
You get the "more energy" note in improv and nobody tells you what to actually change. I take that note apart and look at what your teacher was probably reacting to.
The energy note does a lot of work in one word, so it can mean several different things at once, and most of us never ask for the clarification. In this episode I go through what a coach might be seeing when a scene reads as underpowered, and the mechanical choices available to you at your completely normal speaking volume. I also get into why the thing most of us do when we feel underpowered tends to make it worse, and why the option nobody suggests might be the one that holds a room. Before improv I taught dance fitness, and the presence I learned there had less to do with being loud than you might think.
WHAT YOU'LL LEARN:
- What your teacher is probably reacting to when they say "more energy"
- The four things you can adjust without raising your volume at all
- Why adding motion when you feel underpowered often reads as something else entirely
- The choice that can command a stage without you doing anything
- How to finish the energy note yourself instead of paying an improv tax
CHAPTERS:
0:00 What dance fitness taught me about presence
2:35 Taking apart the "more energy" note
3:05 Show ident
3:50 Why the note is hard to use
6:00 Focus, and where your attention goes
7:19 Stance and where your weight sits
8:27 Tempo and cadence in a scene
9:13 How you take up the space
10:59 Reading "more" as more intentional
12:30 The option beyond movement
13:48 Why we add motion when we feel underpowered
15:16 Performance you might already be doing all day
17:04 Choosing big when you want it
18:47 Finishing the note yourself
RESOURCES:
Previous episode on pauses: https://www.youtube.com/watch?v=9vWZM6qoEM8
Off Script workshops: https://YourImprovBrain.com/offscript
Downloadable content
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About
This podcast was created, written, and is hosted by Jen deHaan. Jen has certifications related to healthy communities (Tufts University Friedman School of Nutrition Science and Policy), nervous system regulation and soon teacher training certification on community resilience. She has a BFA in teaching creative arts to adults. You can find her full bio here.
This podcast was written, recorded and edited in British Columbia, Canada by Jen.
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