Don't Let the Vampires In

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It’s been a long time since MTV was appointment viewing. And yet, billions of people are still watching music videos on the regular — on YouTube. Where does that leave a decades-old awards show dedicated to the craft? Wesley invites Niela Orr, a culture critic, on the show to discuss what makes an unforgettable video and to review this year’s nominees to see which ones should go home with the moon person. Yes, they still give ’em out.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Wesley was formed in the glory days of the summer movie: “Total Recall.” “Ghost.” “Pretty Woman.” All from the same epic summer of 1990. He found this year’s slate disappointing by comparison. So in this episode, Wesley invites his friend, the New York Times Magazine writer Sam Anderson, to travel back in time with him — to reimmerse themselves in the movies that shaped their adolescences, and maybe give you the edge-of-your-seat cinematic experience you deserve before summer is over.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball   Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

“Highest 2 Lowest” is an over-the-top, bougie and unapologetically New York movie. It might also be Spike Lee’s most conservative offering to date. Wesley invites critic Vinson Cunningham to discuss whether the 68-year-old director is picking up an old refrain, and telling young Black men to pull up their pants.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Wesley is joined by another unapologetic fan of the “Sex and the City” reboot, Taffy Brodesser-Akner. Together, they celebrate a show about old friendships and middle age. And blame you for its untimely end.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Wesley went to the final stop of the Cowboy Carter Tour. He talks through what he saw — the genre of it all, and the quietly powerful politics — with Salamishah Tillet, Times contributing critic and the professor behind an entire class about Beyoncé.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

What does Ryan Coogler’s vampire movie “Sinners” have in common with the Drake-Kendrick beef? Wesley has a theory that he’s been sitting with for weeks. He shares it with the writer Rembert Browne, and together they consider the vampiric threats facing Black art in America right now.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Twenty-four years ago, Wesley Morris and the film curator Eric Hynes were just a couple of “cooler-than-you” cinephiles working at Kim’s Video, the beloved New York City video store. They recently got together to dissect the trends, snubs and outliers on the Times’s 100 Best Movies of the 21st Century list and to shed a few tears over their own top 10s, which we've shared below. FROM WESLEY MORRIS: Norte, The End of HistoryMad Max: Fury RoadThe Piano TeacherO.J.: Made in AmericaWall-EMoonlightThe Holy GirlInherent ViceLove and DianeMagic Mike XXLFROM ERIC HYNES:In the Mood for LoveThe Act of Killing and The Look of Silence (tie)A.I. Artificial Intelligence The New WorldHale County This Morning, This EveningSynecdoche, New YorkCameraperson 35 Shots of Rum Inside Llewyn Davis and A Serious Man (tie)Zidane: A 21st Century Portrait Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball  Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Wesley Morris talks with Samin Nosrat, a chef and food writer, about her love-hate relationship with “The Bear,” a show that’s always racing against the clock. She says the best moments, in the show and in our own kitchens, happen when things slow down.Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

In the new HBO documentary “Pee-wee as Himself,” Paul Reubens, the creator of the iconic character Pee-wee Herman, comes out as gay. Reubens, who spent most of his career in the closet, had already come out years before but then returned to the closet during his time as the popular Saturday morning children’s show host.On today’s episode of “Cannonball,” Wesley Morris talks with the writer Mark Harris about Reubens’s relationship to being closeted, and they discuss what it means for artists to publicly come out. Thoughts? Email us at [email protected] our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.