Project Hail Mary vs. The Intern: Theory Of Objectivity

Two movies about the dehumanizing nature of power and the surprising freedom of being boxed in — it's One Flew Over the Cuckoo's Nest vs. Send Help. This week, Emily puts a beloved classic up against a 2026 sleeper hit that she firmly believes should sweep the Oscars. On one side: the 1975 five-time Oscar winner One Flew Over the Cuckoo's Nest, starring Jack Nicholson and Louise Fletcher. On the other: Sam Raimi's Send Help, starring Rachel McAdams aka the thinking man's Jack Nicholson. Both films ask what happens to people when systems strip them of their humanity and what they do when they finally claw some power back. Spoiler: they don't always use it nicely. Emily breaks down why Louise Fletcher's Nurse Ratched is more terrifying in her subtlety than in her reputation, why Brad Dourif deserved that Oscar, and is shocked to learn that Christopher Lloyd was a hunk. Then she makes the case for Send Help, a survival horror comedy that does magical heartbreaking work with a chunk of tuna.  Also covered: Jack Nicholson's bro-noir filmography, method acting gone too far, and the frustration of how people who play the game better earn our trust over the people that are actually competent.    Referenced in the episode: Movie Reviews in 20 Q's - Send Help

Two movies about a young woman entering a world that is ready to eat her alive and aligning with the most dangerous person in it — it's The Silence of the Lambs vs The Devil Wears Prada. In this episode, Emily breaks down how these two wildly different films tell the same story about ambition, mentorship, and what it costs to learn from someone who could destroy you. If you love film analysis that goes deeper than genre, this is a solid episode to start with.

Two movies about unlikely friendships and learning from people different than yourself — it's Project Hail Mary vs. The Intern.  Project Hail Mary and The Intern couldn't look more different on paper, but both are stories about unlikely friendships that work because two very different people are willing to learn from each other. Emily unpacks how Ryan Gosling's sci-fi survival story and Anne Hathaway's workplace comedy share a surprisingly emotional core about humility, connection, and showing up for someone who didn't ask for your help. References from the episode:  LA Times interview with puppeteer James Ortiz. The Tasteless episode on what The Parent Trap has in common with The Girl With The Dragon Tattoo. 

Two movies about terrible fathers trying their best for their children — it's Finding Nemo vs. Trap.  Finding Nemo and M. Night Shyamalan's Trap are both stories about deeply flawed fathers going to extraordinary lengths for their children. Emily explores what Pixar's most beloved adventure and one of 2024's wildest thrillers reveal about fatherhood, obsession, and whether good intentions are ever enough.

Two movies about chasing a better life and contending with what a name can mean—it's Anora vs. Mousehunt.  Sean Baker's Oscar winner Anora and the 1997 slapstick comedy Mousehunt are both stories about people desperate to increase their position in the world and discovering that the name you carry (or don't) determines the game you're playing. Emily connects the dots between a young sex worker's bid for legitimacy and two brothers trying to cash in on an inheritance, revealing how both films interrogate class, ambition, and the American dream.

Two movies that explore how we see the world — it's They Live vs. The Hunt (2020). John Carpenter's They Live and Craig Zobel's The Hunt both force their characters, and their audiences, to confront how perception shapes reality. Emily examines how a 1988 cult classic about sunglasses that reveal hidden propaganda and a 2020 satire about political tribalism are both asking whether we can trust what we see, who we're told to fear, and what happens when everyone thinks they're the hero.

Two films where an unlikely duo are thrown together to contend with unfamiliar territory — it's Wicked vs. Rush Hour. Wicked and Rush Hour are both built on the same engine: throw two people who shouldn't get along into a world neither fully understands and watch what happens. Emily breaks down how the buddy-comedy structure powers both a Broadway-to-screen zillion dollar fantasy and a 1998 action classic along with what both films say about prejudice, partnership, and learning to see the world through someone else's eyes.

Two movies about communities coming together and the burden of loneliness — it's It's A Wonderful Life vs. Hot Frosty. It's a Wonderful Life and Hot Frosty are both Christmas movies about people who feel invisible and the communities that show up for them when it matters. Emily connects Frank Capra's enduring masterpiece to Netflix's latest holiday rom-com and asks why we keep telling the same story about loneliness during the season that's supposed to fix it. Whether you need a Christmas movie recommendation or a reason to finally watch Hot Frosty, this episode has you covered.

Two Thanksgiving movies about corporate greed and anonymity — it's You've Got Mail vs. Thanksgiving.  You've Got Mail and Thanksgiving are both set against the holiday season and both are quietly obsessed with corporate power and the danger of not knowing who you're really dealing with. Emily draws a line between Nora Ephron's cozy rom-com and Eli Roth's slasher about Black Friday carnage, revealing how anonymity and capitalism connect two films that couldn't feel more different on the surface. A perfect listen for the post-turkey food coma.

Two horror films where an established icon of terror meets their match — it's Terrifier 2 vs. Orphan: First Kill.