197 | Inside Out 2 Director Kelsey Mann and Writer Meg LeFauve on How To Approach A Sequel

JOIN TSL WORKSHOPS: tslworkshops.circle.so Todd A Kessler's newest Apple TV+ THE NEW LOOK is one of Meg's favorite of the year. The show, which chronicles the rivalry between infamous fashion designers Coco Chanel and Christian Dior tracks their rapid ascent against the tense backdrop of WWII Europe, and for Meg, the way the show explores art, survival, and the risks we take to be great, speak to that time as much as they speak to today.

TSL WORKSHOPS IS LIVE!: www.tslworkshops.circle.so Use code "EARLYBIRD" at checkout for $5 off a month for LIFE! (Only lasts until Jul 15). Meredith Scardino has been many things: a fine artists, an animator, a late night writer, and now, a narrative comedy Creator/Showrunner (the wonderful Girls5Eva), but her focus on providing value wherever she is. Listen to Meredith take us through her twisted path to showrunning a Tina Fey-produced comedy and how she staffs her room.

When Inside Out debuted, it was quickly celebrated as one of Pixar's masterpieces, earning multiple Oscar noms (including one for our HOST Meg LeFauve!) How then, do you approach a sequel to such a beloved classic? This was one of the many questions that weighed on both Kelsey Mann and Meg LeFauve as they reopened Riley's head to jump back in. Jump in with them!

When asked about his first time working in feature animation, Meg's Inside Out 2 co-writer Dave Holstein described the process as: "writing inside a dishwasher while it's running." This is just one of many charming talking points in this lovely conversation between two brilliant minds: Dave, and our very own Meg LeFauve!

TSL WORKSHOPS EMAIL LIST: www.thescreenwritinglife.co/workshops Friend of the show Dustin Lance Black is back to talk about the central lynchpin of a great film: the protagonist. Lance is known for his complicated heroes (often real people) who draw us in and don't let go. Today, we discuss how to draw a protagonist that will hold an audience's attention, and perhaps more importantly, what to avoid so that same audience won't lose interest.

TSL WORKSHOPS: www.thescreenwritinglife.co/workshops BILLY'S BOOKS: https://www.amazon.com/stores/author/B001JSFBR4 The romantic comedy is one of the most enduring genres in American Cinema and for good reason: it's all about love, joy, and transformation, aka, the heart of good storytelling. This is Billy Mernit's entire ethos, the foundation that has made Billy's rom-com philosophy one of the most celebrated in our business. Billy is a story consultant, novelist, and Romcom guru, who's booking WRITING THE ROMANTIC COMEDY is a fundamental screenwriting craft text for emerging writers and pros.

JOIN TSL WORKSHOPS: www.thescreenwritinglife.co/workshops We're back with part TWO of our ten common traps that will kill your script. Take notes, TSL Fam!

Whether you're a pro or a beginner, there are certain traps as screenwriters that will almost ALWAYS kill our writing. On today's show, we cover the first five...(stay tuned for the rest!) JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

Linda Seger basically created the job of independent script consultant. After years of exploring, she discovered that her gifts lie in making a good script great, which is the name of her first book: "Making A Good Script Great." Since then, Linda has become one of Hollywood's most sought after and celebrated consultants, because her ability to distill down what is needed on the page. For Linda's Books: https://lindaseger.com/screenwriting-books/ Join our Patreon: www.patreon.com/thescreenwritinglife

Navid Mcllhargey has been a studio executive and producer for over 20 years, and over the course of his impressive career, he has seen the business change dramatically. Today, we get an inside look into the life of a studio-exec-turned-producer, and more importantly, what it looks like for a producer to puzzle together a movie in today's dramatically different Hollywood. JOIN OUR PATREON: www.patreon.com/thescreenwritinglife