Jessica Clarke, "A New History of Ancient Roman Theatre" (Liverpool UP, 2025)

Aaron Gwyn is the author of four novels: The World Beneath, Wynn’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue’s own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity’s Rainbow. John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera. Larry McMurtry’s hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Options for Success: A PhD's Guide to Navigating Career Transitions and Thriving in Your Next Professional Chapter (Oxford UP, 2025) is a transformative, step-by-step guide designed for early to mid-career academics exploring career paths beyond faculty roles and into careers in industry. This book speaks directly to PhDs asking "What's next?" as they consider their career options beyond the faculty. Blending narrative, practical workbook exercises and real-life examples, Options for Success empowers readers to reimagine their career expectations, navigate the complexities of career transition, and align their professional paths with their personal values and goals.At the heart of this guide is the Options for Success framework, a seven-step process that takes readers through the phases of career change-from Detox, making mental and emotional space for new opportunities, to Onboarding, integrating into new roles with insight into workplace dynamics. With tools like the Ecosystems and Economies framework and Professional Profile Pillars, readers can inventory their skills, evaluate their core strengths, and identify careers that align with their values. The Translational Power of Action Verbs exercise encourages academics to shift from a "knowing lens" to a "doing lens," while the Power Story Method helps them translate their achievements into impactful stories that resonate with potential employers.The book also addresses the "messy middle" of job searching, equipping readers with strategies to maintain momentum and resilience through self-care practices and targeted skills building. Unlike traditional career guides, Options for Success is rich with templates, scripts, and sample materials, from hybrid CV-résumés to informational interview guides and bios, offering readers the practical support they need to articulate their unique value effectively.Career transition stories from PhDs across disciplines illustrate the real-world application of these principles across a range of fields and roles, showing diverse pathways into impactful, fulfilling careers. Written in a coach's voice-approachable, empathetic, and filled with generative questions-Options for Success feels like having a personalized career coach, guiding readers to explore, evaluate, and act with confidence. Options for Success is an essential companion for any PhD ready to transition beyond the faculty and into new professional possibilities. Fatimah Williams, Ph.D., is an executive coach, speaker, and founder of Professional Pathways. A cultural anthropologist with over 15 years of consulting experience, she has advised organizations like the National Institutes of Health, the Urban League, and more than 30 colleges and universities on leadership development, organizational strategy, and career growth. Her thought leadership appears in both academic and popular outlets, including The Chronicle of Higher Education and Essence. A former career services leader at the University of Pennsylvania, she also has served on the board of the University of Virginia Alumni Association and the advisory council of the Zimmerli Art Museum. She is the author of three books, Be Bold, Professional Pathways Planner, and her newest book, Options for Success, published by Oxford University Press, which guides PhDs through career transitions and the messy middle of reinvention. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Manuela Ceballos’ new book Between Dung and Blood: Purity, Sainthood, and Power in the Early Modern Western Mediterranean (University of California Press, 2025) engages with the life and legacies of two sixteenth-century saints; the Spanish Christian Teresa de Jesús (also known as Teresa of Avila) and the Moroccan Sufi Sidi Ridwan al-Januwi. The book draws from rich Arabic and Spanish sources that moves us between Morocco and Iberia. In the process, we learn that these saints both descent from families of converts and as such blood and bodily pollution operated as material and metaphoric symbols to define their identities. Through this generative comparison, we see how constructions of blood and dung circulate across these varied but entangled temporal geographies to constitute notions of impurity and purity, such as in the case of the deathly hemorrhaging experienced by Teresa. In end though blood is used to set different boundaries around religious or racial identities, and even at times gender norms. As such, the discourses that are utilized for such argumentations are not stable, and so blood and how it is deployed is not the same across the stories of these two saints and their enduring legacies nor does it refract power consistently. This book will be of interest to those who think about embodiment, material culture, the early modern Mediterranean world, and Christian-Muslim mysticism. Manuela Ceballos is Assistant Professor of Religious Studies at the University of Tennessee, Knoxville. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series. Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU’s Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary’s Lies We Tell. Horne was the executive producer of WNYC’s Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today. NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio’s Season 2 “Seeing White,” and Season 4 on the history of American democracy. Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy. Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s audiobook The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black Power, Inc.: Corporate America and the Rise of Multinational Empowerment Politics, (U Pennsylvania Press, 2026), traces the rise of Black empowerment politics in the United States and Africa. On a cold January day in 1964, civil rights minister turned entrepreneur Rev. Leon Howard Sullivan declared to a group of supporters gathered to witness the launch of Sullivan’s latest venture, Opportunities Industrialization Centers, Inc., “The day has come when we must do more than protest—we must now also PREPARE and PRODUCE!” Occasionally linked with the movement for Black Power, Sullivan and others, including Coca-Cola vice president Carl Ware and Atlanta mayor Andrew Young, were in fact architects of Black empowerment—an intellectual and political movement that championed private enterprise as the key to Black people’s prosperity.Jessica Ann Levy traces Black empowerment’s rise in American politics—from early twentieth-century influences including Booker T. Washington and Marcus Garvey to the cities of postwar America into corporate boardrooms and government offices—and across the Atlantic Ocean to Africa. Civil rights leaders, Black entrepreneurs, white corporate executives, and government officials all championed Black empowerment as a means to address multiple crises in US cities and to blunt some of the more radical aspects of the Black Power movement. Black empowerment politics likewise found application overseas in various Cold War efforts to promote American-style free enterprise in Africa. This was especially the case in South Africa, where US corporate executives and government officials wielded Black empowerment politics to oppose apartheid and divestment.By the early twenty-first century, the idea that private enterprise, including small-scale entrepreneurs and large multinational corporations, should play a leading role in combating racial inequality and empowering Black and other marginalized people featured prominently in various policies and programs at the local, national, and international level. By tracing Black empowerment politics’ evolution, Black Power, Inc. explains its popularity, championed by leaders from Bill Clinton to Nelson Mandela, while also revealing its role in expanding US corporate power, locally and globally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Conor Mc Donnell about his long poem, What We Know So Far Is...(Wolsak & Wynn, 2025). The Irish word for shadow, “scáth,” is also our word for shelter. In a powerful long poem that captures the disquiet of our age with cinematic language and imagery, Conor Mc Donnell’s What We Know So Far Is … harkens back to the previous century in its daring. Drawing from his Irish heritage, his experience as a pediatrician and many other sources, Mc Donnell has created a work that echoes the scope of T.S. Eliot’s The Waste Land and Hart Crane’s The Bridge. Both ecstatic and challenging, the lines of the poem are filled with allusions and references, with biology shading into history into cultures both ancient and contemporary, where words are predators and “memes disseminate cultural-genes.” Through it all runs Mc Donnell’s fascination with language, ever shifting, beguiling, mutating, virus-like. In these questioning, DNA-like lines, Mc Donnell shows us how to unmake and remake our understanding of the world. Dr. Conor Mc Donnell is a poet and physician at the Hospital for Sick Children, Toronto. He is the author of two collections of poems (most recently, This Insistent List) and three chapbooks. His poetry has appeared in various Canadian and international publications as well as noted medical journals such as JAMA and CMAJ. He is an associate professor at the University of Toronto and editor in chief of Case Repertory, a Narrative-Based Medicine Lab publication that seeks to engage and promote the voice of the patient in collaboration with their health-carers. He is a frequently invited international lecturer on pediatric perioperative care, error prevention and opioid stewardship, and he is current vice-president of the Canadian Pediatric Anesthesia Society.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Radical Spanish Empire: How Paperwork Politics Remade the New World by Jorge Cañizares-Esguerra and Adrian Masters (Harvard UP, 2026) is a groundbreaking history of political struggle in the Spanish New World, where commoners and elites alike challenged the social order through the remarkable power of paperwork. As Spanish conquistadors swept through the New World, the Crown envisioned that a rigidly hierarchical aristocratic order would flourish in their wake. At first, this vision seemed to be within reach: the great conquistadors ruled as noblemen over millions. Yet contrary to all expectations, the Spanish empire in the New World quickly became a hotbed of radical efforts to overturn the emerging order. With the conquistadors in retreat, new enclaves controlled by powerful friars and native lords arose. But they too collapsed, again to the surprise of many. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, Nemesis (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance? Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University). This reading and discussion originally took place on May 18, 2011. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,’ and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development. Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law. In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really? She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception. The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes. With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College www.janescimeca.com @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network