
We argue that Stanley Kubrick's The Killing is undermined by intrusive, frequently inaccurate narration. JJ found the narration distracting and it often contradicted the dialogue, which made the plot harder to follow. We note the film is short and follows a conventional heist structure that feels more like a studio picture than later Kubrick work. JJ disliked the black and white presentation and some clumsy dialogue, though we praised Marie Windsor as the strongest performer. Alec rated the film a three and saw it as an early demonstration of craft; JJ rated it one and a half and found it largely unengaging. We conclude that The Killing is an uneven, awkward film that will mainly interest Kubrick completists or viewers studying his development.
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