Do not over explain
Painters are often tempted to over explain their subject by going into detail. But too many details muddies the character of the painting.
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As artists, we sometimes feel compelled to include every single detail in our work, but have you ever wondered if this might actually detract from the essence of what you're trying to convey?
Imagine painting a tree. I've seen painters meticulously depict every single leaf. But why? If you find yourself doing this, ask yourself why. I often joke with my students that there's no need to prove it's a tree by painting every leaf. We can recognize a tree from its overall shape and character.
What really matters is capturing the character of the tree. Give it a general shape, add some detail, and leave it at that. From the shape alone, we recognize it. Over-detailing can sometimes feel like shouting at the viewer, as if they wouldn't understand otherwise.
Consider a car in a painting. We all know what a car looks like. You don't need to detail every single part of it. Over-detailing can almost feel insulting to the viewer, as if they need everything spelled out for them. Instead, focus on the shape, value, and color that make the car recognizable and poetic.
Fine art isn't about illustrating every tiny detail. It's about conveying a sense of beauty and emotion. There's nothing wrong with illustrations, but fine art aims to evoke a feeling or a story without over-explanation. If you're new to painting, it's natural to want to include every detail. I did it too. But over time, you learn that the beauty often lies in simplicity.
Detailing should be like the cherry on top of a dessert – a finishing touch, not the whole focus. Some of the best landscape painters master this balance. Whether you're painting a figure, a still life, or a landscape, too much detail can overwhelm and obscure the message.
Think of it like this: if I spoke to you in an overly detailed, fast-paced manner all the time, it would be exhausting and hard to follow. The same goes for a painting. Just as a photograph might blur the background to keep the focus on the subject, a painting should guide the viewer’s eye to the important elements.
This concept isn't easy to master. It's something you need to practice and struggle through. Look at the works of great artists you admire. Often, what draws you to their work is its simplicity – not in the sense of how it was created, but in how it looks. Simplifying is one of the hardest things to do, especially in the beginning, but it's crucial.
In your next painting, focus on the general shapes, values, and colors. Leave some mystery. Let the viewer fill in the blanks. Like a well-written book that leaves you pondering, a good painting should invite the viewer to engage and imagine.
If you're struggling with this, you're not alone. It's a challenge for many artists, including myself. Keep practicing, and over time, you'll find the balance between detail and suggestion.
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Capturing the EssenceThe Art of SuggestionEmbrace SimplicityLeave Room for ImaginationThe Power of SuggestionPractice Makes PerfectThe Beauty of MysteryKeep Practicing
