iBookBinding Podcast podcast

Design Bindings of the Booker Prize 2021 - Tom McEwan [Bookish Talk #27]

0:00
48:44
15 Sekunden vorwärts
15 Sekunden vorwärts
We continue our Booker Prize bindings series with Tom McEwan 🔴 Support iBookBinding! Become a patron: https://www.patreon.com/ibookbinding Pledges start with only $1 / €1 / £1 per month. This time we return to our Booker Prize bindings series to discuss the binding of A Passage North by Anuk Arudpragasam which was created by Tom McEwan. Tom is an award-winning bookbinder and the first Scottish guest on our podcast. It was a great pleasure to discuss his creative process. We have also recorded another episode of the podcast with Tom where we discuss his career and some aspects of being a bookbinder in Scotland. This video will be published later. Watch this episode on our YouTube channel: https://www.youtube.com/watch?v=21f0IUufTfQ Brought to you by iBookBinding. Bookbinding resources and tutorials: http://www.iBookBinding.com You can ask our future guests questions on: Instagram — https://www.instagram.com/ibookbinding/ Discord — https://discord.gg/TJY5FeS Facebook — https://www.facebook.com/iBookBinding/ Follow Tom's projects: Instagram: https://www.instagram.com/tmcewan/ Website: http://mcewan.co.uk/tm/ 00:00 – Beginning 00:38 – Tom’s bindings made for the Booker Prize shortlist 01:38 – A Passage North by Anuk Arudpragasam 04:36 – How the sheets for the Booker Prize bindings arrived 05:20 – Beginning to work on the edge decoration 05:52 – Using the sheets of blank paper to fill in the shoulders of the book while pressing 06:33 – Where to start: design concept or directly binding 07:53 – Working on the edge 08:43 – Using gold foil for gold tooling 09:19 – Dyeing leather for the cover 14:53 – How many layers of color does Tom usually apply to his design bindings? 17:03 – How long does the first stage (dyeing, silk screen printing) of work takes? Using the hair dryer to speed up the process 19:42 – The finished binding 24:41 – Tom’s favorite part of the bookbinding process 27:42 – How does Tom know that his design is finished? 30:42 – Has Tom’s taste changed through the years? 32:00 – What if other people modify your bindings? Collaborations in bookbinding 34:42 – Tom’s attitude toward the boxes for the bindings 36:01 – Tom’s approach to making bindings for the Booker Prize shortlist 40:36 - Difference between binding old/famous and modern/brand new books 45:01 – Where in the world you can find Tom’s bindings

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