Inspired by recent events, Anne looks back over the last few years, recalling how she once wished to marry the dashing Captain Wentworth yet was persuaded to give him up, resulting in his self-imposed exile. Time has provided Anne with wisdom over the event, particularly as she is still unattached. Anne’s youngest sister Mary reports feeling poorly and requests Anne’s company prior to journeying on to Bath. Whilst visiting her sister has its challenges, Anne makes some good-humoured new acquaintances.
This episode includes chapters 4 and 5 of Jane Austen's Persuasion.
We hope you enjoyed this episode of Ballarat National Theatre’s adaptation of Jane Austen’s Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.
This episode features the voices of:
Alix Roberts as Anne Elliot
Nicholas Barker-Pendree as Sir Walter Elliot
Jodie Mattingley as Mrs Clay
Fred Preston as Mr Shepherd
Breanna Geer as Mary Musgrove (nee Elliot)
This podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.
This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present.
This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.
This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance.
It is also supported by grant funding from the City of Ballarat.
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