To Be Taken with a Grain of Salt by Charles Dickens

A man reads about a murder in his morning paper over breakfast in his Piccadilly rooms. That should be the end of it. But something follows him from that reading — something that refuses to stay on the page. And when fate places him in the jury box at the murder trial itself, he begins to count his fellow jurymen, there there should be twelve, he counts thirteen...Dickens wrote this story with a title that is itself a warning. Whether you take that warning as a comment on the narrator, on the law, or on the nature of what follows, is a question the story leaves carefully unanswered. *"To Be Taken with a Grain of Salt"* was first published in the Christmas 1865 edition of *All the Year Round*, Dickens's own literary journal, as part of a collection entitled *Doctor Marigold's Prescriptions*. It was later republished under the titles *The Trial for Murder* and *The Thirteenth Man*.Charles Dickens (1812–1870) was born in Portsmouth and is widely regarded as the greatest English novelist of the Victorian era. He was also one of the finest writers of ghost stories in the language, and this story was considered the definitive English ghost story for decades, before M.R. James arrived to claim that title.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

A Walk in the Park by William BundyThere is a park at the edge of a sleeping city. A man walks through it at night — tall, cloaked, unhurried — as if he has walked this way before, many times, across many years. A boy watches from a window. Dreams come. And something waits outside in the moonlight, patient as stone, returning with every full moon whether it is wanted or not.William Bundy's *A Walk in the Park* is a story about inheritance — the kind you don't choose.---*A Walk in the Park* is published on William Bundy's Substack at redsaidwrites.substack.com, where you'll find more of his writing in the same vein.---William Bundy is a UK-based writer of dark and supernatural fiction whose work spans short stories, essays, and film. Find his writing at williambundy.com, his Substack at redsaidwrites.substack.com, his film work on Instagram at instagram.com/redsaidfilms, and all his links gathered in one place at linktr.ee/williambundy.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

A man drives out to the Norfolk Broads one February night to look at a holiday bungalow. Snow is falling. The marshes are silent. Not even the waterfowl are stirring. Then, close to midnight, headlamps appear on the road — a car has broken down, and a young woman is alone with an engine that won't start. He does what anyone would do.He helps. He offers whisky. He thinks nothing of it. But there is something not quite right about her. Something in the way she watches the road behind her. Something in the way she keeps to the shadows."My Adventure in Norfolk" by A.J. Alan, first collected in Good Evening, Everyone!, published by Hutchinson in 1928. The story was originally broadcast live on the BBC in the mid-1920s.A.J. Alan was the pseudonym of Leslie Harrison Lambert, a senior intelligence officer who worked at Bletchley Park and served as Vice-President of the Magic Circle. He broadcast only a handful of stories each year and never revealed his true identity to the public during his lifetime. The Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portalBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

This is for Terry Illikainen. No commentar.y As an experiment, I will do the commentary as a separate post. In a sombre Elizabethan pile above Lake Windermere, the air is thick with more than just decay. Miss Prunella Pendleham, the last of a long line, watches her companion, Amelia, wither into a gaunt and listless shadow. Amelia is the sixth companion; three before her never left these walls alive. Amidst the rattle of mountain rain, thin, high screams echo through the stone-vaulted halls. Is it the onset of madness, or is the house reclaiming a brutal, hidden history? As the light fades, the only certainty is the tightening grip of a terror that will have its say. The Triumph of Death first appeared in The Arkham Sampler, Autumn 1949. It was later collected in Strayers from Sheol (1961) and The Best Ghost Stories of H. Russell Wakefield (1978). H. Russell Wakefield (1888--1964) was an English writer best known for his unsettling ghost stories. Drawing on clerical, military, and publishing-world experience, he brought a sharp psychological edge to the classic British supernatural tale. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

Tom Enderby is a widower who would like to remarry. There is nothing unusual in that. He has found a woman he is fond of, a gentle and pretty woman who is fond of him in return. There is nothing unusual in that either. What is unusual is what keeps happening to the white linen. His first wife Gloriana has been dead for four years. She asked only one thing of him before she died — a small, strange, domestic request — and he honoured it. He made no promises. He is bound by nothing. And yet. H. D. Everett's "The Death Mask" is a ghost story about what we owe the dead, and about the debts that accumulate, unnoticed, in the ordinary fabric of a marriage. The fabric, in this case, is quite literal. --- "The Death Mask" was first published in 1920 as the title story of *The Death-Mask and Other Ghosts* (London: Philip Allan, Quality Court, Chancery Lane), issued under the name Mrs. H. D. Everett. Henrietta Dorothy Everett (1851–1923) was an English writer of supernatural fiction and historical novels who published her first book at the age of forty-four under the male pseudonym Theo Douglas, and whose ghost stories drew admiring notice from both M. R. James and H. P. Lovecraft. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

Lost Hearts by M R James (1862-1936) Join my patreon: https://patreon.com/barcud There is a house in Lincolnshire where a scholar lives alone with his books and his learning and his carefully recorded dates. He is a kind man, by all appearances — generous to orphaned children, interested in the old religions, methodical in his habits. The kind of man that academics find reliable. M. R. James wrote this story in 1895. His erudition encompassed the respectable and the less so, and he knew the darker currents of the archive as well as any man alive. Something — or someone — has been waiting in that house. Waiting, with considerable patience, for the third. "Lost Hearts" was first published in the Pall Mall Magazine in 1895, and collected in Ghost Stories of an Antiquary, published by Edward Arnold in 1904. Montague Rhodes James (1862–1936) was a medieval manuscript scholar, Provost of King's College Cambridge and later of Eton, and the most influential writer of English ghost stories of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

On a forgotten platform at a junction no map records, a man waits for a train he half-remembers from childhood nightmares. In his hands, a battered red book falls open, again and again, to the same impossible picture: a tunnel mouth, a lamp, a solitary figure who will not quite turn his face to the light. As the night thickens and the pages repeat themselves, memory and prediction begin to trade places, and the question of who is watching whom will not stay safely inside the story. First published in The London Mercury in November 1935; later collected in the volume The Sun Cure (1936). Now widely reprinted in anthologies of supernatural and psychological horror, where it has earned a reputation as a minor classic. Alfred Noyes (1880–1958) was a British poet and prose writer, best known for poems such as “The Highwayman”. Alongside his popular verse, he wrote a small but influential body of uncanny fiction, of which “Midnight Express” is the most celebrated. Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal A man arrives at a desert fortress to visit an old friend. The friend is not there. The English servant says he will return shortly. The heat presses down. The water tastes wrong. And the waiting stretches on in ways that are difficult to explain. Edith Wharton set this story not in her usual territory of New York drawing rooms, but somewhere in North Africa, in a crumbling pile of Crusader stonework and Arab plasterwork, where the palms rattle like rain above an ancient well, and the desert stretches out in every direction, golden and merciless. She wrote it without a single ghost. She didn't need one. First published in the Saturday Evening Post in March 1926 under the title "A Bottle of Evian," the story was collected in Certain People (1930) and later reprinted in Wharton's posthumous ghost story anthology Ghosts (1937). Edith Wharton (1862-1937) was an American novelist and short story writer, the first woman to win the Pulitzer Prize for Fiction, awarded for The Age of Innocence in 1921. She published more than forty books across four decades. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

The moon lifts off the water and climbs the sky over Calabria. Two men sit on the stones of an old tower above the coast, sipping the local wine, basking in the warm dark. Below them, where the rock runs down toward the sea, there is a mound in the earth. One of them notices something in the gorge far below. He descends to look. The other sits, and watches, and says nothing. When the first man climbs back up, his companion turns to him quietly and asks: do you want to hear the story of what you saw there, and also what you didn't? First published in Collier's Weekly, 16 December 1905. Collected in Wandering Ghosts, 1911. F. Marion Crawford (1854–1909) lived most of his adult life in Italy. In his own time he was one of the most widely read novelists in the English language. He is less remembered now than he deserves. New type of image because I was recently told that my Audiobook style images were the reason that my channel's growth has stagnated. Hope you like it!!!!! 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback 

In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel’s peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man’s final hours and tests the chapel’s sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own. First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain. William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-classic-ghost-stories-podcast--7002956/support.*To buy my paperback books:* https://books.by/tony-walker-booksThe Classic Ghost Stories Newsletter — short essays on the genre, odd discoveries, and recommendations. Free, fortnightly. Subscribe: https://www.classicghost.com/#/portal To buy my ebooks and audiobooks: payhip.com/TheClassicGhostStoriesPodcastOr, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk *Intro and Outro Music by The Heartwood Institute* 🎼 https://bit.ly/somecomeback