x Marks the Hit: The True Story of Ed Sheeran's 'Thinking Out Loud'

Content Warning: This episode of Encore discusses struggles with addiction and mental health issues. Believe it or not, Red Hot Chili Peppers were formed all the way back in 1982 as ‘Tony Flow and The Majestic Masters of Mayhem’ - no idea why that name didn’t ever catch on. But, with all due respect to original members - the late great guitarist Hilel Slovak, and drummer Jack Irons; the current lineup that we all know and love formed some six years later in the final months of 1988. Joining original members Tony Flow - aka Anthony Kiedis from here on out, and Flea - aka… well… Flea… were guitar genius John Frusciante, and the world’s most successful Will Ferrell Look Alike - Chad Smith. Go on and picture the Red Hot Chili Peppers in your head; chances are it is this core four that you’re thinking of… although there were at least another 8 transient members of RHCP throughout the years, with Frusciante especially coming-and-going throughout the band’s history. With so much turmoil within a band - it’s crazy to think that the Chili Peppers have never actually broken up, despite well documented addictions, tragedy and loss, lack of focus, changes in sound, and the aforementioned lineup changes over their 40+ years in Rock.  So, for this episode of encore we’re going to zoom in on perhaps their most successful pivot of all, becoming what felt like a brand new band all over again some 15+ years into their career - this is the story of Red Hot Chili Peppers’ 2000 Hit - Californication with newly unearthed audio from the band themselves.

After no less than 5 name changes, and a revolving door of band members, by the year 2000, budding R&B group Destiny's Child were finally in their most recognizable form as a three-piece. By the time the album cycle for their third record 'The Writing's on The Wall' Destiny’s Child had two #1 singles in “Bills Bills Bills” and “Say My Name,” while “Jumpin’ Jumpin’” would reach #3, and “Bug-A-Boo” would be recognized for its boundary-pushing production. The Writing’s On The Wall would go on to sell more than 13 million copies and become one of the biggest R&B albums of all time. Destiny’s Child were on top of the world. And they weren’t about to stop. In October 2000, they released a song called “Independent Women Part 1,” an empowering anthem recorded for the Charlie’s Angels movie starring Cameron Diaz, Drew Barrymore and Lucy Liu. That song held the #1 for 11 consecutive weeks, becoming the group’s biggest song to date and the Guinness Book of World Records’ longest-running number-one song by a female group. While all this was happening, Destiny’s Child were wrapping up the recording of their third album - and it was about to take them down a path of even bigger superstardom. This is the story of Destiny's Child's 'Survivor' with newly unearthed audio from the group!

Consider this your public service announcement - this episode is about the kings of nu-metal, the royalty of rap-rock, and the band responsible for the most red New York Yankee hats sold this side of the millennium - Limp Bizkit. If you’ve seen any of the footage from either of the Woodstock ‘99 Docs that came out a couple of years ago, or if you are of a certain age to have lived through it - you’ll know that Limp Bizkit - for better or for worse - were a BIG deal… like really big. You can head back in to the Encore Archives in our Evanescence, Linkin Park, Sum 41 or Finger Eleven episodes to get a sense of how popular aggressive, metal-tinged, hip-hop appropriating music was in the early 2000s, but one could argue that none of it would have been given such a wide blast radius in that era if it wasn’t for the groundwork laid down by Fred Durst and the Boiz. Of course *purists* will tell you that bands like Beastie Boys, Red Hot Chili Peppers, Rage Against The Machine, and even Faith No More were the true innovators of the genre - and they’d be right! But where we’re going - we’re not bothering with such high minded concepts as ‘innovation’ or ‘musicality’ - after all, the song we’re talking about today is from a record called ‘Chocolate Starfish and The Hot Dog Flavoured Water’; released in an era where ‘Good’ music was defined as any song that had too many swears on it.  This is the Story of Limp Bizkit's Rollin' With newly unearthed audio from the band themselves!

Welcome to Season 5 of Encore! We'll have new episodes until the end of the year to keep you going with even MORE stories from the songs you love! Perhaps more than any artist so far on Encore, Ed Sheeran has been the most difficult one to determine just which song to feature. The guy is just such a consistent and reliable hitmaker. He’s also a bit of an outlier. Although he established himself as an acoustic troubadour, over the span of his two-decade career, he has evolved and adapted as an artist to suit just about any style: from bubblegum pop to hip-hop to country to rock. And it doesn’t matter what type of music he’s making, it always seems to be at the top of the charts. But I think we found the right song for this episode. Not only one of the biggest songs he’s ever released, but one of the most interesting and dare I say, even a little controversial? You’ll understand by the end of this, trust me. This is the story of Ed Sheeran's 'Thinking Out Loud' with newly unearthed audio from Ed Sheeran!

Welcome to the Season Finale Of Encore! What would you say is the catchiest song of all time? You know that one earworm that you hear once and then for the rest of the day it plays over and over in your head? Well, according to researchers at St. Andrews University in Scotland a song needs to have five things to make it an earworm: surprise, predictability, rhythmic repetition, melodic potency and, most importantly, the listener must be receptive to the creation on a basic level. In their study they determined the catchiest song of all time is Queen’s “We Will Rock You,” which alone can be identified by its rhythm. I’m sure you’ve attended some sporting event and stomped or clapped that song without even singing a note. It’s catchy, there’s no denying it and these people are actual scientists sure, but have they ever heard a song by the name of “Call Me Maybe” by Carly Rae Jepsen? Because that wins my vote. And I’m not alone. Justin Bieber agrees with me. He once tweeted:  “Call me maybe by Carly Rae Jepson is possibly the catchiest song I've ever heard lol” How can anyone argue with the Biebs! This is the true story of the iconic Carly Rae Jepsen song 'Call Me Maybe' - with newly unearthed audio from Carly Rae Jepsen herself! Encore will return for season 5 in October 2024!

There aren’t too many global superstars out there who got their start impersonating Elvis at the age of 2, but that’s exactly how Bruno Mars began his career in music. Yes, you heard me right, Bruno Mars began entertaining while he was still in diapers - and I’m gonna assume it all happened pre-potty training! That is apparently what it takes to become one of the biggest musicians in the world: gyrating your hips and dancing to the jailhouse rock in your nappy. But all of that hard work so early on in his life led to stardom for Bruno Mars, who has built an impressive career as a singer, songwriter, producer, all-around entertainer and 15-time Grammy winner.  This is the story of Bruno Mars' Iconic hit: Locked Out of Heaven, with newly unearthed audio from Bruno Mars!

It’s probably safe to say that by late 2002, Eminem was the most popular rapper in the world.  With three full-length solo albums under his belt, Slim Shady had come quite a long way in the four years since taking the world by storm with The groundbreaking Slim Shady LP in 1999 - introducing the world to his devil-may-care madcap rhymes that ranged from insightful, to absurd, to downright offensive; sometimes all at once. There was no denying Marshall Mathers’ talent on the mic - combining the sounds of the underground with a hurricane flow, lyrical wizardry, and pop culture irreverence - Eminem’s popularity was bolstered by the frustrated angst of the emerging nu metal, horror-core and even pop punk sounds of the era.  Realistically, he didn’t even *sound* like anything from those genres, but his aura was so strong that he became a sort of crossover artist without even needing to actually cross over. It was just *cool* to like Eminem. With the backing of music industry heavy hitters like Dr. Dre and Jimmy Iovine, Eminem also had serious critical credibility - He’d won Rap Grammys for the aforementioned Slim Shady LP and it’s lead single ‘My Name Is’ in 2000; He followed it up with three more the following year for the likes of The Real Slim Shady, Forgot About Dre, and his sophomore album The Marshall Mathers LP - and would eventually go on to win two MORE Grammys in 2003 for his ‘02 album The Eminem Show and its lead single ‘Without Me’. And, while we’re on the topic of the successes of Slim Shady - the records show that by late 2002 Eminem’s 3 Solo LPs had gone no less than 18x Platinum in America alone. There is just one thing Em hadn’t done yet - and quite honestly I can barely believe it myself - Eminem had never had a US Billboard hot 100 Number 1 Hit. That all changed when Eminem recorded the lead single for his feature film debut - changing how we all thought about Eminem forever. This is the story of Eminem's 'Lose Yourself' with newly unearthed audio from Marshall Mathers himself!

When your name means “The highest, most exalted one, the best” you know you’re destined for great things. And Aaliyah definitely achieved great things in her life. An icon of ‘90s R&B, Aaliyah immediately became one of the genre's biggest artists at the young age of 14, eventually redefining the role of what an artist in that genre could be, breaking through into the hip-hop and pop charts. Since her untimely death in 2001, the proclaimed “Princess of R&B” has left behind a legacy in which, to this day, she continues to be celebrated for her talent as both a recording artist and a motion picture star, while being credited for introducing a sound that is widely considered the blueprint for R&B today. This is the true story of Aaliyah's 'Try Again' with newly unearthed audio from Aaliyah herself!

