WB Theater The Pool Hall

A Halloween Special...Welcome to Word Balloon Theater, where we bring classic radio and record drama back to life — only this time, I’m part of the cast. On this episode, we step into a smoky pool hall, straight out of a 1950s crime picture. I’m your host, John Siuntres, playing opposite one of Hollywood’s great voices — Don Ameche.You know Ameche from his Oscar-winning performance in Cocoon, his sharp comic timing in Trading Places, and a career that stretched from golden-age radio to the silver screen. This scene comes from his 1958 Roulette Records album, Co-Star: The Record Acting Game — a clever concept that let fans play a speaking role opposite their favorite stars.In this track, Ameche plays a streetwise hustler working his angles over a crooked game of pool. So chalk up your cue, light a Lucky, and take a seat by the jukebox. You’re about to hear a slice of mid-century cool — Don Ameche and John Siuntres in “The Pool Hall.”This… is Word Balloon Theater.

On this episode of The To The Outer Limits, we review  “The Sixth Finger.”Joining me are storytellers Gabriel Hardman, Jeff Parker, and Ande Parks.t’s the story that dared to ask what happens when humanity fast-forwards its own evolution—and the answer, as usual, isn’t pretty. Starring a young David McCallum years before The Man from U.N.C.L.E., this 1963 classic turns the lab experiment trope into a gothic tragedy, complete with telepathy, hubris, and a proto–Professor X look that must have haunted comic readers who saw it first-run. Joining me for the discussion are three of my favorite storytellers who know a thing or two about pushing human potential to the breaking poin Together we’ll talk about the episode’s influence on pop culture and comics—from McCallum’s transformation makeup to its echoes in The X-Men, Planet of the Apes, and every “science-goes-too-far” story that followed.

Before Watchmen shocked readers with the idea of a staged alien invasion meant to unite humanity, The Outer Limits had already explored that same chilling premise more than two decades earlier. “The Architects of Fear,” one of the series’ most haunting episodes, aired in 1963 at the height of Cold War anxiety. In it, a group of idealistic scientists concoct a desperate plan to save the world from nuclear annihilation by creating a common enemy—an extraterrestrial threat—through grotesque transformation and deception.The story’s moral gravity and tragic human core—anchored by Robert Culp’s anguished performance—make it an emotional blueprint for Alan Moore and Dave Gibbons’ Watchmen. Where Moore’s Adrian Veidt executes his plan with cold perfection, The Outer Limits delivers the same concept as human tragedy rather than triumph. It’s a tale not about success, but about sacrifice and futility—a broadcast parable warning that even the noblest lies can’t save us from ourselves.

Wayne and I discuss the story so far, plus wayne's take on Starflet academy's trailer and the SNW season 4 teaser 

In this Scene Missing panel, we dive deep into the 1972 made-for-TV movie Gargoyles — a cult classic that helped define the early wave of ’70s creature features. Joining the discussion are Gabriel Hardman, Jeff Parker, Ian Brill, and Allison Baker, each bringing their sharp insight into the film’s production, themes, and its influence on modern genre storytelling.The panel explores the film’s eerie desert setting and its surprising critical success, including an Emmy Award for Outstanding Makeup that launched the career of Stan Winston, who went on to create the iconic creatures of Aliens and Predator. We spotlight the performances of Cornel Wilde as anthropologist Mercer Boley, Jennifer Salt (Sisters, Soap) as his daughter Diana, and Bernie Casey as the noble Gargoyle leader — one of television’s earliest sympathetic monster roles. We also examine the creative team behind the movie: director Bill L. Norton, later known for Cisco Pike and Law & Order, and writer-producers Steve and Elinor Karpf, who blended mythology, horror, and social reflection into an unexpectedly thoughtful TV thriller.

Comics writer and cartoonist Kyle Starks joins me to talk about his brand-new Image Comics series, Wrestle Heist — a wild blend of pro-wrestling spectacle and fast-paced crime caper energy. We get into how the idea came together, his trademark mix of humor and heartfelt chaos, and what makes this book stand apart from his previous creator-owned hits.Kyle also discusses his recent work writing Peacemaker for DC’s Black Label, sharing how he brought his offbeat humor and emotional grit to one of DC’s most unpredictable antiheroes. He teases his upcoming Vertigo series debuting next year, which pushes him into darker, more character-driven territory while still keeping his sharp dialogue and storytelling muscle.Plus, we dig into the next wave of creator-owned projects he’s got cooking — from new collaborations to long-planned solo works that show just how versatile and fearless he’s become as a writer.

In part two, writer B. Clay Moore dives into his latest creator-owned projects — the gritty 1970s crime saga Last Flight Out of Wichita from DSTLRY, and the political-horror series Bloodland (Vampires in the White House) from Ignition Press. Plus Netflix is makinga John Cena movie based on Clay and Jeremy Haun's 2007 comic The Leading Man Moore talks about chasing new stories, creative freedom, and pushing beyond the superhero mainstream into bold new worlds.

In Part 1 of this in-depth conversation, writer B. Clay Moore reflects on his early years as the marketing director at Image Comics during the early 2000s — a pivotal era when the company was reinventing itself around a new wave of creator-owned talent.Moore discusses working behind the scenes with emerging voices like Rick Remender and Jonathan Hickman, and how Image’s independent spirit encouraged creators to take bold storytelling risks that reshaped the comics landscape. Moore also dives into the creation of his breakout series Hawaiian Dick, co-created with artist Steven Griffin — a genre-blending mix of crime noir, tiki-era cool, and supernatural mystery that became a critical and cult favorite for Image. He shares how the concept was born, how he and Griffin developed its striking visual tone, and how the book stood out in an industry dominated by superhero titles.The discussion rounds out with Moore recalling his collaboration with Tony Harris at DC Comics on the acclaimed JSA: The Liberty Files — a gritty espionage reimagining of the Justice Society set during World War II — and their later follow-up project, The Whistling Skull, a pulpy, post-war adventure that expanded their unique corner of the DC Universe.Part 2 airs tomorrow, covering more on Moore’s creative process, later volumes of Hawaiian Dick, and his perspective on the modern state of creator-owned comics.

In this 2022 discussion, editor and writer James Aquilone joined Word Balloon to celebrate the 50th anniversary of Kolchak: The Night Stalker — the cult-classic TV franchise that helped define the modern supernatural investigator genre. Aquilone talked about the enduring influence of Darren McGavin’s Carl Kolchak, from The Night Stalker’s 1972 TV movie origins through its single-season series and lasting impact on shows like The X-Files.The conversation also covered Aquilone’s work curating and editing the Moonstone Books graphic novel anthology, a Kickstarter-backed project that united top writers and artists to tell new Kolchak stories spanning five decades of the character’s career — from classic newspaper-era mysteries to modern paranormal cases. He discussed collaborating with Moonstone’s long-time Kolchak publisher, coordinating contributions from creators across genres, and ensuring the stories captured the tone and noir-horror style of the original show. Aquilone reflected on Kolchak’s place in pop culture history, the challenge of blending nostalgia with fresh storytelling, and how the 50th anniversary served as both a tribute to Jeff Rice’s original creation and a reintroduction of the Night Stalker to new generations of fans.

In this 2021 Word Balloon conversation, acclaimed writer Ed Brubaker joins John Siuntres to discuss his Eisner-winning crime graphic novel Destroy All Monsters, the third volume in the Reckless series created with longtime collaborator Sean Phillips. Brubaker explains how Destroy All Monsters expands the world of 1980s Los Angeles through the eyes of Ethan Reckless, the one-man fixer caught between Hollywood corruption, fading ideals, and his own haunted past.He talks about how the story draws from the noir tradition of Ross Macdonald and the downbeat realism of 1970s thrillers — but told through the sleek, cinematic storytelling he and Phillips have perfected. The conversation explores how the Reckless books evolved out of Criminal, Fatale, and Kill or Be Killed, why he and Phillips pivoted to the original graphic novel format, and how working with Sean’s son Jacob Phillips for color and design gave the series a distinctive look and rhythm.Brubaker also opens up about his creative process, writing discipline, and the freedom of publishing through Image Comics, where he and Phillips maintain full ownership and complete artistic control. It’s a candid, craft-focused talk with one of comics’ finest storytellers — part writing masterclass, part look inside modern noir’s most successful creative partnership.