Presenting 'Short Range Memory' by Ria Rajan

Short Range MemoryRia Rajan2025This sound piece weaves together field recordings and archival fragments into a live, short-range radio transmission. Broadcast in real time through a localized FM signal, the work activates an intimate sonic sphere that unfolds as a sound composition drifting between memory, place, and the present moment. The work functions as a durational activation, subtly altering the sonic environment and inviting listeners to tune into a micro-scale soundscape by accessing the piece through the air itself, tuning into a shifting acoustic landscape, that is assembled, rearranged, and dispersed - reimagining how past and present intersect in the act of listening.

An installation of sound art and sonic experiences took place at the Pollock-Krasner House and Study Center in East Hampton, NY on Saturday, November 15, 2025.The five participating artists were asked to respond to different elements of the historic site and its environment. Click the link below to access a document with statements from each participating artist about their work.We would like to thank the Stony Brook University Art Department, Thomas Benincase, Tony Doyle, Linda O’Keeffe, Ria Rajan, and Lauren Ruiz for their participation.00:00 Lauren Ruiz03:56 Ria Rajan07:01 Tony Doyle09:45 Thomas Benincase13:01 Linda O'Keeffe

In this episode, we sit down with Chris Byrne, founder of the Elaine de Kooning House, co-founder of the Dallas Art Fair, and former senior director at Marlboro Gallery, to explore the rich history and contemporary significance of the Elaine de Kooning House. Chris shares insights into the house's transformation into a beloved national historic site and its evolution into a vibrant artist residency program. We delve into the legacy of Elaine de Kooning, the notable artists who have worked at the residency, and the delicate balance between preserving history and fostering contemporary art. Discover how Chris’s journey from art student to steward of this historic site has paved the way for innovative projects and collaborations, including a new digital preservation initiative.

A rare, candid look at Larry Rivers’ curiosity, playfulness, and mastery of color—told through first‑hand stories from the studio and collaborations across art and music. We explore the work ethic behind the myth, the influence of jazz, and the relationships that shaped him.In this episode:- What it was like assisting Rivers in the studio and watching him paint- How play unlocked his best work, and why jazz mattered to his process- The Stones collaboration and how personal loss rippled through the art- Rivers’ return to pop iconography and his color‑mixing masteryIf this conversation resonates, share it with a friend who loves modern art, jazz, or the creative process.Watch next:- Inner Rhythm performance episodes- More artist interviews from the Pollock‑Krasner HouseCredits:Recorded at PK House. Produced by Peconic Pictures.Links:PK House: https://pkhouse.orgPeconic Pictures: https://peconic.pictures

In a revealing interview, David, a passionate docent at PK House, shares profound insights connecting art, personal philosophy, and the cultural landscape of the East End. He recounts a vivid dream that fosters a connection to the spirits of those he honors through his work. His artistic process transports him to a different mental space where creativity flourishes.Reflecting on a poignant historical moment, he speaks of a painting that symbolizes his attempt to penetrate the perimeter of Wounded Knee, a mission thwarted by hostile forces. David expresses his deep appreciation for the unique light of the region and his childhood memories of the ocean, which shaped his artistic sensibilities. He also acknowledges the rich tapestry of artists in the East End, recalling how the legendary Jackson Pollock attracted a vibrant community, allowing for intimate conversations about art and legacy. David’s reflections illuminate the intersection of personal experience and artistic expression, enriching the cultural narrative of the area.

Step inside the creative world of harpist and composer Emily Hopkins, PK House’s first-ever musician-in-residence. In this episode of Inner Rhythm, Emily and collaborator Russ share how they transformed the harp from a classical orchestral staple into an instrument of sonic experimentation — blending pedal effects, improvisation, and storytelling.Inspired by Stones, the collaborative lithograph series by poet Frank O’Hara and artist Larry Rivers, Emily’s new album STONE reimagines each work through music. From discovering O’Hara’s connection to Lee Krasner to exploring the contrasts between different artistic partnerships, this conversation dives deep into collaboration, process, and pushing artistic boundaries.Whether you’re an art lover, a music enthusiast, or simply curious about breaking creative stereotypes, this is a story of invention, connection, and finding your own voice.

A conversation with artist Marie-Claire Chabauty about her new show "House Guest," on view until August 3rd.In the Summer of 2024, Montreal-based artist Marie-Claire Chabauty completed a joint residency at the Pollock-Krasner House and the Elaine de Kooning House. This exhibition presents a series of spatial portraits Chabauty produced from that experience. These intimate paintings capture the essence of both homes with a sensitivity and attention to detail unique to the artist.

In this episode, we sit down with Dr. Rachel Silverbloom to talk about the extraordinary career of Rosalyn Drexler—an artist who has never fit neatly into any one category.From painter and sculptor to novelist, playwright, singer, and even professional wrestler, Drexler's work spans decades and disciplines. Rachel, who curated the current exhibition At Home with Rosalyn Drexler at the Pollock-Krasner House, shares insight into Drexler’s relationship with domestic space, her fearless approach to storytelling, and the questions her work raises about identity, power, and creativity.We also dive into the process of curating the show, what it means to place Drexler’s work in the context of Pollock and Krasner’s home, and how domestic life shapes art more than we often realize.📍At Home with Rosalyn Drexler is now on view at the Pollock-Krasner House and Study Center.

In this episode of Inner Rhythm, we sit down with musician Haley Blais for an honest and inspiring conversation about creativity, intuition, and the artistic process.Haley shares her thoughts on creating from instinct vs. structure, the challenges (and freedom) of not always having a dedicated space to work, and how visual art influences her music. We also talk about staying open to change, letting go of perfection, and finding your voice as an artist.https://www.haleyblaismusic.comProduced by: Peconic Pictures

In a thought-provoking discussion, Stephanie Dinkins, the Kusama Endowed Chair in the Art Department at Stony Brook University, explores the intricate relationship between art and artificial intelligence (AI). During her conversation, Dinkins reflects on her childhood experiences with technology, particularly her affinity for CB radios, which served as an early platform for communication and connection with strangers. Dinkins delves into her groundbreaking project, N'TOO, a family history chatbot designed to preserve personal narratives and explore the complexities of representation in AI. She emphasizes the importance of ensuring that AI systems authentically reflect the voices of marginalized communities, rather than perpetuating existing biases. Throughout the discussion, Dinkins articulates her commitment to creating art that facilitates dialogue and understanding, challenging the conventional boundaries of artistic expression. As the conversation unfolds, Dinkins considers the ethical implications of AI in the creative process. She warns against the danger of viewing historical figures through a reductive lens, advocating instead for a nuanced understanding of their legacies. Dinkins envisions a future where artists harness AI not merely as a tool but as a collaborator that can enhance the artistic journey while remaining mindful of the broader societal impacts. In a world increasingly mediated by technology, Dinkins highlights the need for artists to navigate the complexities of innovation responsibly, ensuring that their work contributes to a more inclusive and equitable cultural landscape. With her unique perspective, Stephanie Dinkins invites us to reconsider the intersection of art and AI, urging a collective examination of how these evolving technologies shape our understanding of identity, history, and creativity.