Diane Kruger

Diane Kruger is a German actress known for her verticality in roles and languages, from Hollywood blockbusters like "Troy" and "National Treasure," to Tarantino's "Inglourious Basterds" and international gems like "In the Fade," for which she won Best Actress at Cannes. Currently she stars in two television series, "The Seduction," a French-language period drama for HBO MAX, in which she plays Madame de Rosemonde, and "Little Disasters," a psychological thriller for Paramount+ where she plays a complex, fiercely devoted new mother whose world collapses around her. On this episode, she gives us a peek inside her acting process and the ingredients in the "sauce" that help her do her work, like why she's not fond of rehearsal, the importance of trust and collaboration, how a detailed backstory helps her, why she wouldn't want to play the same character for dozens of episodes, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Cassandra Freeman has made her mark in everything from drama to laugh out loud comedy across film, television, and the stage. She is best known for her feature roles in Spike Lee's "Inside Man" and Chris Rock's "I Think I Love My Wife." She has also starred in "The Last O.G.," NBC's "The Enemy Within," and Marvel's "Luke Cage." And now she just finished her 4-season run as Vivian Banks (Aunt Viv) on the hit Peacock show "Bel Air." On this episode, she explains how she came to trust her intuition, how research into African traditions of performance shifted her paradigm, the "thievery" of over-direction and how it robs her of "discovery," the words that every actor should hear from their director, why it all starts with a prayer, and much more.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

  Few actors have been able to consistently make a living dipping their toes in as many different mediums and genres as Feodor Chin has—film, television, theater, gaming, animation, audio books—he's done it all. He just ended his run as "China" in the remarkable and timely play "Kyoto" at the Lincoln Center Theater in New York City. We use that experience as a jumping off point to explore his approach to this crazy endeavor called acting. He talks about the importance of knowing exactly how your character serves the story, explains how he got into voiceover work, details the one medium he hasn't worked in but would love to try, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

From "Orange Is The New Black" and "Severance" to "Spider-Man:Homecoming" and "Inez & Doug & Kira," Michael Chernus has been consistently delivering performances that place him as one of the most cherished character actors working today. His latest happens to be the first time he's staring in a television series—"Devil In Disguise: John Wayne Gacy"—and it's bringing him some of the best reviews of his career. On this epic episode, he talks about the freedom he felt in knowing he would never truly know that character, and why it took every tool in his "toolkit" to depict him. He takes us back to his early days at Juilliard, generously dives deep into the roots of his acting process, gives us an honest depiction of the lessons he's learned about what it takes to do this work well, talks about the importance of being in service of the larger production, explains why he likes being directed, lays out the problem with "denying what's happening in the room," makes a case for making bold choices, and much much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

June Squibb has only been acting for about seven decades, so forgive her if she hasn't figured this whole acting thing out yet. Luckily she isn't stopping or even slowing down. In fact, at 96 years old, she is more busy than ever before. Since her Oscar nomination for a supporting role in Alexander Payne's "Nebraska," Squibb has been in high demand. Her first leading role in a film, "Thelma," led to another, "Eleanor The Great," directed by Scarlett Johansson. And now she's about to take the stage in the exciting new Broadway production of "Marjorie Prime." On this episode, she talks about what she's anticipating with her return to New York theater. She explains how her acting teacher second husband gave her the tools to go deeper in the work, why the script is so important to her, what she learned from the great Ethel Merman, why she turns down most of the roles offered to her, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tom Bateman has delivered wonderful performances in "Thirteen Lives," "Death on the Nile," "Murder on the Orient Express," and Peacock's dark comedic thriller series "Based on a True Story," alongside Kaley Cuoco and Chris Messina, to name a few. For his latest, "Hedda," he got to work opposite Tessa Thompson and Nina Hoss. On this episode, he explains what made that production special, starting with the 2 weeks of rehearsal that director Nia DeCosta insisted on. He takes us through his beginnings in the theater, how Shakespeare is the gift that keeps on giving, gives examples of direction that ignited discoveries, hard lessons learned in younger days, the curious phenomena of finding similarities in his characters the further he gets away from himself, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Corey Fogelmanis' first big break came as the fan-favorite Farkle on the Disney Channel series "Girl Meets World." He later appeared alongside Octavia Spencer in the psychological thriller "Ma," and in Netflix's hit series "My Life with the Walter Boys." Now his first lead performance as Ben, a teen who comes out as non-binary, in the refreshingly modern coming-of-age movie "I Wish You All the Best," has already garnered glowing early reviews. On this episode, he talks about the "very aligned process" of working with director Tommy Dorfman, how music helps him prepare, learning the difference between naturalism and truthfulness, the difficulties of shaking off old childhood sit-com methods, and much more! Plus he just got done acting in the sequel to "Once Upon a Time in Hollywood," helmed by David Fincher, so he gives us a slight peak into that production! "I Wish You All The Best" opens in select theaters on Friday November 7th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Nina Hoss is one of our most respected stage, film, and television actors working internationally. She is known for her collaborations with director Christian Petzold in films such as "Barbara" and "Phoenix," as well as "Tar" opposite Cate Blanchett, the celebrated series "Homeland," and her latest "Hedda," opposite Tessa Thompson. On this episode, she talks about what drew her to Nia DaCosta's bold new reimagining of the Ibsen's classic. She gives us a peek into her process, talks about the "journey of filmmaking" she and Petzold embarked on together, environment as communication, how "The Cherry Orchard" in Brooklyn "landed at the right time," finding enjoyment in "checking out the possibilities," why she sometimes rehearses in German when she's acting in English, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Cooper Raiff returns to the podcast (first time was Ep. 128) to discuss his latest project, the eight-episode, independently-made, decades-spanning series "Hal & Harper." He picks up right where we left off in the first interview, 5 years ago, taking us through the process of getting "Cha Cha Real Smooth" made, and how that green light helped him avoid compromising "Hal & Harper." He explains why no matter what success you've had (like winning top prizes at the biggest festivals for his previous two films) the industry makes you start over and prove each new project's worth. He talks about how the grueling shooting schedule took a toll on his health, what makes Lili Reinhard the perfect Harper, how ignoring good advice paid off, and much more. "Hal & Harper" is streaming now on Mubi. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

This is the second part of my interview with Crispin Glover where we dive deep into his latest film "No! You're Wrong or Spooky Action At A Distance," which he spent the better part of the last 18 years making, completely independently. He touches on many of the technical aspects of the film, such as shooting ratio, color correction, music scores, film vs. digital, why he's bad at sound mixing, what "spooky action at a distance" actually means, and much much more. Go to CrispinGlover.com to find out where you can catch him on tour.