Ep.219 – The Fall of Ghent, or Why There Are No City States No More.
The words High and Late Middle Ages conjures up images of fog rising up over a field where knights in shining armor are trading blows with double handed swords, mighty bishops overseeing the construction of monumental cathedrals and peasants toiling on the land as serfs.
The reason we see it that way goes back to the chivalric literature that celebrated the aristocratic lifestyle where tournaments and poetry mattered more than the humdrum world of business.
But let’s just take a look back at the High Middle Ages, the time of Richard the Lionheart, Saint Louis and Frederick Barbarossa. Who controlled access to the great endeavor of the time, the conquest of the Holy Land? Who re-opened up the connections to the wider world, from Novgorod to India and China? Who were the most ferocious fighters who neither expected norgranted any quarter? Who had all the money?
These were the great cities of Italy, of Flanders, of Picardie and Provence and of the Holy Roman Empire. Verona under the Della Scala in the 14th century generated tax revenues twice as high as those of England, Venice capacity was sixty percent of what France could generate. And these cities fielded armies that, as we know, defeated the Holy Roman Emperors, even the most capable ones like Barbarossa and Frederick II time and time again. Their absolute dedication to fight to the end was evidenced by their extremely heavy and slow war carts, the Carroccios and by the bravery of the Flemish Militia at the Battle of the Golden Spurs. And the first European since Roman times to make to India and China wasn’t a Knight errant, but a Venetian merchant, nor were the vast lands on the Eastern side of the continent linked up by military force. The crusades, the grand project of the age was as much a venetian mercantile adventure as a religious pilgrimage, culminating in the sack of Constantinople in 1204.
What happened? Where did all these city states go? And why?
That is what we are going to discuss today, when we look at the showdown between Maximilian of Habsburg, widower of the last duchess of Burgundy and father of Philip, the universally recognised heir of the Low Countries and the Flemish cities, and specifically its largest, the city of Ghent.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
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