
#98 - Cine Glass, Grading & Careers Without Film School w/ Elliot Holbrow
London-based cinematographer Elliot Holbrow joins Tom and Greg to talk about building a career through curiosity rather than formal training, the craft of collaborating with directors, and why shooting on film, whether a Canon Scoopic or 35mm Vision 3, continues to shape how he thinks about images. From decoding the DP's role on a commercial set to the politics of the colour grade, this is a rich conversation about what it actually takes to develop a visual sensibility in the moving image world.Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative).Thank you for your support!Here are the shownotes, full disclosure, some of which are affiliate links which we use to try and raise money to support the show. - Elliot Holbrow, cinematographer — guest, London-based DP; website: www.elliot.onl- Sony VX2000 — handheld DV camera Elliot grew up using at home- Canon 550D / Rebel T2i — first DSLR Elliot bought; early video work- Blue Velvet (1986, dir. David Lynch) — formative film Elliot watched as a teenager: https://youtu.be/rAA6imfqMYQ?si=WtiQLgOCsoC6ODq7- Will Derbyshire — early YouTube editing collaborator; currently writing his first feature- Sean Bloodworth — Sheffield-based filmmaker and early mentor to Elliot; documented the early dubstep scene- Shaff Film Festival — Sheffield short film festival where Elliot won a young filmmaker prize: https://shaff.co.uk/- MCX — rental house; Jack Exton cited as supporter of emerging cinematographers: https://www.mcxfilms.com/- Canon Scoopic — Elliot's 16mm camera of choice: https://global.canon/en/c-museum/product/cine294.html- Kodak / CineLab — film processing and technical support- Cooke S4 lenses — Elliot's preferred cinema prime lenses- Cooke SP3 lenses — more affordable, compact alternative to S4s discussed with Tom- Cooke XTAL Express Anamorphics — lenses used on Layer Cake, cited as an early colour inspiration for Elliot- Layer Cake (2004, dir. Matthew Vaughn) — film Elliot credits as a formative colour reference; shot on Cooke anamorphics: https://youtu.be/EoOHm5otVU8?si=v14CK4vAT-aBlbsG- Darius Khondji — acclaimed cinematographer; Elliot references his book on working with directors: https://www.imdb.com/name/nm0451787/- Richard Mosse — photographer whose work Elliot admires; https://en.wikipedia.org/wiki/Richard_Mosse- Hiromix — Japanese photographer admired by Elliot: https://global.canon/en/newcosmos/gallery/grandprix/1995-hiromix/index.html- Lumix S1H — camera Elliot uses on set as a director's viewfinder and lightweight B-camera- Austin Phillips — steadicam operator Elliot works with regularly: https://www.austinsteadi.com/about- Chris Mears — first AD Elliot worked with on a recent project; praised for his approach to giving time per scene: https://www.imdb.com/name/nm3878514/- Luis Cross — director Elliot worked with on a project involving a single extended shot: https://luiscross.com/- Accidental Renaissance Reddit: https://www.reddit.com/r/AccidentalRenaissance/- Tom Barnes predator video — Bring Me the Horizon - Music Video: https://www.youtube.com/watch?v=3Og4fCRNuaADesert Island Camera: Bolex 16mm Desert Island Book: Alex Webb, "Suffering of Light": https://amzn.to/4mENdlxGuest Contact Details:Instagram: https://www.instagram.com/elliotholbrow/website: https://elliot.onl/
Weitere Episoden von „The Exposed Negative“



Verpasse keine Episode von “The Exposed Negative” und abonniere ihn in der kostenlosen GetPodcast App.








