Does the budget have a coherent underlying philosophy?

There are four stories that could justifiably be described as foundational to Western culture: the temptation of Eve in the Garden of Eden; Prometheus’s gift of fire to humanity; Doctor Faustus’s pact with the devil; and Victor Frankenstein’s act of monstrous creation.Not only are the principal names immediately evocative to anyone who hears them, but that recognisability allows for nearly endless variations on their original themes. This is, in part, what gives these stories their staying power.But these stories could themselves be said to represent four variations on a still older theme: the longing for some forbidden knowledge, to transgress a proscribed limit — or as WH Auden would put it, the desire to “know too much”. In each instance, rightly or wrongly, the pursuit itself brings a severe punishment, even catastrophe. This is what gives each of these foundational stories an element of tragedy, of pathos. About whom could it not be said that, even though we know the danger of going too far, we want to do it anyway?And yet it is at this point that an important difference emerges between Faustus and the other three stories. Eating from the Tree of the Knowledge of Good and Evil, granting fire to humankind and giving life to a “creature” of one’s own making all point a certain ambition, a restlessness, an unwillingness to remain in a perceived state of underdevelopment or adolescence. The consequences of that restlessness may still be both foreseeable and severe, and so suggest a lack of wisdom or trust or prudence — but that doesn’t mean the acts themselves are either base or self-seeking.The same cannot quite be said of Christopher Marlowe’s depiction of Doctor John Faustus at the end of the sixteenth century. It is true that, at the outset, explicit reference is made to the flight of Icarus from Ovid’s Metamorphoses, who fastened wings to his back with wax, but which melted when he ventured too close to the sun. Speaking of Faustus: “His waxen wings did mount above his reach, / And, melting, heavens conspir’d his overthrow; / For, falling to a devilish exercise, / And glutted now with learning’s golden gifts, / He surfeits upon cursed necromancy …”But even here, the point is not that Faustus went further than he should in his chosen disciplines, but rather that he abandoned them in favour of sorcery. And what Faustus seeks from the outset is not so much forbidden knowledge as it is wealth and renown — his own version of Lucifer’s sin of “aspiring pride and insolence” — and his attraction to necromancy’s “words of art” are mere means to that end.In other words, the reference to Icarus places the emphasis not on the ambition of Faustus’s heaven-ward reach but on the precipitous nature of his subsequent fall. Indeed, the trajectory of Marlowe’s play could be said one of perpetual descent: from the heights of academia to the utter solitude of his plunge into hell.In Marlowe’s play, it is not Lucifer who is the tempter, but Faustus who actively seeks out the means of his own “voluptuousness” — on the belief that the cost (“his soul”) can either be indefinitely deferred or that the bill will never come due (“Come, I think hell’s a fable”, Faustus says; to which Mephistopheles replies, “Ay, think to still, till experience change thy mind”).The lesson of the tragedy of Doctor Faustus probably remains the ridiculousness of the exchange of long-term beatitude for short-term prosperity and pleasure. The bill always comes due. But what Marlowe also reminds us is that the punishment is already present in the solipsism, the self-enclosure of the lives heedlessly devoted to pleasure. As Mephistopheles puts it, “for where we are is hell”.Guest: Kate Flaherty is the Head of English and Senior Lecturer in English and Drama at the Australian National University.

