Jennifer Lopez and Jharrel Jerome on 'Unstoppable,' Mohammad Rasoulof on 'Sacred Fig'

In the Oscar-season finale of The Envelope video podcast, we sit down with Colman Domingo, lead actor nominee for 'Sing Sing.'  

In the latest episode of "The Envelope" video podcast, director Coralie Fargeat explains how she prepared star Demi Moore to film "The Substance" and "The Brutalist" filmmaker Brady Corbet discusses his desire to make films that viewers can never quite pin down.  

In our first episode back after the Oscar nominations, we chat with 'Nickel Boys' filmmaker RaMell Ross and costume designer Arianne Phillips of 'A Complete Unknown.'

In this episode of The Envelope, 'The Last Showgirl' star Pamela Anderson reflects on her life in the spotlight and John Magaro delves into the making 'September 5.' 

This week, Malcolm and John David Washington talk about collaborating on a new August Wilson adaptation and screenwriter Justin Kurtizkes discusses his breakout year. 

In the latest episode of The Envelope video podcast, Ryan Destiny describes the challenges of making boxing movie "The Fire Inside" and Sean Baker and Mikey Madison explain how they fine-tuned the action, comedy and drama of "Anora."  

In this week's episode of The Envelope, the pair discusses their inspirational new film, plus filmmaker Mohammad Rasoulof recounts the harrowing experience making 'The Seed of the Sacred Fig.'  

In the season premiere of The Envelope, 'Wicked' star Cynthia Erivo on becoming Elphaba and Saoirse Ronan on her pair of awards contenders 'The Outrun' and 'Blitz.'

In this week’s episode of The Envelope video podcast, "Baby Reindeer" breakout Nava Mau opens up about drawing courage from Netflix's viral hit and "Shōgun's" Hiroyuki Sanada describes how becoming a producer remade him as an actor. 

In this week’s episode of The Envelope video podcast, Tyler James Williams reveals that the team behind "Abbott Elementary" actually loves frustrating viewers, and "Hacks" star Paul W. Downs weighs in on the debate over which shows in the Emmy race deserve to be described as a comedy.