The Logik Podcast #61: Bryan Bayley and Jan Klier

Kiki Gomez is an entrepreneur, creative director, producer, and inventor whose career has been anything but conventional. After spending nearly a decade in finance, Kiki followed a longtime passion for film, commercials, and storytelling by entering into the entertainment industry. He eventually founded The Roster, a creative agency and production company where he worked with brands including K-Swiss with Venus Williams, Lexus, Belkin, and Kasa Smart. Along the way, he built a reputation for wearing whatever hat the project required—from writing and developing ideas to producing and directing. Today, Kiki has taken that entrepreneurial mindset in a completely new direction as the founder and CEO of CAMPMODE, combining his passion for boxing with product development and invention. In this episode, we talk about making major career changes, building a business ffrom the ground up, and finding creative solutions when the traditional path doesn’t work. We also explore what happens when someone who has spent his career creating ideas for others decides to turn his own ideas into something real. https://campmode.com/

Max studied composition and jazz piano at the Eastman School of Music, where he spent countless hours in the library studying scores and learning from educators who deeply influenced his creative work. After studying composition and jazz piano, Max went on to work in film scoring, music preparation, and orchestration on projects connected to composers such as John Williams, Danny Elfman, Alan Silvestri, Ludwig Göransson, and Jeff Beal. In this episode, Max and I also discuss how we collaborated to create the original intro music for this podcast. Together, we explored different ideas, exchanged feedback, and shaped a piece that captured the identity and energy of this podcast—showing how music and visual effects share the same goal of creating emotion and telling a story. Max also shares stories from his time at JoAnn Kane Music Service, preparing piano arrangements for The Mandalorian, and orchestrating the Netflix film They Cloned Tyrone. We also talk about perfectionism, procrastination, deadlines, creative community, and the importance of creating your own opportunities. We also discuss the importance of being a good peer, building a creative community, and helping others succeed. Max also shares one of the most important lessons he has learned throughout his career: when opportunities are not handed to you, sometimes you have to create them yourself. https://maxberlinmusic.com/

Amanda Elliott continues our artist profile series with an interview with Daniel Reitzenstein. Part 2 of 2. Daniel’s journey through the film industry has been shaped by curiosity, resilience, and a willingness to keep evolving. From starting out as a freelance assistant video editor to becoming an animatics editor on Project Hail Mary, he has learned that building a creative career is rarely a straightforward path. In this podcast Daniel opens up about seeing himself as a “Swiss Army Knife,” working through imposter syndrome, taking chances, and why creatives shouldn’t take client notes personally. He reflects on the importance of empathy, staying open when a project changes direction, and creating enough emotional distance to avoid tying your self-worth to a specific outcome. At the heart of it all, his belief is that filmmaking is a team sport—one built on trust, collaboration, and keeping the meaningful professional connections with people you meet along the way. IMDB: https://www.imdb.com/name/nm1429363/?ref_=nmmi_ov_bk Linkedin: linkedin.com/in/-dreitz

Amanda Elliott continues our artist profile series with an interview with Daniel Reitzenstein. Part 1 of 2. Daniel’s journey through the film industry has been shaped by curiosity, resilience, and a willingness to keep evolving. From starting out as a freelance assistant video editor to becoming an animatics editor on Project Hail Mary, he has learned that building a creative career is rarely a straightforward path. In this podcast Daniel opens up about seeing himself as a “Swiss Army Knife,” working through imposter syndrome, taking chances, and why creatives shouldn’t take client notes personally. He reflects on the importance of empathy, staying open when a project changes direction, and creating enough emotional distance to avoid tying your self-worth to a specific outcome. At the heart of it all, his belief is that filmmaking is a team sport—one built on trust, collaboration, and keeping the meaningful professional connections with people you meet along the way. IMDB: https://www.imdb.com/name/nm1429363/?ref_=nmmi_ov_bk Linkedin: linkedin.com/in/-dreitz

Amanda Elliott continues our artist profile series with an interview with Henry Smalstig. Henry is a storyteller at heart, whose career has taken him through the worlds of animation, editorial, and motion design. After earning his degree in Computer Animation from Columbia College Chicago, Henry joined Sarofsky, where he calls himself an Assistant Editor and Finishing Assistant. At Sarofsky, he's helped create everything from high-end commercial campaigns to visually driven projects that blend design, animation, and filmmaking, …. all while still using Smoke Hot keys. We dive into how to make the best use of your creative time, why you can't take criticism personally in this business, and also the importance of leaving your ego at the door if you want to keep growing. He also shares why mastering the basic fundamentals in a software first matters more…. than relying on AI tools way too early in your career. Whether you're looking for advice on breaking into the industry or simply want to hear the story of how someone is building a successful career, this episode is filled with practical insights, real-world experience, and hard-earned lessons you don't want to miss. Happy listening and Happy Pride!

Amanda Elliott continues our artist profile series with an interview with Olivier Beaulieu. Olivier, a VFX Supervisor at Hybride, whose journey from intern to a 23-year veteran at Hybride has helped shape some of the most iconic Star Wars projects. We explore the value of generosity and understanding in the VFX workspace, showing yourself patience, and why embracing mistakes and imperfection can make you a stronger artist and collaborator. Olivier also discusses the true mark of great visual effects—the moments so effortless and believable that they disappear into the story, revealing the artistry behind making complex VFX integrate flawlessly with live action. It’s a testament to the artists who showcase the invisible craft that brings , a world like Star Wars to life. And, for this special Canada Day release, we wrap things up with a few fun Canadian questions and plenty of laughs along the way.

Glenn Teel continues our artist profile series with an interview with Sam Edwards. Part 2 of 2. Known for his fxphd Flame tutorials and candid discussions about his career journey, he transitioned from being a business owner to working at some of the world's leading visual effects studios, including Digital Domain and ILM. With experience spanning feature films, episodic television, and commercial projects, his career reflects a diverse and accomplished path through the visual effects industry.

Glenn Teel continues our artist profile series with an interview with Sam Edwards. Part 1 of 2. Known for his fxphd Flame tutorials and candid discussions about his career journey, he transitioned from being a business owner to working at some of the world's leading visual effects studios, including Digital Domain and ILM. With experience spanning feature films, episodic television, and commercial projects, his career reflects a diverse and accomplished path through the visual effects industry.

Amanda Elliott continues our artist profile series with an interview with Bryan Bayley and Jan Klier. In this episode, we talk about how AI is being used as their professional tool in their creative process — where it helps, where it falls short, and the frustrations that come with it. We also get into the bigger questions around the ethics and responsibility of using these tools such as Claude and Comfy UI.

Amanda Elliott continues our artist profile series with an interview with Gedaly Guberek. Part 2 of 2. Gedaly is an actor and director creating adventure and action comedy films. His recent swashbuckling adventure, "The Flower of Battle," won awards at several film festivals including "Best Short." Recently he had the chance to study action filmmaking with the one and only Jackie Chan Stunt Team in Beijing. He’s also worked as an editor, colorist, and VFX artist for commercials and feature films. He's also passionate about educating filmmakers as the founder & lead educator of DVResolve.com, and a teacher for Blackmagic Design & AFI Conservatory. His production company, Razee, is focused on creating original independent films. He’s currently writing/directing an upcoming Fantasy-Adventure series, “Shadow of the Mages”. https://shadowofthemages.tv https://gedalyguberek.com IG: gedalyguberek