The federal budget is, in many respects, the high point of Australia's political calendar. This federal budget is no exception. The public had been primed for weeks to expect a series of significant reforms this year. But it is striking how little there is in the budget by way of direct social benefit.The budget is broadly redistributive — it removes certain tax concessions that disproportionately benefit the wealthy — but it does not then distribute that additional tax revenue to those struggling with cost-of-living pressures. Even the $250 permanent annual tax offset for workers is quite modest and deliberately non-inflationary.It would seem that the object of this “rebalancing” through changes to capital gains tax, negative gearing and discretionary trusts is “intergenerational equity” itself: the budget adjusts the tax system so that it benefits property investors less than first home buyers — even if these benefits are dispersed over time and only gradually felt.The question is, does the underlying philosophy of this federal budget provide a template for budgets-to-come?Guest: Luara Ferracioli is Associate Professor in Political Philosophy at the University of Sydney, and Philosopher-in-Residence at the Sydney Policy Lab.—THE MINEFIELD - LIVE AT THE SYDNEY WRITERS’ FESTIVAL24 May 2026“The Return of Nationalism and the Crisis of Democracy”With each new election, geopolitical deal and technological advancement, it seems like the ideals of democracy are slipping away. In this special live recording of ABC Radio National’s The Minefield, hosts Waleed Aly and Scott Stephens discuss the state of democracy today with Canadian podcaster and political scientist David Moscrop.When: Sunday, 24 May 2026, 4-5pmWhere: Carriageworks, 245 Wilson Street, Eveleigh, NSW, 2015To purchase your tickets: https://www.swf.org.au/program/festival-2026/abc-the-minefield-live—NEXT WEEK: Christopher Marlowe’s “Doctor Faustus”Expressions like “deal with the devil”, “selling one’s soul” and “Faustian bargain” are woven through our language. And popular culture is filled with variations on the unsavoury theme of attaining wealth, fame and pleasure by permanently corrupting one’s soul.In the third week of May, Waleed and Scott will be turning their attention to the source of these tropes: Christopher Marlowe’s play “Doctor Faustus”. It was first performed in 1592, just a year before Marlowe’s own untimely death.It is neither a long nor an overly complicated play, but it is powerful and ethically rich. We will be discussing the so-called “A-Text” of Marlowe’s play, revised in 1604. We hope you’ll join us in reading the play beforehand.

One of the by-products of digital technology’s pervasiveness in our lives is its seeming irresistibility. However much we try to remain conscientious objectors, to resist its allure, its promises of convenience and casual pleasures, to keep some part of our inner lives free of its influence, we soon discover that it is of the essence of new technological forms to exceed their boundaries, to seep out into the wider culture — into our language, our rhythms and habits, our expectations, our ways of seeing and interacting with the world.Such that, before long, we find we’ve become like the technologies we created. It’s like the Turing Test, but in reverse. And once that happens, precisely because there’s no longer any “outside”, it can become very difficult to think clearly about what is, in effect, our habitus. This is how technology ushers us into a condition of unthinkingness. Perhaps we could call it habituation.Digital technology’s irresistibility and sheer scale can make our efforts at thinking seem tiny, irrelevant, insignificant. Perhaps the best we can do is occasionally pause, and try to make sense of underlying rules that govern online experience — perhaps we could call it “the grammar of online life”: the rules of the game, as it were, that you must obey if you want to go viral.Over the last ten years, one of the most popular forms of online content is the reaction video — a kind of split-screen experience in which viewers watch both a piece of content (the livestream of a game, a movie trailer, a music video, another YouTube clip and so on) and another person’s reaction to that content. There is something about the desire to see the facial responses of other people, their seemingly spontaneous responses to what they see and hear, that is inseparable from the viewers’ enjoyment of the content itself. It is similar to the experience of hearing audience laughter during a sitcom, and before that “canned laughter”.Emotion here is the currency. But the point isn’t that the emotion is felt — rather, that it is conveyed. It is communicated. It is as if the emotion is the content.But even if we were to regard all social conventions as performances, as various ways of paying homage to the rules that govern social interactions, this commodification of emotions — which is to say, turning reactions into content — invites such a degree of performance, of exaggeration, that would be impossible to sustain the kind of un-self-consciousness that is essential to authenticity.To put this another way: the online emotion economy encourages participants — whether on reaction videos or video podcasts — not to be themselves but to act themselves; not to listen to what’s being said, but simply to react to it. What is this doing to our capacity to cultivate moral responsiveness?Guest: Nicholas Carah is the Director of Centre for Digital Cultures and Societies and Professor in the School of Communication and Arts at the University of Queensland.Nicholas makes reference to Rose Horowitch’s article in The Atlantic: “The Elite College Students Who Can’t Read Books” (1 October 2024).

In a speech to the National Press Club, Health Minister Mark Butler announced a series of sweeping changes that the federal government will make to the National Disability Insurance Scheme (NDIS).In the thirteen years since it was legislated, the growth of the NDIS has surpassed all expectations. By 2030, the Productivity Commission projected that the scheme would cover around 550,000 people and cost about $40 billion. This year there are already 760,000 people on the scheme at a cost of $50 billion. On the current trajectory, by the end of the decade there will be 900,00 people on the NDIS and it will cost $70 billion per year — this would represent a greater expenditure than Medicare and the Pharmaceutical Benefits Scheme put together.Concerns over the affordability of the NDIS are nothing new, and since returning to government Labor has repeatedly indicated their intention to curb its growth (even if, while in opposition, they resisted the Coalition’s efforts to do the same). But in an economy threatened by high inflation and at a time of increasing cost-of-living pressures — from fuel and food to housing — it is understandable that the federal government would feel a certain urgency to bring the NDIS under control, not least for the sake of the long-term viability of the scheme.And yet, what was telling about Butler’s speech was the way he proceeded to justify the radical changes the government has in store for the NDIS — which include removing around 160,000 people from the scheme by 2030 and reducing the projected annual cost by $15 billion. He swiftly pivoted from its long-term viability to its declining “community support, or social licence”.Citing research conducted by Talbot Mills, Butler claimed that 70 per cent of Australians think the NDIS has “gotten too large and struggles with dodgy providers” and that 60 per cent think the scheme is “broken”. He went on to detail mistakes in design and “structural flaws” that make the NDIS susceptible to fraud. He drew particular attention to criminal behaviour on the part of unaccredited “third-party” service providers and neglect by unqualified support workers.Given the dearth of qualified, registered, sufficiently committed carers, it was perhaps inevitable the NDIS would become “a soft target for shonks and rorters”, as Butler described them. It is, frankly, baffling that there wouldn’t be tighter government regulation over who could qualify to be paid to provide such support in situations that demand attentiveness and care.But some of the criticism that is now being levelled at the design of the NDIS threatens to besmirch its original moral genius: the provision of support to those with a disability in the form of personalised budgets, such that those in need of care would be accorded the dignity of “choice and control” over the form their care would take. Which is to say: it turned people with a disability from those for whom everything must be done, those who are a societal “problem” needing to be solved, and who must rely on the “good graces” of others; to those who are rightfully accorded agency in their own pursuits on an equal basis with other Australians.While this approach effectively created a competitive “disability services market” over which there has been far too little oversight, such a market is also the condition of possibility for the type of agency and equality the NDIS promises.This raises a number of dangers lurking beneath the government’s proposed reforms. In addition to the inherent danger that the expressed intention to reduce the number of people covered by the NDIS will see some people denied the care and support they are entitled to, there are a range of unintended moral consequences that accompany the reputational damage done to the NDIS itself.If we accept that the NDIS is noble if flawed, that it was a worthy aspiration for a nation like ours and represents a tremendous collective achievement which nonetheless needs to be placed on sustainable and just footing — the question becomes: how can the federal government address the “structural flaws” and escalating costs without undermining public faith in the NDIS itself?Guest: Jennifer Smith-Merry is an Australian Research Council (ARC) Laureate Fellow and Professor of Health and Social Policy in the School of Health Sciences at the University of Sydney.You can read Professor Smith Merry’s reflections on the moral risks and consequences that accompany the federal government’s NDIS reforms, on ABC Religion and Ethics.—THE MINEFIELD — Live at the Sydney Writers’ Festival24 May 2026“The Return of Nationalism and the End of Democracy”With each new election, geopolitical deal and technological advancement, it seems like the ideals of democracy are slipping away. In this special live recording of ABC Radio National’s The Minefield, hosts Waleed Aly and Scott Stephens discuss the state of democracy today with Canadian podcaster and political scientist David Moscrop.When: Sunday, 24 May 2026, 4-5pmWhere: Carriageworks, 245 Wilson Street, Eveleigh, NSW, 2015To get tickets: https://www.swf.org.au/program/festival-2026/abc-the-minefield-live—UPCOMING EPISODE: CHRISTOPHER MARLOWE’S “DOCTOR FAUSTUS”Expressions like “deal with the devil”, “selling one’s soul” and “Faustian bargain” are woven through our language. And popular culture is filled with variations on the unsavoury theme of attaining wealth, fame and pleasure by permanently corrupting one’s soul.In the third week of May, Waleed and Scott will be turning their attention to the source of these tropes: Christopher Marlowe’s play “Doctor Faustus”. It was first performed in 1592, just a year before Marlowe’s own untimely death.It is neither a long nor an overly complicated play, but it is powerful and ethically rich. We will be discussing the so-called “A-Text” of Marlowe’s play, revised in 1604. We hope you’ll join us in reading the play beforehand.

There has long been a gap between the emergence of new forms of technology and the development of laws designed to mitigate their dangers. But with the rapid advances in artificial intelligence and immersive technologies, that gap is becoming increasingly problematic.Take the example of wearable technology, such as smart glasses. Companies like Meta, in particular, have poured vast amounts of money into the development and commercialisation of augmented reality (XR) headsets. This would seem to represent the natural extension of the decades-long ambition to commodify and capture the attention of users — combined now with seamless search, audio, call, image/video and geolocation functions.But quite apart from their troubling military and law enforcement applications, there are a range of ethical problems presented by the widespread adoption of smart glasses.For example, on the side of the wearer/user, the interposition of technology directly into one’s field of vision — thereby making the technology the immediate object of one’s gaze — corrupts the ethical concept of attentiveness and further erodes our capacity to be morally present to others in a technologically unmediated way.Smart glasses also erode the concept of a shared reality by imposing prompts from interested parties and advertisers directly into users’ field of vision. And speaking of interested parties, don’t these forms of wearable technology represent new means of acquiring vast amounts of data for advertisers and the training of large language models?What about those who are being observed by wearers of smart glasses? We are assured that safety measures are in place to indicate to non-consenting parties that they are being recorded. But even if those safeguards are trustworthy, the mere possibility of misuse imposes a degree of suspicion between persons that cannot help but be corrosive. And this doesn’t approach the opportunities for abuse that are presented by the technology itself — not least due to embedded facial recognition technology.Then there is the wider issue of the prospect of the inescapability of technology itself, even for those who attempt to opt out or evade the datafication of their lives by tech platforms. It is clear that legislation needs to catch up in order to encompass the vast new possibilities for harm presented by wearable technologies with AI integration. But are we prepared for what that same technology might do to our moral conceptions and habits?Guest: Milica Stilinovic is a Post-Doctoral Research Associate at the University of Sydney, where she is working on the ARC-funded project “Governing Immersive Technologies”. You can read her analysis of the social harms of smart glasses on ABC Religion and Ethics.—The Minefield — Live at the Sydney Writers’ Festival24 May 2026“The Return of Nationalism and the End of Democracy”With each new election, geopolitical deal and technological advancement, it seems like the ideals of democracy are slipping away. In this special live recording of ABC Radio National’s The Minefield, hosts Waleed Aly and Scott Stephens discuss the state of democracy today with Canadian podcaster and political scientist David Moscrop.When: Sunday, 24 May 2026, 4-5pmWhere: Carriageworks, 245 Wilson Street, Eveleigh, NSW, 2015To get tickets: https://www.swf.org.au/program/festival-2026/abc-the-minefield-live—UPCOMING EPISODE: CHRISTOPHER MARLOWE’S “DOCTOR FAUSTUS”Expressions like “deal with the devil”, “selling one’s soul” and “Faustian bargain” are woven through our language. And popular culture is filled with variations on the unsavoury theme of attaining wealth, fame and pleasure by permanently corrupting one’s soul.In the third week of May, Waleed and Scott will be turning their attention to the source of these tropes: Christopher Marlowe’s play “Doctor Faustus”. It was first performed in 1592, just a year before Marlowe’s own untimely death.It is neither a long nor an overly complicated play, but it is powerful and ethically rich. We will be discussing the so-called “A-Text” of Marlowe’s play, revised in 1604. We hope you’ll join us in reading the play beforehand.

Ever since the eighteenth century, there has been a prevailing belief that mutually beneficial commercial relationships between nations provide a powerful disincentive to international conflict.Montesquieu perhaps put it best in his Spirit of the Laws (XX.1-2):“Commerce cures destructive prejudices, and it is an almost general rule that everywhere there are gentle mores, there is commerce and that everywhere there is commerce there are gentle mores … The natural effect of commerce leads to peace. Two nations that trade with each other become reciprocally dependent; if one has an interest in buying, the other has an interest in selling, and all unions are founded on mutual needs.”After the devastation of the First and Second World Wars, the principle that commerce is conducive to peace was the guiding philosophy behind the establishment of some of our vital international institutions. And even if its implementation has been inconsistent and most of the economic benefits have tended to flow upward toward wealthier nations, the belief was that such disparities represent a fault in design not in the animating principle itself. We should remember, for instance, the role interdependence played in thawing Cold War antipathies. As West German Chancellor Helmut Schmidt told US President Jimmy Carter in 1980 regarding Germany’s decision to develop a joint energy policy with the Soviet Union, “those engaged in trade with each other do not shoot at one another”.But the practices of interdependence and “oil diplomacy” that emerged from energy crises of 1973 and 1979 paradoxically reinforced the reality of a further source of instability — one that has become especially pronounced in 2022 and again in 2026, after Russia’s invasion of Ukraine and the current conflict in the Middle East. And that is what Michael LaBelle calls the use of energy as a “weapon of war”, in which assertions of state sovereignty intentionally disrupt relationships of energy interdependence in order to inflict economic pain.This leaves nations like Australia — which is both a major energy exporter (of LNG and the critical materials for solar panels, among other things) and extremely reliant on fuel imports for our own energy needs — vulnerable to disruptions in the global supply chain as the result of international conflict. When this sense of vulnerability translates into higher fuel costs or uncertain supply, and when it accentuates an already palpable sense of rising unaffordability, it can be a catalyst for democratic instability and popular resentment.Even as Prime Minister Anthony Albanese acknowledges the reality of Australia’s dependence on other countries for our fuel needs by making diplomatic trips to Singapore, Malaysia and Brunei, he has also stressed the need to reduce that dependence: “The Middle East conflict has reminded us of … the need to make more things [in Australia], of the need to not be at the end of supply chains and to be less vulnerable to global events.”For many, becoming “less vulnerable” means pursuing greater “energy sovereignty”, or even “energy nationalism”. But what would that pursuit entail? Some insist it means a turn to far greater reliance on renewables; for others, the Environmental Protection and Biodiversity Act (EPBC) has denied Australia access to its own oil reserves. And then there is the vexed question of the balance between Australia’s LNG exports and its domestic reserves. But on top of all this is the likelihood that greater “energy sovereignty” will likely prove more costly to voters.The tension between these three elements — the benefits of interdependence, the dangers of vulnerability to global supply chains, and the domestic costs of greater self-reliance — presents one of the most vexing problems of our time.Guest: Hamish McKenzie, Deputy Program Director of Grattan Institute’s Energy and Climate Change program.—UPCOMING EPISODE: CHRISTOPHER MARLOWE’S “DOCTOR FAUSTUS”Expressions like “deal with the devil”, “selling one’s soul” and “Faustian bargain” are woven through our language. And popular culture is filled with variations on the unsavoury theme of attaining wealth, fame and pleasure by permanently corrupting one’s soul.In the third week of May, Waleed and Scott will be turning their attention to the source of these tropes: Christopher Marlowe’s play “Doctor Faustus”. It was first performed in 1592, just a year before Marlowe’s own untimely death.It is neither a long nor an overly complicated play, but it is powerful and ethically rich. We will be discussing the so-called “A-Text” of Marlowe’s play, revised in 1604. We hope you’ll join us in reading the play beforehand.

There is a thread that’s been left dangling from our show at the end of last year on Ambrogio Lorenzetti’s fourteenth century “Allegory of Good and Bad Government”, painted on the walls of the Sala dei Nova in Siena’s Palazzo Pubblico.The dominant figure of Justice sits on the left side of the central mural. She has her thumbs on two scales to hold them in balance, with angels on either side meeting out punishment and just recompense. Directly below her sits the figure of Concord (Concordia), a carpenter’s plane across her lap, as she weaves together the judgements into a red-and-white braided rope. This rope then passes from her hand to the hand of the first of 24 citizens who stand along the base of the mural.The rope finally becomes the staff held by the figure of “the Good Commune” — or, perhaps, “the Common Good”. It is as though the Common Good is constituted by concord among citizens, from which citizens in turn hope to receive what is necessary for their shared life.From Roman philosophers like Cicero down to the artists of the Italian Renaissance, there has been an understanding that concord — or what we now might call “social cohesion” — proceeds from the fair distribution of justice, and is grounded in the confidence of citizens that it is being distributed fairly. But what happens when concord begins to fray?This month, the Royal Commission into Antisemitism and Social Cohesion will be handing down its interim report. It is fair to say that, since the horrific attack at Bondi Beach that precipitated the establishment of the commission, social cohesion is under severe strain, perhaps to breaking point for some communities.The question for us now is: When the conditions of public trust in a society have weakened, could the deliberative capacity of a mini-public — such as a citizens’ assembly — help restore it?Guest: Ron Levy is a Professor in the College of Law, Governance and Policy at the Australian National University.

