Furiosa: A Mad Max Saga

Talk about emotional stakes. This week, we share our (ahem) feelings on Inside Out 2, the direct sequel to Pixar's breakout hit Inside Out from 2015. This time with Kelsey Mann taking over directorial duties in his debut alongside screenwriters Meg LaFauve and Dave Holstein. The film features the voice talents of Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan from the previous film with newcomers Maya Hawke, Kensington Tallman, Tony Hale, Liza Lapira, Ayo Edebiri, Lilimar, Grace Lu, Sumayyah Nuriddin-Green, Adèle Exarchopoulos, and Paul Walter Hauser. Inside Out 2 opened to huge box office on June 14 and has a 96-minute runtime. Our intro music this week is “Non Peut-Etre” by daoud. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

We're definitely not mad or furious! That's right, we're finally discussing Furiosa: A Mad Max Saga, which serves as a prequel to George Miller's triumphant Mad Max: Fury Road from 2015. Miller returns as director of course, this time with Anya Taylor-Joy starring as Furiosa (and Alyla Browne during the character's younger years). The cast also includes Chris Hemsworth, Tom Burke, and Lachy Hulme. Furiosa: A Mad Max Saga opened in theaters on May 24 through Warner Bros. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

It wasn't easy, but we managed to release this episode of Cinemaholics not on a Monday...unless you're on the east coast. Special guest Matt Serafini returns to the show this week to help us review The Garfield Movie, directed by Mark Dindal and featuring the voice, uh, talents of Chris Pratt, oh and also Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Guillén, Brett Goldstein, Bowen Yang, and Snoop Dogg. It opened in theaters on May 24 through Sony Pictures Releasing. Read Will Ashton's written review of The Garfield Movie here. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Looks like the ball's in our court. This week we finally discuss Challengers, the newest film directed by Luca Guadagnino (Call Me By Your Name, Suspiria, Bones and All) and written by Justin Kuritzkes. This feisty psychological sports drama stars Zendaya, Josh O'Connor, and Mike Faist as three tennis players with some, ahem, fluid connections that transpire over the course of their respective careers. The film hit theaters in late April through Amazon MGM Studios. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Cinemaholics together strong. That's right, we're talking about Kingdom of the Planet of the Apes this week, the fourth film in the Planet of the Apes prequel reboot franchise, which kicked off with Rise of the Planet of the Apes in 2011. Wes Ball (Maze Runner) takes over as directer with Josh Friedman as the screenwriter, and the cast includes Owen Teague, Freya Allan, Kevin Durand, and Peter Macon. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

What kind of Cinemaholic are you? While Jon Negroni is out of the country, Will Ashton and special guest Cory Woodroof hold down the fort, so to speak, and discuss Alex Garland's explosive new film, Civil War. A24's most expensive film to date, and likely to be one of their highest grossers to boot, the war drama stars Kirsten Dunst, Cailee Spaney, Wagner Moura, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons, and it has had everyone talking since it blew into theaters on April 12. Find out what the Will Forces and The Republic of Cory have to say about this election year blockbuster. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

The 96th Academy Awards have exited the building, but we're just getting started on talking Oscars 2024! We discuss the nominees and pick our own winners, while also recapping the "actual" winners from the "actual" ceremony. Will the Cinemaholics agree with the Academy, or even (gasp) each other?! Don't change the channel if you want to find out! Our intro music this week is the opening television intro for "Sickle & Ebert: If We Picked The Winners" from March 24, 1990. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

This week, we finally discuss the release and reception of Dune: Part Two, directed by Denis Villeneuve. After a delayed release and somewhat botched streaming strategy with the last film, Warner Bros. gave the sci-fi epic another chance to spice up the box office. But does Dune: Part Two fulfill the prophecy of that last film and Frank Herbert's 1965 novel? Dune: Part Two opened in theaters on March 1. It was directed by Denis Villeneuve, who co-wrote the screenplay with Jon Spaights. The film stars Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Dave Bautista, Stellan Skarsgård, Charlotte Rampling, and Javier Bardem, Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Souheila Yacoub. Our intro music this week is “Tarantino Margarita” by l’eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Discussion Points:  Unpacking the backstory of these movies The delayed release and why streaming too soon didn't work The Chosen One Trope and how it's subverted Our general takes on the film and if it's "fulfilling" Christopher Walken's performance...yay or nay? Sandworms. That is all. Adapting Dune to make it more accessible... Why we care about Paul Atreides What makes the film immersive and "weird" Villeneuve's passion for this story The ideal theatrical experience and impact of the music What will Villeneuve do next? Rotten Tomatoes Game: What do critics and audiences generally think? Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

It's an unofficial "It Ain't Ogre 'Til It's Ogre" podcast reunion! Special guests Matt Serafini and Chris Sheridan join us this week to discuss Madame Web, starring Dakota Johnson. We delve into the broader multiverse of Sony's Spider-Manmovies and its unholy trinity of "villain movies." Who is Madame Web? What's going on with that ADR? How did this movie actually happen? What are we doing with our lives?! Madame Web opened in theaters on February 14. It was directed by S.J. Clarkson and the cast also includes Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. Our intro music this week is “Tarantino Margarita” by l'eupe. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Discussion Points:  It Ain't Ogre 'Til It's Ogre really is over! We promise! Sony's plan with Venom, Morbius, and Madame Web, and Kraven and blah blah blah. The role of Cassie Webb as a plot device character in the comics The marketing was misleading! Dakota Johnson's disastrously great press tour for this movie The plot and the plot holes, the lack of effort, the lack of everything Enjoying this movie unironically? Sony's attempts at creating a cinematic universe with its superhero movies have been... What's next for Sony and Columbia Pictures at this point? The Rotten Tomatoes Game: what do critics and audiences think? Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

This week on Cinemaholics, Jon Negroni and Will Ashton discuss the new dark comedy road film Drive-Away Dolls, directed by Ethan Coen — who co-wrote the film with Tricia Cooke — and starring Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, Matt Damon, and Will Ashton. Will is of course excited to talk about the film since he shows up in it as an extra, along with his car. But Jon expresses some disappointments he had with the movie's script and editing choices. Drive-Away Dolls opens in theaters on February 23 through Focus Features. Our intro music this week is “Midnight Swing” by Rudy Raw & yosev Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Discussion Points:  Why our listeners might enjoy working on a film set if that opportunity ever comes their way! Why some critics stop reviewing films after working in the industry Jon and Will talk about how Ethan and Joel Coen have fared as solo filmmakers thus far. Jon explains the setup of Drive-Away Dolls, including its development hell production, and gives some broad criticism while Will defends its humor and political themes. Will considers the movie quite breezy at just 84 minutes. Pedro Pascal's role in the film is minimal and does not contribute much to the overall story. Jon argues the movie suffers from awkward staging and a lack of engagement, making it difficult for viewers to connect with the characters and plot. Inconsistencies in the script suggest that certain elements may have been cut or altered during production, resulting in a disjointed viewing experience. Jon describes the movie as a collection of vignettes that vary in quality, with some being entertaining and others falling flat. Will appreciates the humor of the opening scene and how it made him feel at ease about the rest of the film Jon's overall takeaway is that Drive-Away Dolls fails to leave a lasting impact and is not particularly memorable. Audience reactions and reviews for the film are not yet available, but Jon and Will express curiosity about others' opinions. Jon and Will play the Rotten Tomatoes game for Vacation Friends 2 (for some reason), speculating on its critical and audience scores. Upcoming topics might include discussions on Madame Web and Bob Marley: One Love, as well as Netflix's live-action adaptation of Avatar: The Last Airbender. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.