Bobby Previte: The Circular Machine

Swiss-born pianist/composer in commentary and excerpts from four performances at Roulette: A trio with percussionist Kenny Wolleson and bassist Drew Gress (2016, 2020), Amalthea (aka Poppy Seeds) (2024) with Patricia Brennan, vibes; Thomas Morgan, bass, Dan Weiss, drums, and Chimaera (2022) with Christian Fennesz, electronics; Nate Wooley, trumpet; plus Wolleson (vibes) and Gress.

The music of Bobby Previte and ensembles recorded between 1987 and 2018 at the Roulette performance spaces in New York. Admired as both a drummer and composer, Previte is also one the great raconteurs of the downtown experimental music scene. We'll hear the 1987 band with Marty Ehrlich (reeds),Tom Varner (horn), Wayne Horvitz (keys), Dave Hofstra (bass); a trio from 1994 with Horvitz (piano & electronic keyboards), and Skerik (tenor sax & electronics); and the Rhapsody Band from 2018 with Nels Cline (acoustic guitars), John Medeski, (piano), Zeena Parkins (harp), Jen Shyu (voice and erhu fiddle), Fabian Rucker (alto sax), and the composer on drums, autoharp, electronics, and percussion.

The Palestinian-born US resident singer Nibal Malshi in excerpts and commentary on selections from the 20th-century classical Arab repertoire of the Levantine – Egyptian region, highlighting songs performed by female singers from Syria, Egypt, and Lebanon. In 2021 Malshi performed at Roulette with an ensemble led by master qanun (zither) player Firas Zreik with Zafer Tawil on oud (lute), John Murchison on bass, Johnny Farraj on riqq (small frame drum), and Gilbert Mansour on tabla. In 2023 the ensemble was again Mansour and Murchison led by master violinist Gabriel Dahrieh with Maurice Chedid (oud) and Eddy Fadel (percussion). Portions of these recordings were co-presented by Roulette, Brooklyn Maqam, and Robert Browning Associates, who have been bringing music of the world to New York venues for decades. Malshi returns to Roulette on March 15, 2025.

The music of composer Shamar Watt (aka BongoWattZ), whose work incorporates everything from techno to gospel, ecstatic movement, and manipulated light, with excerpts from the artist's archive alongside commentary on his Jamaican heritage, spirituality, technology, and noise. Watt performs at Roulette on March 1, 2025 as part of the annual Mixology Festival and again on March 13 with Lester St. Louis.

Composer/performer and instrument maker Ellen Fullman describes the origins and development of her Long Strong Instrument; dozens of strings running 40 feet or more, excited by longitudinal vibration in just intonation. The artist’s commentary is illustrated with samples from rare recordings and releases with cellist Theresa Wong, the JACK String Quartet, and others. Fullman and Wong return to Roulette with the full installation on 30-31 Jan. 2025 with a workshop on 29 Jan.

Excerpts from two performances at Roulette by drummer, composer, improviser, activist organizer Lesley Mok with commentary by the artist. "she smashed the enclosure" from 2020 features composer Mok with Charmaine Lee, voice; Maya Keren, piano, voice; Aliya Ultan, cello, voice. "a bird in its chest" from 2022 features Ultan, Joanna Mattrey, viola; Cleek Schrey, violin; David Leon, sax; Yuma Uesaka, reeds. The aerialists! mentioned in the piece are Gabrielle “Teddy” Ment, Eleanor Getz, Georgie Johnson, and Copper Santiago. Mok returns to Roulette on 20 Dec 2024 with “The Living Collection”, a 10-piece band that crosses musical communities.

A project launched by Tim Spelios and David Weinstein in the 80s, Impossible Music features cutup, montaged, recycled material, lopsided grooves, appropriated, restored, or reconstituted audio, new and legacy technologies, loops of contrasting and colliding musics, sound effects, disembodied vocal tracks, and noise merged into panoramic constructions. Illustrated with a 2004 performance at Roulette and artist commentary. Photo by Beatriz Cardoso Guimarães.

Composer, harpist, and multi-instrumentalist Zeena Parkins introduces the projects Phantom Orchard with electronic percussion artist Ikue Mori and a duo with electronic sound artist Laetitia Sonami. Alongside excerpts from performances at Roulette, Parkins discuses process, technique, and history. Parkins returns to Roulette on Oct. 24, 2024 with Ikue Mori and their Phantom Orchard project.

Bassist, composer, and activist Luke Stewart is best known as an accomplished  jazz musician, but he is also an innovator of techniques incorporating feedback as an extension of his sound. This edition features Stewart’s commentary on his musical trajectory as well as the role of liberation politics in music. With excerpts from the Feedback Ensemble with cellist Leila Bordreuil, and the composition “Assassinations” with ensemble Irreversible Entanglements. Stewart also discusses his Silt Trio with Brian Settles, sax, and drummers Trae Crudup and Chad Taylor. Stewart presents that trio at Roulette as part of an album release concert for "Unknown Rivers" on 12 Sept. 2024.

Improvisers John Zorn (alto sax, game calls) and Michihiro Sato (shamisen, three-stringed banjo-like instrument) in a 1985 performance at Roulette. Rescued from a reel-to-reel tape and documenting an early chapter in the downtown improv scene, the concert came shortly after the release of the duo's album Ganru Island, since re-released on Tzadik Records.