Within days of the commencement of the war that has enveloped the Middle East — and that continues to severely disrupt global energy supplies — a familiar pattern began to emerge in some of the world’s most prosperous democracies. Much as they did at the outset of the pandemic, people began stockpiling. Then, it was toilet paper and food; this time, it’s fuel. In cities across Australia, long lines formed outside petrol stations and tensions flared as motorists seized their opportunity to fill not just their cars, but jerry cans as well.Since then, the fears that motivated this behaviour have only heightened as the war goes on, petrol prices sharply rise and “not in use” signs appear on petrol pumps. The federal and state governments have already introduced measures designed soften the economic blow of significantly more expensive fuel. And while the prospect of rationing fuel reserves remains some distance away — at this stage, at least — the Prime Minister is nonetheless urging Australians not to use “more fuel than you need”.It is nonetheless telling that the mere possibility of fuel rationing has seemingly sent a chill down the nation’s collective spine. The prospect of government restrictions on petrol is tailormade to the exacerbate the underlying conditions of distrust, division and resentment, and to make the parties who are most adept at harnessing that resentment, that distrust, more attractive still.There is something here that is eerily reminiscent to the popular backlash to US President Jimmy Carter’s 1979 “Crisis of Confidence” speech to the nation, with its modest request for voluntary sacrifices in the face of a similar energy crisis:“And I’m asking you for your good and for your nation’s security to take no unnecessary trips, to use carpools or public transportation whenever you can, to park your car one extra day per week, to obey the speed limit, and to set your thermostats to save fuel. Every act of energy conservation like this is more than just common sense — I tell you it is an act of patriotism.”Carter’s exhortation proved wildly unpopular then, and there is every reason to wonder whether similarly voluntary measures would be politically costly now.This presents us with a dilemma. We’ve long known that liberal democracies are averse to sacrifice, and that the basest yet most effective commentary on federal budgets divides the population into “winners” and “losers”. We know that economic growth is the precondition of political stability. Does this mean that liberal democracy is, fundamentally, a politics for times of prosperity? Is the corollary, then, that, during times of scarcity and sacrifice, the majority of the electorate revert to being populists?For John Rawls, one of the defining features of a society dedicated to “justice as fairness” is the agreement among citizens to bear each other’s burdens, “to share one another’s fate”. The challenge, then, is how to inculcate those just dispositions — we could call them the habits or virtues constitutive of democratic morality — such that, during times of scarcity, we do not turn habitually to fear, envy and self-interest. For when that happens, citizens soon become competitors, and neighbours become threats.There is every reason to believe that intermittent energy crises will be a feature of our common future. If our social commitments are this fragile in times of prevailing prosperity, what will become of them in the face of shared hardship?Guest: Melanie White is Professor of Sociology in the School of Social Sciences at the University of New South Wales.

One of the words we use to describe political authority gone wrong is "autocracy": which is to say, the concentration of power in a unitary figure who then exercises that power without countervailing constraints and for its own sake. To borrow an expression of St Augustine, autocracy is a form of political authority that curves in on itself.Because most citizens have a clear sense that governance ought to be for something beyond political self-interest or naked self-enrichment, we rightly take a dim view of politicians who are unmoved by the interests and opinions of their constituents. But, of course, only tyrants are prepared to present themselves as wholly disinterested in the lives of those over whom they rule.Autocrats don't claim to be in it for themselves; they typically insist that they represent, serve and fight for "the people" — but "the people" politically defined as those who truly belong to the nation, those who build and contribute, those who are loyal and patriotic. In short, those who can be encompassed by the political pronouns "us"/"we". Accordingly, autocrats also claim to be defending the nation and its interests against "they"/"them", who have no part or place in the nation's life and are therefore no voice in the conversation of politics.What is corrupting about autocratic rule, then, is not simply that it is "corrupt" in the conventional sense of using the affordances of political office for private gain. Rather, it is the way autocracy throws off the basic constraints that define political authority in a representative democracy, and thereby betrays its character.In democratic life, we are constantly being reminded of the contingency of political authority and its fundamental accountability. When autocratic power lays claim to the necessity of an unconstrainted mode of executive decision-making — most often in the face of some "emergency" which suspends the normal functioning of democratic scrutiny — it corrodes the conditions of democratic life, precisely because representative democracy reveals what political authority really is: contingent, correctable and inherently contestable.As George Kateb writes in "The Moral Distinctiveness of Representative Democracy": “political authority is suspect when undivided and thus untroubled by antithetical voices … when it moves too easily or takes shortcuts to accomplish its ends, or when it prevents appeals and second thoughts, or when it closes itself off in secrecy or unapproachability.”It is no stretch, then, to say that autocracy is a politics of contempt. It is contemptuous of deliberation and mutual accountability; it is contemptuous of expertise and the constraints of precedent; it is contemptuous of any notion that the source of one's legitimacy could be extrinsic to one's own self. Which is why, ultimately, autocracy is a form of contempt for the people.It is for this reason, perhaps, that autocracy depends so much on the aesthetics of power: spectacular performances of force mask the lack of substance beneath, designed as they to eliminate accountability and overwhelm deliberation.This episode of The Minefield was recorded in front of a live audience at Customs House in Brisbane as part of the University of Queensland's "Dialogues Across Difference" event series.Guest: M Gessen is an acclaimed and multi-award winning Russian-American journalist, author and activist, known for their influential writing on authoritarianism, human rights and LGBTQ+ issues — most notably in their columns for The New Yorker and The New York Times, and their books Surviving Autocracy and The Future Is History: How Totalitarianism Reclaimed Russia. Gessen is a Distinguished Professor at the Craig Newmark Graduate School of Journalism in New York.

One of the words we use to describe political authority gone wrong is "autocracy": which is to say, the concentration of power in a unitary figure who then exercises that power without countervailing constraints and for its own sake. To borrow an expression of St Augustine, autocracy is a form of political authority that curves in on itself.Because most citizens have a clear sense that governance ought to be for something beyond political self-interest or naked self-enrichment, we rightly take a dim view of politicians who are unmoved by the interests and opinions of their constituents. But, of course, only tyrants are prepared to present themselves as wholly disinterested in the lives of those over whom they rule.Autocrats don't claim to be in it for themselves; they typically insist that they represent, serve and fight for "the people" — but "the people" politically defined as those who truly belong to the nation, those who build and contribute, those who are loyal and patriotic. In short, those who can be encompassed by the political pronouns "us"/"we". Accordingly, autocrats also claim to be defending the nation and its interests against "they"/"them", who have no part or place in the nation's life and are therefore no voice in the conversation of politics.What is corrupting about autocratic rule, then, is not simply that it is "corrupt" in the conventional sense of using the affordances of political office for private gain. Rather, it is the way autocracy throws off the basic constraints that define political authority in a representative democracy, and thereby betrays its character.In democratic life, we are constantly being reminded of the contingency of political authority and its fundamental accountability. When autocratic power lays claim to the necessity of an unconstrainted mode of executive decision-making — most often in the face of some "emergency" which suspends the normal functioning of democratic scrutiny — it corrodes the conditions of democratic life, precisely because representative democracy reveals what political authority really is: contingent, correctable and inherently contestable.As George Kateb writes in "The Moral Distinctiveness of Representative Democracy": “political authority is suspect when undivided and thus untroubled by antithetical voices … when it moves too easily or takes shortcuts to accomplish its ends, or when it prevents appeals and second thoughts, or when it closes itself off in secrecy or unapproachability.”It is no stretch, then, to say that autocracy is a politics of contempt. It is contemptuous of deliberation and mutual accountability; it is contemptuous of expertise and the constraints of precedent; it is contemptuous of any notion that the source of one's legitimacy could be extrinsic to one's own self. Which is why, ultimately, autocracy is a form of contempt for the people.It is for this reason, perhaps, that autocracy depends so much on the aesthetics of power: spectacular performances of force mask the lack of substance beneath, designed as they to eliminate accountability and overwhelm deliberation.This episode of The Minefield was recorded in front of a live audience at Customs House in Brisbane as part of the University of Queensland's "Dialogues Across Difference" event series.Guest: M Gessen is an acclaimed and multi-award winning Russian-American journalist, author and activist, known for their influential writing on authoritarianism, human rights and LGBTQ+ issues — most notably in their columns for The New Yorker and The New York Times, and their books Surviving Autocracy and The Future Is History: How Totalitarianism Reclaimed Russia. Gessen is a Distinguished Professor at the Craig Newmark Graduate School of Journalism in New York.