Tommy Dewey

The U.S. premiere of “Hard Truths” at the New York Film Festival in October brings director Mike Leigh back to the podcast for the third time (Ep. 54 and Ep. 204). He talks about working again with Marianne Jean-Baptiste after nearly 30 years, how a lower budget didn’t change his process but made him “dig vertically,” why American actors are unofficially not allowed in his films. Plus he shares his hope for cinema after he’s gone, but explains why he refuses to officially pass down his process. And much more! "Hard Truths" opens in select U.S. theaters on Friday January 10th.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tiffany Boone’s breakout role was Jerrika Little on the series “The Chi.” “Little Fires Everywhere,” “The Midnight Sky,” “Nine Perfect Strangers” and “Hunters” followed. Now she voices Sarabi in Disney’s “Mufasa: The Lion King.” She explains how getting back to her childlike imagination was a must for that role. She tells the story of trying to break up with acting but acting wouldn’t break up with her. She talks about the importance of knowing the character better than anyone else, how focusing on connecting with people through her art allowed her to “let go of the desperation,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tommy Dewey is best known for playing Alex Cole on the Hulu series “Casual” for five seasons. This year, two movies benefit from his talents—the Jason Reitman ensemble comedy “Saturday Night”, and Caroline Lindy’s romantic/horror/comedy “Your Monster,” where he brilliantly plays the titular character. On this episode, he talks about what went into deciding on the proper mixture of absurdity and tenderness  for that special role. He explains why, if a comedy script connects with him, he “maybe reads it once and stay the hell away from it.” Plus how writing can help you as an actor, the increased pressure of 3-dimensionality the higher you are on a call sheet, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Alessandro Nivola returns to the podcast (Ep. 37 and Ep.170) to discuss three performances he gives in three different films out at the same time this week—Pedro Almodóvar’s “The Room Next Door,” “The Brutalist,” and “Kraven The Hunter.” He gifts us with a detailed peek into what it took to build each of these characters. He talks about the interesting way he received a “green light” from Almodóvar in terms of his approach to the role of an Upstate New York policeman, the challenge of balancing adherence to period authenticity with a modern accessibly as Attila in Brady Corbet’s epic, tells the thrilling story of how he found a way to bypass the Marvel committee approval to bring his version of The Rhino to life while miraculously having a creatively fulfilling time in the process, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Ethan Herisse and Brandon Wilson are the stars of “Nickel Boys,” RaMell Ross’ bold and brilliant adaptation of Colson Whitehead’s novel that tells the story, cinematically, almost entirely in a first-person POV-style. Herisse and Wilson talk about the challenge of acting to the camera, their saga of navigating auditions, the “freedom” and “openness” they both felt from Ross, how the trust they built with the crew played a big part in performing in this process, and much more. “Nickel Boys” opens in select theaters on December 14th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Michael Shannon is known for his intense and versatile performances across film, television, and theater—“Take Shelter,” “99 Homes,” “Nocturnal Animals,” “Boardwalk Empire,” “Long Days Journey Into Night,” “George and Tammy,” to name just a few. On this episode, he talks about his “simplistic” approach to preparation, the test he gives directors to see if he can trust them, the importance of “disappearing,” why he no longer likes to do endless takes, and much more. Plus he discusses his love for George Mackay, who plays “Son” to Shannon’s “Father” in “The End,” Joshua Oppenheimer’s post-apocalyptic musical which opens in select theaters December 6th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In this time of the year when traditions give us a sense of comfort and repetition that we need, especially in these volatile times, Back To One has a tradition of its own—the annual Kevin Corrigan episode! The patron saint of the indie film actor was the first guest on this podcast and he has returned every year since, telling hilarious stories from his adventures in the acting world, waxing about Brando, Walken, Scorsese, expounding on music, philosophizing about life in general—these episodes have become listener favorites. In this installment, Corrigan talks about shooting a scene recently where his emotions were almost too much at his finger tips, shares the awe and pride he felt working for his old friend Natasha Lyonne, and the similar feeling of working for his Daughter in a film she directed. Plus he brings back the Moss Hart story he told in a previous episode, but this time movingly reads it in Hart’s words, and much much more. Past Kevin Corrigan Episodes: Ep. 1, Ep. 67, Ep. 133, Ep.185 Ep. 234 Ep. 268 Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

As an actor, Peter Vack is known for his work in television series such as “I Just Want My Pants Back (series lead),” “Mozart In The Jungle,” and “Love Life,” and recent independent films like “PVT Chat,” Eugene Kotlyarenko’s “The Code” and his virtuoso turn as an evil version of “Peter Vack” in “Actors” (written, directed, and co-staring his sister Betsey Brown). As a filmmaker, he has gotten a reputation for demanding an “all in” approach from his performers. His first feature, “Assholes” (called “the most disgusting movie ever”), won a jury prize at SXSW, and his latest, “www.RachelOrmont.com,” described as a “psychedelic techno-satire about growing up in captivity,” just premiered in September and is already on the fast track toward “cult hit” status. On this episode, he describes his belief that an actor has to develop a pure, almost religious faith in their ability, fueled by positivity and joy. He explains why “intellectual homework” doesn’t help him at all anymore, how incorporating a “toxic method” approach when playing a toxic “method actor” actually worked for him, what being “a player on the field” and “embodying the energy” mean for him as a director, why the best practice an actor can do is actually outside the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by  Marcus Maddox)

Jack Dunphy is a writer, filmmaker, animator, actor and podcaster. His shorts have played in festivals around the world and his latest, “Bob’s Funeral,” won Best Nonfiction Short Film at the 2024 Sundance Film Festival. As an actor, he starred in Peter Vack’s “Assholes” and Caveh Zahedi’s legendary, unfinished, 24-hour retelling of Joyce’s “Ulysses.” He can soon be seen in “Paradise and Lunch,” the new film from Jordan Tetwesky and Joshua Pikovsky, and "Anything That Moves” from Alex Phillips. His wonderful new podcast, “Revelations with Jack Dunphy,” in which he talks about his struggles with addiction and mental illness with fellow artists, is out now on the Talkhouse network. Even though he draws on his real life so much in his work, Jack talks about his difficulty with playing a version of himself. He explains why authenticity shouldn’t be a brand but a necessity, what it means to be a “three chord” actor, how fame would negatively impact his addiction management, and much more. Listen to "Revelations with Jack Dunphy" here. It's fast becoming one of my favorite podcasts.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jaclyn Bethany is an Emmy award winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include "Delusion “- a short film in collaboration with Adult Film NYC, “In Transit,” written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud, and “All Five Eyes,” which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the Co-Artistic Director of The Fire Weeds, a female driven immersive theater company based in New Orleans, and her endeavor to present new theater, and new approaches to old theater, in a place where “new” takes some getting used to. She also discusses what she learned as an actor that helps her directing, why she’s so fascinated by Tennessee Williams, the importance of a “child-like” approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram