Episode 61: Justin Burford – End Of Fashion

Cast your mind back 20 years and you might be taken right back to a moment in time where one of the most exciting Australian bands out there on the scene was none other than End Of Fashion.Formed in Perth by Justin Burford, who was at the time a member of The Sleepy Jackson, End Of Fashion found itself slowly finding fame thanks to constant airplay on triple j, and by the time 2005 rolled around, the group were readying their debut album.I can speak from experience when I tell you that it was pretty hard to ignore the stark black and yellow colour scheme of the band's debut album and singles, and equally hard was it to overlook singles such as 'O Yeah' and 'The Game.'ARIA Award winners with loads of potential, End Of Fashion unveiled a few new albums over the coming years, but ultimately went a bit silent in the following years. However, there have been a few singles since 2020, and this year, the group will be putting out their self-titled debut on vinyl and hitting the road for a national headline tour.Speaking as someone who actually saw End Of Fashion back in 2006 as part of my first 'real' concert experience, I can't tell you how excited this makes folks like myself.As you might be able to gather by this point, I was lucky enough to be joined by the musical mastermind that is End Of Fashion's Justin Burford this week. And yes, I certainly did ask if he remembers that 2006 gig.Anyway, have a listen to End Of Fashion's back catalogue (and their self-titled debut), buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you know me (or simply listen to the podcast – both are very good options), then you'd likely know how much I like to surround myself with musicians I both enjoy and respect. Frankly, with that in mind, I reckon you can't go past someone like Ashlea Jaye.A lifelong lover of music and a self-described theatre kid, Ashlea has been a supporter of music for as long as I've known her. If you're from Adelaide, you might know her from her time hosting the Peripheral Noise show on Three D Radio, or you might know her from musical groups such as Twin Decoy or Left On Seen.It's the latter which might jog your memory the most, with the duo (which also comprises Will Adam) releasing some stellar music in recent years. Whether it's the killer debut single "Life Support," their cover of SZA's "Kill Bill," or their brilliant 'Wilted' EP from this year, you can't go wrong.Alongside that though, Ashlea is also a huge supporter and advocate for those with disabilities both in and out of the music scene. An AuDHD, disabled artist, creative, musician, singer, and writer who juggles so much in her day to day, the fact that July was Disability Pride Month felt like an immensely fitting time for us to speak.Also, because it's the month in which Left On Seen will play a stellar hometown show as part of Fangz' album launch tour. It's also going to be a special one, but I'll let Ashlea tell you why that is…Oh, in case you couldn't tell, Ashlea is my guest on this week's podcast! Needless to say, I'm always happy to use this podcast to showcase musicians who I call friends, and this was a great opportunity for Ashlea and myself to just nerd out for… a long time.Anyway, have a listen to Left On Seen's back catalogue, buy a ticket to their upcoming show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Ever since they released their debut single back in 2019, Queensland alt-rockers Cardboard Cutouts have been determined to keep themselves moving. Whether it's trying new things on the writing or recording front, or simply looking towards myriad artists for inspiration, it's easy to see they're a group who aren't happy to stay in one lane.Indeed, these past few years have seen the group slowly grow and evolve with each and every release, with EPs such as 'Weekends' and 'Patchwork' now giving way to their debut album, 'Politics & Footy Tips.'An impressive piece of work for the group, it's a record built upon combined decades of musical appreciation, and clearly focused on the shuffle feature. With each and every track feeling like its own little world, so too does the music ebb and flow, showcasing their varying musical approaches and their associated talent.What I'm trying to say is that it's a corker of a record that's worth your time.This week, Eliot Argus of Cardboard Cutouts was kind enough to join me for a far-reaching chat where we discussed everything from rockabilly bands to Norwegian black metal (though the latter one might have been me).Anyway, have a listen to Cardboard Cutouts' 'Politics & Footy Tips,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For a few years now, the Australian music industry has been home to a band whose current iteration has roots spanning back decades.In the early '90s, the Sydney scene featured an indie-rock trio dubbed The Templebears. Issuing three releases across as many years, the group never released a debut album, ultimately splitting around 1992.Its members would soon find themselves playing in bands such as Big Heavy Stuff and Atticus, before eventually re-emerging as The Templebears around 15 years ago.Fast-forward to 2019, and those same members were still playing together, but this time they'd adopted the name The Electorate to represent their new sonic focus. That trio would release their debut album, 'You Don't Have Time To Stay Lost', in 2020, and I highly recommend it if you've got the time.Now in 2025, they're back once again with a second record, this time called 'By Design'. Like its predecessor, it's exceptional, with a bit of growth and musical evolution on display.This week, I was lucky enough to chat to Josh Morris of The Electorate to discuss the band's history and its journey from conception to dissolution, and from reformation onwards to rebirth.Anyway, have a listen to The Electorate's 'By Design', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're someone who likes their music a little bit dreamy, a little bit hazy, and a whole lot of brilliant, then you need to point your peepers toward New Zealand, where Auckland's Phoebe Rings have been providing just that for some years now. Initially beginning as something of a solo project for Crystal Choi, it swiftly expanded, bringing together a group of stellar artists to form what we now know today as Phoebe Rings.Of course, if you look a bit closely, you might recognise some of the artists in the mix. While Simeon Kavanagh-Vincent has performed with Princess Chelsea, Alex Freer has served as a member of Tiny Ruins, and Benjamin Locke's name can be found over myriad New Zealand releases.After releasing a debut EP a few years back, the group slowly worked toward the next logical step, debut album 'Aseurai.' If you've listened to it, then you'd already know just how amazing it is, and if you've not listened to it, then maybe check it out before you listen to me ramble for the next hour.Either way, Crystal and Simeon were kind enough to join me for a chat this week, and I can't thank them enough for their time and their wonderful insights. Anyway, have a listen to Phoebe Rings' 'Aseurai', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Are you someone who likes their music with a bit of energy and a bit of fun? Then let me point you towards Bakers Eddy.Formed in Wellington, New Zealand when its members were still quite young, the group found itself crafting a pop-punk sound and issuing a few tracks and an EP before heading west and relocating to Melbourne, Australia.Since 2017, Bakers Eddy have been an Australian band in location only, with the group's profile consistently rising ahead of their debut album, 'Love Boredom Bicycles,' in 2022. And rightly so – it's a solid record and one that definitely shows the level of passion and skill they bring to their craft.Since then though, things had been a bit quiet, with the group largely remaining silent on the recording front until this year. That's not to say they've been taking it easy – with appearances both at home and abroad, there's been plenty of activity, but we didn't get new music until the singles from their latest EP, 'I'm Doing Better.'A solid release that really captures the band's maturity and their growth as songwriters and people, it's a record that's certainly worth your time.To celebrate its release, I was lucky enough to have a chat with Ciarann Babbington from the band about their history, and everything that has led up to the new EP.Anyway, have a listen to Bakers Eddy's 'I'm Doing Better,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For over 20 years now, music-lovers of the world have been lucky enough to exist within the same timeline as The Spill Canvas.Formed by Nick Thomas back in 2001, the group rose to fame throughout the decade, with their work equally being categorised as alternative rock, emo, pop rock, and more. Thanks to releases like the 'Denial Feels So Good' EP, 'One Fell Swoop,' and 'No Really, I'm Fine,' the group managed to make a name for themselves as one of the finest groups in the genre.Of course, they've never exactly had the mainstream success that some of their counterparts have had, but I'll be damned if they don't deserve as much – if not more – kudos than many other of their contemporaries.This July, The Spill Canvas make their way down to Australia for the first time, touring in support of the 20th anniversary of 'One Fell Swoop.' They'll also be joined by The Juliana Theory, who are themselves celebrating 25 years of the 'Emotion Is Dead' album.No matter how you slice it, a good time will be had by all.This week, I was lucky enough to be joined by Nick Thomas, who was kind enough to put up with my fanaticism of the band while I asked some probing questions.Anyway, have a listen to The Spill Canvas' 'One Fell Swoop,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

When it comes to explaining Private Function in just a few short paragraphs, there's a lot of difficulty at play. After all, they're a Melbourne punk outfit who have been around for close to a decade now, pumping out blistering tunes while employing a visceral sense of humour as they use their platform to succeed in the rock world while simultaneously turning the genre back on itself and laughing at it.Over the years, they've released albums like their Metallica-referencing debut 'St. Anger' and '370HSSV 0773H,' which was banned in South Australia due to its scratch-off competition cover. Alongside that, they've released myriad vinyl variants and even issued records filled with bags of speed and members' own urine. Needless to say, they don't do things by halves.This month, they release their fourth album, which is titled '¯\_(ツ)_/¯.' In an effort to make life difficult for folks like me, that's the shrug emoji and it's pretty much unpronounceable. However, it does come with an official title, but that title is included within the thousands of individual album covers included on the album artwork.I've interviewed Private Function numerous times over the years, but to get to the bottom of this new record, I decided to call up vocalist Chris Penney and catch up with him to record an episode of the podcast. As always, it's a little bit intriguing, a little bit weird, and a little bit on-brand for fans of Private Function.Anyway, I strongly urge you to check out Private Function's new album '¯\_(ツ)_/¯,' and once you’re done giving that a spin, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Anyone who knows me knows that I love a good lyricist, and then that means you should definitely know the great Craig Finn.For the uninitiated, Craig was the man behind the likes of Lifter Puller, and following their split in 2000, he moved from Minneapolis to New York City and, well, didn't do much. That was, until he formed The Hold Steady after being inspired by the likes of Drive-By Truckers.If you've not yet listened to The Hold Steady, then you need to do me a favour – turn off this podcast and go and listen to them right now. Of course, if you're already across their stellar discography you'd know the sort of power and impact that their performance style, and Craig's stunning lyricism, brings to the table.While it's just been a couple of years between records for The Hold Steady, Craig has remained active as ever, issuing the exceptional 'Always Been' album only a few weeks ago. It's certainly one that you need to hear right away.This week, I was lucky enough to be joined by Craig for a wonderful chat about his musical history and latest solo record.Anyway, have a listen to Craig Finn's 'Always Been,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're someone who hasn't yet listened to Propagandhi, then I'm sure you're about to have the time of your life as you discover their eclectic and celebrated discography.Forming in Canada back in 1986, they've been a going concern for close to four decades now, though it wasn't until 1993 that they released their first album. After a few years, they released 2001's 'Today's Empires, Tomorrow's Ashes,' which is often considered to be a seminal record in the world of political punk music. Personally, it's an album that I fell in love with thanks to its lyrical focus and high-energy intensity, and I've been a fan ever since. But that's not the peak of their career, by far, because as the years have gone on, Propagandhi have occasionally returned with a new record, reminding us of just how amazing and important their work is. This year, they returned with 'At Peace,' their eighth record and their first in as many years. Needless to say, it's a special moment for punk fans the world over when Propagandhi returns.This week, I was lucky enough to have a wonderful chat with the group's vocalist and guitarist, the legendary Chris Hannah. For someone as ferocious as Chris is on the live stage, it's hard to imagine someone as reserved, thoughtful, and wonderful as a guest, and I'm truly grateful for him to join the podcast.Anyway, have a listen to Propagandhi's 'At Peace,' cross your fingers for their live return, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.