Isabel Allende on feminism, anger and being 'fatally heterosexual' - FROM THE ARCHIVES

To celebrate the old bird/broad role models who’ve appeared on The Shift with Sam Baker, I’ll be rerunning some of these conversations throughout December and into January. Next up, bestselling novelist Isabel Allende... ---- The main word I can think of to describe this week’s guest is wise. (Well there are other words - fabulous and no-bull for starters - but wise is the biggie.) Bestselling author Isabel Allende has written 25 books including her debut, the global smash hit The House of the Spirits, published when she was 39, and two memoirs, one about the death of her daughter Paula, at the age of 29. In her latest, The Soul of A Woman, the 79 year old Chilean who has been in self-imposed exile since 1975, takes a candid look at her own life, sexuality and evolution as a feminist. What, she asks - and tries to answer - do women want? From her home in Northern California, Isabel explains why she’s been a feminist since she was five and what feminism means to her (“Not what we have between our legs but what we have between our ears.” Love her!); being “fatally heterosexual”, and why she’s spent her life in training to be a “passionate old woman”. By the end of this episode, I defy you not to want to be her when you grow up! * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the old bird/broad role models who’ve appeared on The Shift with Sam Baker, I’ll be rerunning some of these conversations throughout December and into January. Next up, screenwriting legend Lynda La Plante... ---- My guest this week is a woman who - to coin a bit of 1980s jargon - punched through the glass ceiling for women in TV, creating not just one but a series of female lead characters who broke the mould. And not just any old female lead but OLDER female leads. There would be no Happy Valley or Scott & Bailey if it wasn’t for Lynda La Plante’s groundbreaking creation, detective Jane Tennison, brought to life by Helen Mirren. The BAFTA and Emmy award winning screenwriter of Prime Suspect, Widows and many other hit TV shows, Lynda has written 43 bestselling books, including the young Tennison series - the latest of which is Unholy Murder - that takes Jane Tennison back to the 80s as she battles to break through in the macho Met.  Lynda is now 78 and it’s 30 years since her groundbreaking creation hit our small screens (back when there were only four channels and primetime telly really mattered). But Lynda started out as a dyslexic drama student who, she says, was “too short and plain” to get good parts. Lucky for us, she decided to try her hand at writing them instead. Lynda tells me what it was really like to be a woman in TV in the 80s and 90s (and noughties!), the humiliation that shaped her, how she learnt not to let things get to her and why you should always always ALWAYS read the small print! She has a few things to say about contemporary crime TV drama, but this is a bit of a masterclass for any wannabe crime writers. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the old bird/broad role models who’ve appeared on The Shift with Sam Baker I’ll be rerunning some of these conversations throughout December and into January. Next up is Australian literary legend Helen Garner who, in her 83rd year has finally broken out in the UK and US and won the Baillie Gifford Prize for her collected diaries, How To End A Story... --- My guest today is the writer Helen Garner. I’m pretty sure that right now you are either going, wow I LOVE her, or looking a bit vague. Because despite being one of Australia’s greatest living writers she is surprisingly little known here. But not for much longer because, at the age of 81, she is finally about to see almost all her books in print in the UK and US for the first time. Born in 1941 in Geelong, Victoria, the eldest of six, Helen has lived a fascinating life and one that has found its way into her 13 books. Her debut Monkey Grip, published in 1977 when she was a single mother, is still in print today; her second novel, The Children’s Bach (which is where I recommend you start if you’ve never read her), has been compared with Hemingway and Fitzgerald; and, her true crime classic, This House of Grief, has been declared one of the best books of the 21st century. Not bad for a regular kid from, as she puts it, “an ordinary Australian home - not many books and not much talk.” I was lucky enough to get to chat to Helen (and her chooks) from her home near Melbourne. In fact she kept me up long past my bedtime (!) as we discussed the difficult father-daughter relationship, making peace with the older generations and the emotional impact of being a war baby. She also told me why getting married a fourth time would have been the definition of madness, how she couldn’t give a monkeys about the withdrawal of the erotic gaze and why grandmothering has been the greatest pleasure of her life.  * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

• To celebrate the old bird/broad role models who’ve appeared on The Shift with Sam Baker, I’ll be rerunning some of these conversations throughout December and into January. First up Miriam Margolyes... ---- It’s the final episode of the season and all my podcasting dreams have come true. Because my guest this week - by popular demand and a whole ton of begging - is the one, the only, the legend that is Miriam Margolyes. Miriam started her career in theatre and radio, voiced some of the best known ads of the late 20th century (hello Cadburys Caramel bunny), won a BAFTA for her role in Martin Scorsese’s Age of Innocence and millions of tiny hearts as Professor Sprout in Harry Potter. At 82, she is busier than ever; A Vogue cover star, one of TV’s best-loved documentary makers and the bestselling author of two memoirs, This Much Is True and Oh Miriam! Can you tell how excited I was?! I met Miriam in Glasgow ahead of her live show to talk about everything from having her womb out in her mid-30s (she only went to the dr for a sore nose!), wearing trainers to Buckingham palace (before that was a thing) and why she’s really really bored of being labelled “just a lesbian”. We also discussed never wanting children, her 54 year love match and the power of living a life with no secrets. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest on the final episode of this season is Anne, Lady Glenconner.  Now 93, Lady Glenconner has lived to put it bluntly, one hell of a life. She was born in 1932, the eldest daughter of the 5th earl of Leicester and brought up in the early 20th century’s rigid social hierarchy on the ancestral estate of Holkham Hall in Norfolk. Which, incidentally, she didn’t inherit because primogeniture, of which more later.  The royal family were a part of her life from birth. She played with princess Margaret - a fellow naughty girl - in the gardens as a three year old. At just 17 she was a travelling salesperson for her mother’s pottery business before she was called back to be a maid of honour at the Queen’s Coronation. At 39 she became Princess Margaret’s lady in waiting. A role she kept for more than 30 years, until the princess’s death. And then, aged 87, she decided to write a book. That book, Lady In Waiting, was a bestseller on both sides of the atlantic, spending 35 weeks in the bestseller lists in the UK and three months in the states and going on to sell over a million copies. She has since written two murder mysteries and three more memoirs, the latest of which is the memoir come handbook, Manners and Mischief, an A-Z of a well-lived life. How much more life does this woman have up her sleeve? Plenty, I suspect. Lady Anne joined me to talk about her temptestuous life, the importance of lifelong friendship, knowing you’re a disappointment from birth and the joy of suddenly being in the spotlight after spending her entire life in a supporting role. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Manners & Mischief by Lady Glenconner as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is the accidental radical Karen Dobres. Until her early fifties, Karen’s life had taken a path familiar to so many women. From modelling in her early twenties, she trained as a counsellor and worked alongside bringing up a family. So far, so familiar. Then, as she puts it, she had her final period, attended her first football match and everything changed. Growing up in the 70s, when girls weren’t allowed to play football at school (although the law had changed to technically allow us to play in 1971, Karen had less than no interest in football, until she discovered women’s football, became a passionate supporter and director of Lewes FC, famed for being the first team to pay its male and female players the same.  Her five years on the board there are the subject of her new book, Pitch Invasion.  Karen joined me to talk about what it takes to be a feminist on a football club board and her part in helping to turn the pitch into a place that welcomes women. the benefits of being an outsider. Why manspreading starts in the playground. How menopause gave her permission to get angry. The importance of celebrating what our bodies can do, not what they look like. Why football is helping put a little prick in the Trump balloon. And why she created a town called fuckery! * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Pitch Invasion by Karen Dobres as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is a woman on a mission to preserve the language of her grandparents. Playwright, screenwriter and novelist Samantha Ellis is the author of one of my personal favourites How To Be A Heroine. Sam was in her early 40s and a new mum when it dawned on her that her mother tongue - or milk language - was on the verge of dying out. The daughter of Iraqi-Jewish refugees, Sam grew up surrounded by the noisy vivid hot sounds of Judeo-Iraqi Arabic, but when she tried to tell her son he was chopping onions on her heart, she realised she couldn’t find the words - and even if she could, he wouldn’t understand them. In her evocatively titled book of the same name, Sam goes back through the lives of her parents and grandparents, from Iraq to Israel to London and in so doing discovers far more about herself than she could ever have imagined. Sam takes us on a journey back to 1950s Baghdad to share what she discovered about herself and her family heritage and how it’s shaped her as she heads towards 50. We also discussed intergenerational trauma, uses for coriander, cooking as a cure for overthinking, learning to belly dance and the unexpected joy of not being allowed to hold your stomach in! * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Chopping Onions on My Heart by Samantha Ellis as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

For many of us losing our memory is our worst nightmare. To be told that that is happening when you are still young (ish) is close to unimaginable. That’s what happened to this week’s guest, writer, teacher and reader in residence at Charleston, Holly Dawson. Holly was just 40 when she started to lose her grasp of where she was. She was ultimately diagnosed with epilepsy. A scan of her brain revealed a benign tumour and Holly found herself faced with the prospect of losing both her memory and her words, which had always been her friend and were her main source of income Holly set out to build a picture of herself while she still could - from childhood to womanhood, daughter, book worm, dancer, gardener, mother.  The result is her memoir, of sorts, All of Us Atoms. Holly overcame her reluctance to talk about herself to discuss the moment she started to lose her words. How it felt to fail the memory test after a lifetime of never failing anything.The toxic myth of the straight line. Having her first natural period at 40. Her love of digging and chickens and mess. Why it took until her 40s to realise she doesn’t have to be good at everything and why she will not be giving up anything for love. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including All Of Us Atoms by Holly Dawson as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

If you, like me, have lived most of your life in fear of foundation, this week’s guest is your saviour. Because this woman saved us no-makeup makeup girls’ lives.  Back in 1991, Bobbi Brown was a makeup artist frustrated by the fact that most makeup looked like a mask. So she produced a range of 10 lipsticks that actually matched people’s lips. Shocker! Those lipsticks were the start of something huge: the first eponymous make up artist led beauty brand. A brand that Bobbi sold to Estee Lauder just four years later for a reported $74.5million dollars  Then, after 22 years at Estee Lauder, Bobbi left the company. Suddenly. Then… silence. What nobody knew at the time was that at the age of 37 she had signed a 25 year non-compete. Twenty five years! And she used that time to regain her mojo. Then, Bobbi reappeared with her brilliant new brand Jones Road, (hands up I’m a big fan) and now she’s decided it’s time to tell her own story, in her own words in her autobiography, Still Bobbi.  Back in 2022, to celebrate the launch of Jones Road, Bobbi joined me from her house in the Hamptons to talk about how she reinvented yourself in her sixties. We also discussed the emotional wrench of leaving her name and her legacy behind, how to get what you want at work (and at home), seeing the beauty in growing older and the joy of nobody trying to fix you. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Still Bobbi by Bobbi Brown as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s episode is basically a massive treat for me. Hollie McNish is my favourite poet. I first encountered her over a decade ago when I was doing an event for my thriller, The Woman Who Ran, at a literary festival. Hollie was in the big venue next door. The signing queue went on for miles. Let’s just say, it wasn’t for me. Hollie’s poetry speaks to people, women, mainly, let’s be honest. And we are quite literally queueing up to see her. Hollie’s poetry has millions of views on social media, she sells out thousand seater stadiums and by the second poem everyone is on their feet, Weeping, howling, cheering, above all, laughing, at the unassuming woman on stage talking about blood and blow jobs. Hollie has written seven works of poetry, including Nobody Told Me, a poetic memoir about politics and parenthood, that won the Ted Hughes Prize. The latest, Virgin, has all the Hollie McNish hallmarks - candour, rage, laugh out loud humour, and a determination to to say out loud the things others think but dare not say. Hollie joined me for the best Monday morning I’ve had in a long time. We talked about everything from poetry and politics to Single motherhood and success to sleazy old men and why she’s sick of society shaming teenagers. We also discussed how dirty dancing informed her feminism, How she got the confidence to stand up on stage and talk about blow jobs And Why this age is so good so its detractors should just shut the f*ck up. Wisdom of the week goes to Hollie’s mum who says, 'if you can enjoy a tree you’ll be all right.' * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Virgin by Hollie McNish as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices