as the Cathedral of St. James in Innsbruck, Austria. Credit: Getty Images)

When we think of division in the Middle East, the Israeli-Palestinian conflict normally comes straight to mind. But there’s a new and dangerous tension in Israel – between its own Jewish people. The country now has its most right-wing government for decades, with controversial figures who’ve advocated violence and divisive policies. There’s also a plan to change the judicial system to give Prime Minister Benjamin Netanyahu and a small number of government figures vast control. Its critics say Israel is in danger of becoming a ‘democratic dictatorship’. This political shift is now pitting ordinary Israeli Jews against each other. The ultra-orthodox Haredim and their conservative supporters are at odds with more liberal elements of society. Former Defence Minister Benny Gantz – a powerful figure in the former government – has even raised the spectre of a civil war in Israel, telling the new politicians that they’ll be responsible if a new conflict breaks out. As efforts are made to maintain peace and hold the country together, the BBC’s Middle East Correspondent Yolande Knell meets two rabbis who are odds with one another in the heart of Jerusalem. Surrounded by the religious iconography that should symbolise the links between them, she explores why the two ends of the spectrum now find themselves so far apart. And she tries to persuade them to come together over a meal to find out if there’s any way to bridge the gaping political and theological differences in their thinking. But will they be willing to meet? Presenter: Yolande Knell Producer: Rajeev Gupta Editor: Helen Grady Production Coordinator: Mica Nepomuceno

Almost 10 years ago, Peter MacJob’s life changed forever. Born and raised a devout Christian like so many of his fellow Nigerians, he fell out of love with the Church and discovered the traditional Yoruba religion of his ancestors. Other Africans appear to be doing the same thing, both on the continent and throughout the diaspora. But as Peter has found, it is not always easy to convert: Ifá, or Isese, involves effigies, divination, and making offerings to a range of deities, up to and including animal sacrifice. Those not initiated into the faith often see it as superstitious and even sinister. Devotees say that outsiders misunderstand, and complain that Ifá is pejoratively depicted as devil worship. It is perhaps little wonder that after Peter adopted Ifá, he chose not to tell his family about it. But now he has decided it is time to come clean, taking a trip back to Nigeria to confront childhood friends and loved ones, in the hope that they will give their blessing. Presenter: Peter MacJob Producer: Michael Gallagher Strand producer: Rajeev Gupta Production co-ordinator: Mica Nepomuceno Editor: Helen Grady

Aged four, Mary was playing in her parents’ front yard, when she was grabbed by “the government people” and taken to a Catholic boarding school to be turned into a Christian. She’s just one of thousands of Native Americans who were forcibly removed from their homes and put into boarding schools from the 1800s right up to the 1970s. According to a US government report, the purpose of these schools was to strip indigenous people of their spiritual beliefs, culture and land. A government investigation also found that physical, emotional and sexual abuse was “rampant”. Indigenous Americans’ spiritual beliefs are now experiencing a renaissance, but is this revival enough to enable Mary and her friends heal from a childhood of trauma in America’s residential schools?Presenter: Leana Hosea Producer: Leana Hosea with Rajeev Gupta Production co-ordinator: Nancy Bennie Editor: Helen Grady

When Mubarak Bala posts criticism of Islam on social media, it sparks a landmark legal case and leaves him facing 24 years in jail. Raised in a Muslim family, Mubarak is the son of an Islamic scholar in the religiously conservative Kano state. But in 2014, Mubarak renounces Islam and later becomes president of Nigeria’s Humanist Association, gaining a reputation as an outspoken critic of religion. In 2020, a group of Muslim lawyers call for him to be tried for offences related to blasphemy over social media posts which they say insult the Prophet Muhammad and the religion of Islam. With access to Mubarak’s wife and lawyers, the BBC’s Yemisi Adegoke follows his case through the Nigerian court system, finding out what it tells us about freedom of belief in a country where religious tensions run deep. She talks to other Nigerian atheists as they follow Mubarak’s case and wrestle with the challenges of being open about their beliefs in a deeply religious society.Presenter: Yemisi Adegoke Producers: Valeria Cardi and John Offord Production co-ordinator: Mica Nepomuceno Editor: Helen Grady(Photo: Mubarak Bala speaking at Kaduna Book and Arts Festival in 2018, still from the film The Cost of Being an Atheist)