Jim Shooter Biographical Interview Part 1 of 6 by Alex Grand & Jim Thompson

Alex Grand and co-host Jim Thompson interview Jim Shooter in a career spanning biography.  Travel thru his youth as Mort Weisinger's 14- year-old apprentice created the  rogue's gallery of the Legion of Superheroes, Princess Projectra, #KarateKid,  Ferro Lad's death & intended race,  drew layouts with his scripts for DC artists Gil Kane, Wally Wood, and Neal Adams, Captain Action teaching him Toy-Comics synergy, DC’s first drug addiction and rehab comic story, Parasite for Superman, wrote the first Superman-Flash race, Mort Weisinger’s abusive behavior, his short 1969 stay at Marvel Comics, his odd run-ins at the YMCA presented in Hulk Magazine 23 1980, working for an ad agency in the early 1970s, worked at DC Comics again under Julius Schwartz.   Edited & Produced by Alex Grand.  #DCComics #Weisinger #Schwartz #JimShooter© 2021 Comic Book HistoriansSupport the show

David Armstrong interviewed Platinum and Golden Age great, Creig Flessel in 1998 on set at Long Island, New York about his early training in the Grand Central Art School, his entry into comic books in the mid 1930s with Vincent Sullivan on More Fun Comics for Major Malcolm Wheeler-Nicholson's National Allied Publications, his covers for Detective Comics, other artists like Leo O'Mealia, Bert Christman, Jerry Siegel and Joe Shuster, early Superman, depicting African American protagonists, why he left comic books for advertising at Johnstone and Cushing, comic strips and his relationships with other comic book professionals.  Armstrong also interviewed Platinum and Golden Age great, Fred Guardineer in 1998 on set at San Diego Comic Con about his entry into comic books in the 1930s, working with Street and Smith pulps, getting into the comic book business with Harry Chesler and Vincent Sullivan under Major Malcolm Wheeler-Nicholson, and the company shake up with Harry Donenfeld and Jack Liebowitz taking control of Detective Comics, his work in Action Comics creating Zatara, freelancing with other companies like Quality Comics, and lessons he learned about the power of the comic book medium. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.Support the show

David Armstrong interviewed Golden Age great, Joe Simon in 1998 on set at San Diego Comic Con about his entry into Hearst comic strips in the 1930s, comic books in Funnies Inc and becoming Timely/Marvel Comics' first editor, meeting Jack Kirby at Victor Fox comics, Wonder Comics with Will Eisner's Wonder Man, Eisner and Iger's split, creating Captain America, leaving Timely for DC Comics, his relationship with Jack Liebowitz, Sandman & Boy Commandoes, his friend Charles Nicholas, Al Harvey, creating Romance Comics with Jack Kirby, their special contrast at Prize/Crestwood, leaving comic books and his encounter with Jim Steranko at the Harvey Thrillers line. Armstrong also interviewed Platinum and Golden Age superhero comic book medium cofounder, Vincent (Vin) Sullivan in 1998 on set at Long Island, New York about his beginnings as a sports cartoonist, entry into comic books with Major Malcolm Wheeler-Nicholson's New Fun comics, their bullpen, meeting Creig Flessel, distribution through Independent News, encouraging Bob Kane to create his superhero (Batman), working with Whitney Ellsworth, overseeing Jerry Siegel and Joe Shuster's early comics, editing Action Comics 1 with the first appearance of Superman, editing the covers of Adventure comics, his failed cartoon strip with Jimmy Durante, observing Donenfeld and Liebowitz's take over of the company, leaving DC to start Magazine Enterprises, his editor Ray Krank, international distribution, and looking back at the comic book industry 50 years later. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.Support the show

