Bonus! 2 Opera preludes by Richard Wagner

Let's enjoy two iconic Wagner preludes in two larger-than-life recordings featuring the Royal Concertgebouw Orchestra and conductor Bernard Haitink!

This composer's life was tumultuous and sometimes straight out of a soap opera. John Banther and Evan Keely explore what led him to opera, his initial success and failures, his bigoted "Judaism in Music" essay, and how his Ring Cycle changed everything.

Listen to Ralitza Patcheva and Sam Post in their latest recording, featuring a rhythmic reimaging of JS Bach. If you missed last week's episode, listen afterwards to learn all about this project from beginning to end. Music provided by (c) Acis Productions LLC. All rights reserved

JS Bach was experimental, and that spirit has carried on into the 21st century with composers and pianists like Sam Post and Ralitza Patcheva. While Bach was experimenting with using all 12 major and minor keys at a single keyboard, Sam Post's rhythmic reimagining brings together elements that didn't exist in Bach's time.

The first symphonies came from a place of insecurity, but his 3rd exudes confidence from the first note to the last. John Banther and Evan Keely show you what to listen for in Brahms' orchestration, how he uses compositional tools to create new melodies, sonata form basics, and the rivalry that took place the night of the premiere.

A hallmark of tyranny is its desire to control and stifle creative expression. In this episode, in memory of Lubna Alyaan, John Banther and Evan Keely explore three 20th-century composers, what happened to them, and select works that demand your attention.

Jessie Montgomery and John Banther discuss her popular works, her time writing for the Chicago Symphony Orchestra, the Blacknificent 7 composer group, and her early artistic influences.

Enjoy this performance after listening to the previous episode all about Carnival of the Animals by Saint-Saens. (Elephant image: By Muhammad Mahdi Karim)

One of the most endearing works in music was also hidden for years because the composer worried about his reputation. John Banther and Evan Keely explore the world of animals, how Saint-Saëns brings them to life, and why you have to play bad to sound good!

Different audiences have different tastes, and you can't always serve them the same dish. If Verdi wanted his grand operas to be staged in Paris, he needed to include ballet. In this bonus episode, we'll hear two ballet sections from two different operas, sometimes composed decades later.