In many ways, the mid-to-late 1990s were the golden age of so-called ‘bubblegum pop’.  As technology began to evolve, so did the world’s pop stars, with what seemed like an endless supply of perfectly groomed, perfectly styled, young, boy and girl-next-door type pop stars that smoothed off all of the edges found in contemporary Rock, Hip Hop, and R&B, leaving fans with a slew of safe pop idols to worship. There would always be innuendo in pop music - with a sparkle in the eye of a singer belting out suggestive lyrics; or a bit more skin being shown in a music video than you’d normally see at your local community center - but there was a bubble that was not to be popped when promoting pop music, and most stars played it safe. Christina Aguilera - one of the famed students of the Mickey Mouse club of ‘93 - which, of course also introduced the world to Britney Spears, Justin Timberlake and JC Chasez of NSYNC, as well as Canadian Hero Ryan Gosling; debuted her self titled album in August 1999 at Number One on the Billboard 200 with the smash hit ‘Genie in a Bottle’ also topping the Charts mere months after contemporary Britney Spears did the same with ‘Baby One More Time’. Christina wasn’t shy about her uneasiness around Genie - the song was not her first choice for a debut single, but with the success that followed, she felt like she had to follow the label's direction. Aguilera’s debut would go a nearly unfathomable 8x platinum before the end of the year 2000.  Now clearly sitting at the head of the pop-star table, and with the sounds of pop music shapeshifting around her. Christina Aguilera was ready to break free from the bubblegum-pop package she had originally been presented in. By the end of the year 2000, Christina fired her manager Steve Kurtz, hired supermanager Irving Azoff, and was ready to give her image a major shakeup, and show people who she *really* was. It was time to enter the era… of Xtina. This is the story of Christina Aguilera's 'Dirrty' with newly uncovered audio from Christina Aguilera herself! Also includes audio from this video: https://www.youtube.com/watch?v=doXqDkzFEkQ 

Disclaimer: This Episode contains discussions of physical and sexual abuse. To skip past these discussions skip to (4:54) There is no shortage of innovators in Hip-Hop, though for the most part the genre has been a world dominated by male artists. But from her mind-bending, award-winning music videos to her experimental approach to producing, Missy Elliott has changed the game. She has been one of the most forward-thinking minds in hip-hop since she first made her debut in 1997 - regardless of gender. In her early days as an artist, Missy would form a R&B group called Fayze with friends La'Shawn Shellman, Chonita Coleman, and Radiah Scott. Through her friend Melvin Barcliff, who rapped under the name Magoo, she met Timothy Mosley, a local DJ producer operating as Timmy Tim. He would produce some demos for Fayze, including a single called “First Move.”  Fayze would impress DeVante Swing, a producer, songwriter and singer for the rising R&B group Jodeci, after singing a cappella for him following a concert. Swing invited the group to record in New York City, along with their producer Tim, who Swing renamed “Timbaland” after the popular Timberland construction boots that were taking over hip-hop fashion. Missy got her first gig as a songwriter, producer and rapper on a song called “That's What Little Girls Are Made Of,” the debut single by Raven-Symoné, the eight-year-old star of The Cosby Show. But Missy quickly learned the hard way that the music biz wasn’t ready to welcome her with arms wide open. Missy was blindsided though when they cast a smaller, lighter-skinned actress to lip-sync to her lines in the song’s music video. At that point, she realized that she would have to work even harder to be taken seriously as an artist. Eventually Missy and Timbaland would become their own as a songwriting/production team. They co-wrote songs for artists like 702, Busta Rhymes and the debut album by Ginuwine, which Timbaland produced in full. But it was their work on One In A Million, the second album by teenage R&B sensation Aaliyah, that really opened the door for Missy as an artist.  Timbaland’s flickering, clap/snap sounds on One In A Million set Aaliyah apart from the rest of R&B, introducing a fresh and futuristic style that no one had ever heard before. And the duo would hit it big when the album’s lead single "If Your Girl Only Knew" topped Billboard’s US Hot R&B/Hip-Hop Songs, while peaking at #11 on the Hot 100. One in A Million would end up going triple platinum in the US, selling more than eight million copies worldwide, but the impact was immediate. Overnight, labels were scouring to offer Missy a record deal, but she was quick to see right through them. Through her own label, distributed by Elektra records - Missy Elliot would release the albums Supa Dupa Fly and Miss E... So Addictive - which gave her mainstream exposure as an artist - with her and Timbaland pushing their production into new territory. By 2001, Missy would release the seminal Miss E... So Addictive which not only included lead single "Get Ur Freak On", but her most popular song of all time... This is the story of Missy Elliot's "Work It" with newly unearthed audio from Missy Elliott herself!