Puerto Rico takes the field at the Bad Bunny Super Bowl

International Women's Day is more than a perfunctory holiday in many parts of Latin America. In Mexico City, for example, more than 120,000 people turned out on Sunday to protest femicide and celebrate the ongoing fight for basic rights for women in the country. In honor of the holiday, this week's episode debuts our female power anthems hall of fame, highlighting women in Latin music whose art challenged the status quo of their time. Plus, some on-the-ground reporting from Anamaria Sayre at the march in Mexico City.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On Feb. 21, the musical world lost a legend and pioneer of salsa: Willie Colón.The trombonist, songwriter, producer and arranger was a key part of the transition of Afro-Caribbean dance music from regional traditions to worldwide popularity. For an insider’s perspective on that history, this week we speak to trombonist and bandleader Angel “Papo” Vázquez, a Philadelphia-born musician who was not only inspired to play the trombone by Willie Colón, but also played on some historic recordings by Colón and other Fania Records notables.The best music tells great stories, and the same can be said about musicians. Vázquez brings along five tracks by Willie Colón that set him, and the rest of the world, on a path of deep appreciation for Colón’s contributions to salsa.This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya MohamedTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.Featured artists and albums:(00:00) Introduction(00:55) Quevedo, 'NI BORRACHO'(05:02) Joey Quiñones, 'In a Soul Situation'(12:24) Carolina Mama, 'Amina'(15:31) Elipsis, 'Elipsis'(19:22) Da Cruz, 'Som Sistema'(23:46) Sofía Rei, 'Antónima'This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

So, I was away for a bit and the new music just piled up during the holidays, and while we were watching Bad Bunny make headlines at the Grammys and the Super Bowl. Our first new music episode of the new year has quite a variety of styles from lots of different countries. We could say that about just about every new music show we produce. But what are we to do when the amount of creativity that comes our way pretty much overwhelms us? Jump in for a summertime journey through the many sounds of Brazil, a fusion of indigenous and contemporary styles, and a lost relic of Mexican rock from the 1970s. - Felix Artists and albums:(00:00) Introduction(01:20) Amaro Freitas, Criolo, and Dino D'Santiago, 'CRIOLO, AMARO E DINO'(09:19) Javier Jara, 'Our Rhythms, Our Voices'(13:19) Infinito Latente, 'Sem Início Nem Fim'(19:19) Ernan Roch Con Las Voces Frescas, 'La Onda Pesada'(24:52) João Menezes &  Paulo Novaes, 'Coisa Híbrida'(30:02) Líber Terán, 'Canciones Del Desierto'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bad Bunny's Super Bowl halftime show was many things: a time-traveling journey through the history of Puerto Rico, a statement of pan-American unity, and a masterpiece of cultural expression. This week, co-hosts Felix Contreras and Anamaria Sayre are joined by Isabella Gomez Sarmiento — who brings on-the-ground reporting from San Juan — to unpack the symbolism embedded in Bad Bunny's performance.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Last Sunday, Bad Bunny's 'DeBÍ TiRAR MáS FOToS' became the first exclusively Spanish language album to win album of the year at the Grammys. This coming Sunday, the Puerto Rican megastar will perform at the Super Bowl halftime show. For this week's episode, Anamaria Sayre and Isabella Gomez Sarmiento chat about what these two moments mean for Bad Bunny, the island of Puerto Rico, and the role of Latin music in America more broadly.This podcast was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This month we’ve been looking at the music of Venezuela from a lot of different angles. For this episode, we’ve invited trumpet player and producer Ella Bric to be our guest DJ. She shared what she thinks are the most socially, culturally and politically impactful pieces of music to come out of Venezuela in the last half century.Ella Bric grew up in a migrant-rich town in Venezuela called San Antonio de los Altos, surrounded by a culturally-minded, socially conscious community. She’s now based in New York, and in recent years has positioned herself as a prolific producer on the rise in the Latin music space. In 2018, she won a Latin Grammy for Producer of the Year, and she says her art comes from a curiosity about the state of the world and her desire to reflect that.(00:00) Introduction(01:46) La Vida Bohème, 'Hornos del Cal'(06:41) Betsayda Machado & Parranda el Clavo, 'Sentimiento'(11:35) María Rodríguez, 'Los Dos Titanes'(15:11) Ali Primera, 'Techos de Cartón'(19:52) Linda Briceño & Orlando Watson, 'Unfinished Song'(24:38) Desorden Público, 'Politicos Paraliticos'(27:36) Bucle Lunar, 'Subió El Maldito Dolar'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sometimes life imitates art - or at least the two can seem eerily connected. On Jan. 1, the Venezuelan band Rawayana released a new album, '¿Dónde Es El After?,' which began with a lyric that many interpreted as a wish for their country's leadership to be gone. A few days later, Venezuelan President Nicolás Maduro was ousted from power and seized by American forces. For this week's episode, we chat with Fofo Story and Beto Montenegro of Rawayana to hear how the album came together, where its sonic influences lie, and how they're reflecting on the seismic changes underway in their home country.(00:00) Intro(01:54) How they decided to open the album(06:26) On the song 'Qué Rico PR!'(09:36) Caribbean influences growing up(13:41) Childhood love for merenhouse(16:13) Adapting tonada folk music(21:58) Reflections on Venezuela in this momentThis podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Over the weekend, we lost a musician who shaped the lives of countless people: the late, great Bob Weir. He was a founding member of the Grateful Dead who played guitar, wrote and sang in the band for 30 years. After Jerry Garcia died and the Grateful Dead disbanded in 1995, Weir kept the spirit of the music alive for three more decades, creating new Deadheads for generations to come — he brought John Mayer, Billy Strings and even the National Symphony Orchestra into the Grateful Dead universe. The Deadhead slogan proved to be true: Weir everywhere.At Alt.Latino, we’re big fans of Bob Weir and his immensely cosmic musical legacy. Over the years, we’ve learned that many Latin musicians are also, metaphorically speaking, on the bus. Today on the show, we celebrate Bob Weir’s life by hearing some of his past interviews on NPR, exploring the Grateful Dead’s influence on artists like Devendra Banhart, and of course, revisiting his magnetic Tiny Desk concert from 2019. We’re incredibly grateful that Bobby came down to this world for a little while to tell us his stories – we hope to see him in the next one. (00:00) Intro(01:38) Bob Weir's early life and Grateful Dead career(08:05) Grateful Dead at the National Symphony Orchestra(14:30) Felix and Isa reflect on 'American Beauty'(20:35) Grateful Dead's impact on Latin musicians(26:33) Bob Weir at the Tiny DeskThis podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Venezuela has a deep tradition of reflecting political change through music. This week, as the country reels from the seizure of its president by American forces, we explore the recent history of Venezuelan protest music, and from the Nineties right up until the present. First, we share an excerpt of an episode we made at another moment of political turmoil in Venezuela, in the summer of 2024. Then, we'll walk up to the present and see how some musicians across Latin America are responding to this moment. And a big thanks to NPR Music's Isabella Gomez Sarmiento for being our guide.(00:00) Intro(02:06) A history of Venezuelan protest music(13:39) Social and economic changes under Nicolas Maduro(14:53) Venezuelan protest music in recent years(22:21) How artists across Latin America are respondingThis podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy