On the Radar 5/6/2024

Multidisciplinary artist and composer ess whiteley sheds some insight on their works and the process they engaged with for the compositions. ess is particularly interested in topics such as memory and the post-internet world we currently live in, often belnding topics togethe to create compelling works of media. ess had some lovely comments about process and the variety of ways it can afflict a work. ess is curently finishing up their PhD at UCSD.

On this episode of On the Radar join Austin and Matt as they discuss some music that has been on their listening for the past couple months! Matt shares a compelling work by a collective of Greek composers demonstrating noisy yet formally organized music. Austin speaks largely about the composer Ted Moore his ability to effectively write concert music while also maintaining the ability to improvise in other projects. Have a suggestion or would like to share some music you have been listening to? Drop us a line! We’d love to hear from out listeners and what is on their radar.”

Host Austin Williams speaks with composer and sound artist Joo Won Park on a variety of topics related to performance and composition aesthetics and the intersection between them. Joo Won is an electronic music composer, performer, and programmer. We talk about what makes a laptop orchestra unique and necessary to perform certain types of music. Joo Won is just as passionate about pedagogy and teaching as he is about composing and performing. Please check out more of his works and projects at https://joowonpark.net/

Originally from New Zealand, Tessa Brinckman is an interdisciplinary flutist/composer who has been praised for her “chameleon-like gifts” and “virtuoso elegance” (Gramophone). Now based in New York City since 2022, she enjoys creating and performing unique work that honors synesthesia, dialect, innate meter and collaboration, often on geo-political themes in a surrealist spirit. She talks with host Seth Boustead about her latest release Take Wing, Roll Back, now out on New Focus Recordings.

National Haiku Poetry Day is April 17 and we celebrate it early with a selection of music by composers inspired by this transcendent poetic tradition. Hosted and curated by Stephen Anthony Rawson and Seth Boustead. Music by Paul Chihara, Libby Larsen, Ursula Mamlok, Lisa Neher, James Falzone, Stephen Melillo, Dai Fujikura, John Cage, Toru Takemitsu

Called “the quintessential modern composer” by the London Independent, Austin, Texas based composer-bandleader-improviser Graham Reynolds records and performs music for film, theater, dance, television, rock clubs, and concert halls with collaborators across a multitude of disciplines.Host Seth Boustead talks with Reynolds about, and features music from, two recent releases: Insectum and Music From Prophet.

Published 50 years ago this year, Studs Terkel’s seminal book Working (The New Press) is, then and now, a compelling look into the world of jobs and the people who do them. Relevant Tones celebrated this landmark with a unique evening of new music commissioned by ACM and inspired by Studs alongside a fascinating conversation about how work has changed since his time and where it might be going next. Speaking guests include Dr. Anna Tavis (Humans at Work, Kogan Page), Erik Loomis (A History of America in Ten Strikes, The New Press) , Tod Lippy (Esopus Foundation, Ltd) Hosted by Seth Boustead Music Performed by:Black Oak EnsembleAlicia Walter

Multi instrumentalist, composer, and improviser Erik Fratzke blurs the line between jazz, avant grade, classical, and a variety of influences to create an absolute plethora of original musical groups and tunes. While he plays with heavy hitters such as Dave King, he also has solid roots in the improvised and experimental music of the Minneapolis scene. Erik is always making new projects with a variety of folks in the local scene and they always seem to be nothing short of stellar. Please check out some samples of his works on https://erikfratzke.bandcamp.com , You will not be disappointed!

Founded in 2010, Seattle Modern Orchestra (SMO) is the only large ensemble in the Pacific Northwest solely dedicated to the music of the 20th and 21st centuries. Led by co-artistic directors Julia Tai and Jérémy Jolley, SMO commissions and premieres new works from an international lineup of composers, in addition to presenting important pieces from the contemporary repertoire that are rarely if ever heard by Seattle audiences. The ensemble “operates at that exciting cusp between old and new, between tradition and innovation” (Vanguard Seattle) curating new sounds and experiences for concert goers in the region. Host Stephen Anthony Rawson sits down with Jérémy and Julia to discuss the collaborative relationship they’ve forged together, the formation and history of Seattle Modern Orchestra, their bold and barrier-breaking strategies in reaching new audiences and performers, and some of their favorite concerts from the past 14 years. 

This week host Matthew Dosland talks with composer and teacher Osnat Netzer who has just released her first album Dot : Line : Sigh with New Focus Recordings. From the liner notes of the album: “Though the pieces differ in musical language and aesthetics, they all share the tropes of a punctuated sustain (Dot-Line) and many forms of pitch bends, glissandi, and stylized portamenti (Sigh).” Join Matthew and Osnat as they discuss how she went about choosing the music from her catalogue for this album, her inspirations in teaching and composing, and how moving to Chicago and the collaborations that has led to have influenced her music.