In 1955, comic book companies were struggling to stay afloat after a rough five years of censorship, a changing readership, and the invention of television. During an editorial meeting at National Periodical Publications, somebody suggested bringing back the company’s superheroes. National settled on a redesign of an old character—The Flash—and the world would never be the same. This created Marvel Comics and the Marvel Age. Michael Lites, Bill Field, Alex Grand, Kevin Garcia, Flaming Carrot creator Bob Burden, and Philip Nelson (Nelco Comics) investigate how the reintroduction of this superhero became a smash hit and inspired a resurgence of imagination that saved the industry.#dccomics #silverage #marvel #marvelcomics #stanlee #jackkirby #steveditkoSupport the show

Panel description: Before Gotham had shadows, writer Bill Finger cast them. Comics scholar Alex Grand (*Understanding Superhero Comic Books*) moderates a lively conversation with Athena Finger (Bill’s granddaughter and advocate), historian Bill Field (Field of Comics), and playwright/filmmaker Leonard Schwartz (Bill Finger: Rise of the Bat), and now with Mark Evanier (Bill Finger Awards). Together we trace Finger’s career across comics, television, and film, and show why crediting Batman’s co-creator still matters to today’s storytellers and fans.  #Batman  #DCComics  #BillFinger  #ComicBooks  #ComicsHistory  #Gotham #BatmanCreator  #Superheroes  #ComicCon  #ComicBookPanel Support the show

Rob Liefeld returns to the CBH podcast talking about Youngblood hitting its stride, Extreme Studios becomes a hothouse of new series: Brigade, Bloodstrike, and nearly two dozen more, all while he mentors rising talents Dan Fraga, Norm Rapmund and more. Mounting costs inside Image spark sharp discussions with Jim Lee, Todd McFarlane, and Mark Silvestri, nudging Liefeld to open Maximum Press for experiments like Battlestar Galactica and Avengelyne. He talks about his exit from Image and his stint on Marvel’s Heroes  Reborn, where his Captain America made headlines amidst Marvel’s bankruptcy. Recharged, he launches Awesome Comics, partners with Alan Moore for an Award‑winning Supreme, and joins Golden Age legend Joe Simon to shield Fighting American in court. A family walk through Greek ruins now feeds the mythic spark in Cable, Deadpool, and their Fortnite cameos. Royalties still arrive, proof that owning your stories keeps the dream alive, which is a lesson his friend Robert Kirkman echoes with Walking Dead and Invincible. #RobLiefeld #Youngblood #ExtremeStudios #ImageComics #CreatorRights #HeroesReborn #CaptainAmerica #MaximumPress #AlanMoore #Deadpool Support the show

Alex Grand and co-host Jim Thompson interview Don McGregor on his career in a final fourth of a four parter discussing his work with Dean Mullaney at Eclipse, Ragamuffins, working at DC Comics with Nathaniel Dusk, Julius Schwartz, Dragonflame with David Anthony Kraft, work for hire with Marvel, Black Panther's Quest for Marvel Comics Presents, Detectives Inc sequel with Gene Colan, the Detectives Inc Movie, Topps, Zorro, Dracula, Jurassic Park, Golden Eye, Lady Rawhide, Tom Yeates, Ultimate Ragamuffins and beyond!   Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Edited & Produced by Alex Grand.  Support the show

Alex Grand and co-host Jim Thompson interview comic writer Don McGregor, in a third parter on discussing Black Panther fighting the KKK, antagonism with editorial, Archie Goodwin & Jim Shooter, the personal issues he was dealing with in the middle to later 1970s that affected his writing output, writing Michael Golden's first Marvel work, Dagger, and Sabre with Eclipse.  Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians.  Edited & Produced by Alex Grand.  Support the show

