Program Notes: Beethoven’s Symphony No. 7

This episode explores music shaped by struggle and sweeping emotional range. Rachmaninoff’s Piano Concerto No. 2 stands as a triumph born from personal crisis, unfolding in waves of brooding intensity and soaring lyricism that define the height of the Romantic concerto tradition. From there, Vaughan Williams expands the canvas with his Sea Symphony, a vast, multifaceted work that blends symphony, oratorio and opera. It sets Walt Whitman’s poetry to music that surges like the ocean itself — at once contemplative and monumental.Masterworks 14 of the 25/26 SeasonPerformances May 29 & 31, 2026

This episode brings together three composers shaped by place, identity and tradition. In Augusta Holmès’s Irlande, pastoral beauty and mourning give way to a spirit of resilience, reflecting Ireland’s long struggle and enduring hope. Dvořák’s Violin Concerto follows, a richly lyrical work rooted in folk rhythms that ends the with a spirited dance, the Czech furiant. The program closes with Brahms’s Symphony No. 4, a work of striking emotional depth, culminating in a passacaglia that builds to a powerful, unresolved close — leaving us in a space where tradition and tragedy meet.Masterworks 13 of the 25/26 SeasonPerformances May 15-17, 2026

This episode traces a path from nature to Beethoven’s first hint of the heroic ideal to a sense of national identity. In Einojuhani Rautavaara’s Cantus Arcticus, recorded birdsong merges with orchestra to create a soundscape that feels both organic and otherworldly. Beethoven’s Piano Concerto No. 3 follows, capturing a young composer in transformation — and the first clear signs of his heroic voice. The journey concludes Jean Sibelius’ Symphony No. 2, where fragments of melody gather into a sweeping statement that evokes both the Finnish landscape and a profound sense of national spirit.Masterworks 12 of the 25/26 SeasonPerformances May 1-3, 2026

Had Beethoven composed only one symphony, and it happened to be the music contained in his Seventh Symphony, he would still be idolized today. Its hypnotic rhythm is irresistible – as is the haunting allegretto movement, one of Beethoven’s greatest creations. Another rare treat is the U.S. premiere of Thierry Caens TribonesConcerto for Three Trombones, brimming with soaring melodies, dance rhythms andepic climaxes. The program begins with Ferde Grofe’s Mississippi Suite, celebrating its 100th anniversary.Masterworks 11 of the 25/26 SeasonPerformances April 10-12, 2026

This episode explores the final symphonic works of two iconic composers, Mahler and Beethoven – specifically his triumphant Symphony No. 9. The adagio from Mahler’s unfinished Symphony No. 10 sets the stage for the program. It evolves into an intense crescendo that would be Mahler’s final word as a composer. Then comes the bigger, bolder Mahler arrangement of Beethoven’s Ninth – an attempt to bring Beethoven into the modern era by retrofitting some of his music for larger orchestras and halls. Whatever the arrangement, the result is a glorious triumph of humanity, with an awe-inspiring Ode to Joy.Masterworks 10 of the 25/26 SeasonPerformances March 27-29, 2026

In this episode, we explore Mozart’s stellar Symphony No. 41, “Jupiter.” Says The Florida Orchestra Music Director Michael Francis: “In this symphony, Mozart looks at everything in life. Then he takes you to a point where he says ‘now, let’s look at the universe.’ ’’ In Shostakovich’s Cello Concerto No. 1, the soloist plays an unaccompanied cadenza for the entire third movement, while the orchestra remains silent. The concert begins with Beethoven’s Grosse Fuge, an intensely emotional work that captures Beethoven at the peak of his creative late period. The drama intensifies with the Queen of the Night’s breathtaking arias from The Magic Flute — the shimmering “Oh, don’t tremble, my dear son” and the dazzling, fearsome “Hell’s vengeance boils in my heart,” two spectacular showpieces.Masterworks 9 of the 25/26 SeasonPerformances March 21 & 22, 2026

This episode explores Max Bruch’s Violin Concerto No. 1, Prokofiev’s Symphony No. 5 and Brian Raphael Nabors’ Pulse. The German composer Bruch left a rich library of works, but he lived and died under the shadow of one piece, his Violin Concerto in G Minor. Optimistic and bold, Prokofiev’s Symphony No. 5 – his 100th published work – was embraced by Soviet censors as a symbol of freedom and stands today as a virtuosic, concerto-like showcase that pushes an orchestra to its expressive limits. With Pulse, The Florida Orchestra offers its first-ever performance of a work by the American composer Brian Raphael Nabors, whose music has been described as a fusion of homegrown soundscapes with a contemporary edge. Masterworks 8 of the 25/26 SeasonPerformances February 21 & 22, 2026

Beethoven Meets BrucknerIn this episode, we explore two very different kinds of musical journeys. First, Beethoven’s Triple Concerto, often described as “basically a cello concerto with violin and piano,” where the cello sings in a high register, leading to music that’s elegant, playful and deceptively simple. Then, we shift to the vast sound world of Bruckner’s Symphony No. 4, “Romantic,” opening with a legendary horn call meant to evoke Medieval knights at dawn and unfolding as a meditative, immersive experience best heard live. Listen in for immersive music, from chamber-like conversation to monumental symphonic landscapes.Masterworks 7 of the 25/26 SeasonPerformances February 6 & 7, 2026

Charles T. Griffes’ The Pleasure Dome of Kubla Khan is an American masterpiece that captures the dreamy quality of Samuel Taylor Coleridge’s poem. Then comes a French masterpiece, Ravel’s Piano Concerto, a lighthearted romp with an air of American jazz and an homage to George Gershwin. Paul Dukas may be a one-hit wonder with The Sorcerer’s Apprentice, but it’s a doozy. Forever immortalized in Disney’s Fantasia, the whimsical work tells a story through vivid colors and dynamics that bring characters to life. When the program ends with Ravel’s Daphnis and Chloe Suite No. 2, you have to wonder, does any music capture the miracle of morning better than Daybreak from this work?This episode includes music excerpts to illustrate each work.Masterworks 6 of the 25/26 SeasonPerformances January 23-25, 2026

Enjoy Siegfried’s Rhine Journey, a digestible nugget from Wagner’s massive Ring of the Nibelung. This arrangement by Engelbert Humperdinck preserves the work’s atmosphere, the awakening at dawn and the love themes of Brünnhilde and Siegfried. In Mozart’s Piano Concerto No. 21, this stellar work stands out for its iridescent andante in F major, arguably one of the composer’s most captivating creations. The program ends with Shostakovich’s final symphony, No. 15. In contrast to his often dour personality, Shostakovich’s sense of humor shines through in the first movement with quotes from Rossini’s William Tell Overture. This episode includes music excerpts to illustrate each work.Masterworks 5 of the 25/26 SeasonPerformances January 9-11, 2026