Theaetetus-Plato (Πλάτων)

Euthydemus by Plato (Πλάτων).Euthydemus (Εὐθύδημος) and Dionysodorus the sophists discuss the meaning of words with Socrates.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Theaetetus by Plato (Πλάτων).Theaetetus (Ancient Greek: Θεαίτητος) discusses concepts including perception, true judgment and knowledge. Socrates compares the human mind to a piece of wax and is critical of lawyers who seek only to persuade.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Protagoras by Plato (Πλάτων).Jowett, in his always informative introduction, sees this dialogue as transitional between the early and middle dialogues. Socrates meets with Protagoras and other sophists and pursues his inquiry into virtue. The dialectic brings the thinkers to a surprising ending.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Meno by Plato (Πλάτων).Meno (Ancient Greek: Μένων) is a Socratic dialogue written by Plato. Written in the Socratic dialectic style, it attempts to determine the definition of virtue, or arete, meaning in this case virtue in general, rather than particular virtues, such as justice or temperance. The goal is a common definition that applies equally to all particular virtues. Socrates moves the discussion past the philosophical confusion, or aporia, created by Meno's paradox (aka the learner's paradox) with the introduction of new Platonic ideas: the theory of knowledge as recollection, anamnesis, and in the final lines a movement towards Platonic idealism..Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Ion by Plato (Πλάτων).In Plato's ION, Socrates questions Ion, whether he should really claim laud and glory for his 'rhapsodic' recitals of Homer's poetry.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Apology of Socrates by Plato (Πλάτων).The Apology of Socrates is Plato's version of the speech given by Socrates as he unsuccessfully defended himself in 399 BC against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" (24b). "Apology" here has its earlier meaning (now usually expressed by the word "apologia") of speaking in defense of a cause or of one's beliefs or actions (from the Ancient Greek ἀπολογία).Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Timaeus by Plato (Πλάτων)."Our intention is, that Timaeus, who is the most of an astronomer amongst us, and has made the nature of the universe his special study, should speak first, beginning with the generation of the world and going down to the creation of man..." 'Timaeus' is usually regarded as one of Plato's later dialogues, and provides an account of the creation of the universe, with physical, metaphysical and ethical dimensions, which had great influence over philosophers for centuries following. It attributes the order and beauty of the universe to a benevolent demiurge - a 'craftsman' or god - fashioning the physical world after the pattern of an ideal, eternal one. The dramatic setting of the dialogue is the day after a discussion in which Socrates has described his ideal state - as in the 'Republic'.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Alcibiades I by Plato (Πλάτων).As Jowett relates in his brilliant introduction, 95% of Plato's writing is certain and his reputation rests soundly on this foundation. The Alcibiades 1 appears to be a short work by Plato with only two characters: Socrates and Alcibiades. This dialogue has little dramatic verisimilitude but centres on the question of what knowledge one needs for political life. Like the early dialogues, the question is on whether the virtues needed by a statesman can be taught, on the importance of self-knowledge as a starting point for any leader. While this may be only partially the work of Plato, or even not his at all, Jowett favoured the work with his magisterial translation and appears to favour its inclusion in the canon of true works.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Phaedrus by Plato (Πλάτων).“For there is no light of justice or temperance, or any of the higher ideas which are precious to souls, in the earthly copies of them: they are seen through a glass, dimly…” Socrates and his earnest friend Phaedrus, enjoying the Athenian equivalent of a lunchtime stroll in the park, exchange views on love and on the power of words, spoken and written. Phaedrus is the most enchanting of Plato’s Erotic dialogues (capitalised in honour of the god). The barefoot philosopher urges an eager young acquaintance – who has allowed his lover’s oratorical skills to impress him overmuch – to re-examine the text of Lysias’s speech in the light of his own exalted (and Platonic) vision of Love. Not long ago this early example of literary dismantling was itself deconstructed by a contemporary sage - Jacques Derrida.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.

Phaedo by Plato (Πλάτων).Plato's Phaedo is one of the great dialogues of his middle period, along with the Republic and the Symposium. The Phaedo, which depicts the death of Socrates, is also Plato's seventh and last dialogue to detail the philosopher's final days (the first six being Theaetetus, Euthyphro, Sophist, Statesman, Apology, and Crito). In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock. Socrates has been imprisoned and sentenced to death by an Athenian jury for not believing in the gods of the state and for corrupting the youth of the city. The dialogue is told from the perspective of one of Socrates' students, Phaedo of Elis. Having been present at Socrates' death bed, Phaedo relates the dialogue from that day to Echecrates, a fellow philosopher.Featured on Plato Audiobooks.Public-domain recording courtesy of LibriVox (librivox.org).This episode includes AI-generated content.