Exposure—Heather Rasmussen

Steven Naifeh and Gregory White Smith, Pulitzer Prize winners for their biography on Jackson Pollock, presented their new book about Vincent Van Gogh to a packed house on December 8, 2011.

Matt Keegan discusses his previous works that relate to the site-specific installation in the exhibition Exposure which grew out of the artist’s longstanding fascination with cities and their constant flux.

In this 1965 rare recording, Bertrand Goldberg leads psychologists Timothy Leary and Ralph Metzner on a tour of the recently completed Marina City and the Raymond Hilliard Center construction site. Famous for their research into various forms of psychedelic experience, Leary and Metzner discuss the layers of symbolism and social program in Goldberg's buildings. Clip 1: Marina City: “Adjusting your consciousness and your furniture to this kind of space” Clip 2: Tour of Marina City Apartments Clip 3: Raymond Hilliard Center: Integration through Design Clip 4: Psychedelic Art The Art Institute of Chicago, Archive of Bertrand Goldberg, Ryerson and Burnham Libraries, 2002.3 File Length: 13m 42s

Heather Rasmussen recreates international shipping containers in miniature, crafting them by hand from colored cardstock which she then damages, arranges, and photographs in order to address the underlying fragility of global supply and demand.

One of the special privileges of Sustaining Fellows membership is the opportunity to see exciting exhibitions before they open to the general public. On July 26, Sustaining Fellows hosted the opening festivities for Windows on the War: Soviet TASS Posters at Home and Abroad, 1941–1945. Peter Zegers, Rothman Family Research Curator, and Jill E. Bugajski, exhibition research associate, along with catalogue contributor Adam Jolles, provided an informative overview of the exhibition. Following their talk, Sustaining Fellows enjoyed a preview of the exhibition, a musical performance by Golosa, Chicago’s premiere Russian choir, and a festive reception in Griffin Court complete with 1940s-inspired fare and Big Band music. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Painter Joyce Owens grew up in a culturally diverse neighborhood; her strong African American roots were infused with Jewish culture. Responding to the secular theme of Marc Chagall's *The Circus Rider,* Owens discusses how her work relates to what she describes as the sophistication of Chagall's deceptively simple work. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

James Robinson, British Museum, provided a rich overview of Byzantine Reliquary Pendants and reviewed the context from which they came. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Curator Martha Tedeschi explores how the artist's influential experiments in watercolor and unorthodox ideas about framing helped create modern objects that surge with emotion. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

James Elkins, School of the Art Institute of Chicago, reviewed observations on how we see things with a particular look at art. He was introduced by Art Institute President and Director James Cuno. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

On February 14 the Sustaining Fellows gathered for a recap of the previous year and also hear some news of things to come at the museum. After champagne around the Woman’s Board Grand Staircase, guests gathered in Fullerton Hall where curators Gloria Groom, Christopher Monkhouse, and James Rondeau provided an exciting first glimpse at upcoming exhibitions before a lovely dinner in Terzo Piano closed the night. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.