Ditkoverse publications are here: http://www.igg.me/at/ditkoverse1Alex Grand speaks with Steve Ditko’s nephew, Mark Ditko, and longtime Ditko collaborator Mort Todd about their DitkoVerse publishing venture, a project dedicated to “remastering” and re-presenting classic Steve Ditko stories in high-quality editions . They describe their upcoming Indiegogo campaign, which kicks off a broader plan to keep Ditko’s independent work in continuous print leading up to what would have been his 100th birthday in 2027. The initial releases include Mister A—relettered and published in color for the first time—along with Fantastic Giants (featuring Charlton monster stories), Static (a superhero title), and a revised edition of Avenging World, Ditko’s philosophical opus. Mort Todd, who worked with Ditko as far back as the mid-1980s, explains the painstaking restoration process—cleaning up original black-and-white artwork, recoloring, and updating lettering in a way that stays faithful to Ditko’s intent. Mark emphasizes that the family’s focus is on honoring Steve Ditko’s desire to keep his work available and of high quality. The interview also touches on personal anecdotes—such as Ditko’s private yet supportive nature—and highlights their shared commitment: all funds raised will go directly into producing and distributing further reprints and unreleased material so future generations can appreciate Ditko’s unique blend of storytelling, philosophy, and artistry.00:00 Intro and greetings  00:28 Settlement with Disney  01:01 Receiving Legend Award  02:15 Launching DitkoVerse Project  03:46 Mort Todd involvement  05:02 Why use Indiegogo  11:00 Exclusive fan rewards  11:37 Starting titles lineup  14:00 Avenging World spotlight  15:37 Restoration process details  16:16 Balancing family legacy  19:16 Beyond Marvel overview  22:43 Editorial approach discussion  28:00 Social media impact  31:00 Mort Todd anecdote  35:02 Mark Ditko anecdote  40:05 Indiegogo campaign info  01:00:48 Wrap up thoughts  01:03:00 End of interview  My book, Understanding Superhero Comic Books available at https://a.co/d/iIE3fWH .🤔 Hope you enjoyed this video!👍 If you enjoy this video, please like and share it.👉 Don't forget to subscribe to this channel for more updates.🚫 Subscribe by clicking this link 🔗 https://bit.ly/3iRIaxx⚡️ Swim into our playlists ⚡️🎶 CBH Docuseries by Alex Grand 🔗 https://bit.ly/CBH-Docuseries🎶 CBH Interview Series 🔗 https://bit.ly/CBH-InterviewSeries🎶 History of DC Comics Video Series by Alex Grand 🔗 https://bit.ly/3CrGqnV🎶 Origin of Marvel Comics Video Series by Alex Grand 🔗 https://bit.ly/3yx4gvV🎶 CBH Videos in Order of Episode Number 🔗 https://bit.ly/3lBl29H🎶 Comic Book Flip Thru 🔗 https://bit.ly/3xz8QIO🎶 Historic Footage 🔗 https://bit.ly/3AiukLR🎶 CBH Motion Comics 🔗 https://bit.ly/3yvHMLX🎶 CBH Panel Series 🔗 https://bit.ly/3s36voy🎶 Comic Book Historians Playlists 🔗 https://bit.ly/CBH-Playlists⚡️ Our Socials ⚡️✅ Facebook: https://www.facebook.com/groups/Comicbookhistorians✅ Instagram: https://www.instagram.com/comicbookhistorians✅ Twitter: https://mobile.twitter.com/comichistorians🎙 Audio Podcasts 🔗 https://comicbookhistorians.buzzsprout.com🌐 Website 🔗 https://comicbookhistorians.com/✊ You want to support our project? We'd be happy for your support on Patreon.⚡️ Check us out on Patreon 🔗 https://www.patreon.com/comicbookhistorians󰛝 An extra special thank-you to all my kind Patreon supporters.🙏 Thank you for watchingSupport the show

David Armstrong interviewed Golden Age great and Graphic Novelist, Will Eisner in 1997 on set at San Diego Comic Con about the early history of comic books, comic strip reprints, his entry into comics, WOW What A Magazine!, his partnership with Jerry Iger, the growing concept of early comic books with original material, starting the Eisner and Iger shop, partnering with Everett M. Arnold at Quality Comics on the Spirit Newspaper Insert, departing the Iger shop, serving in World War 2, its effect on his storytelling and starting PS Magazine. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.Support the show